Ghetto

"Ride The Train" is officially OUT NOW everywhere : https://found.ee/RideTheTrain


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San Pacho - Ride The Train

Download/Stream >> fanlink.tv/spend_money

BLOND:ISH’s Abracadabra drops “Spend Money”, a brand new single from two of Brazil’s brightest upcoming names in dance, GREG & Pedroz.

GREG continues his rise through the global scene with standout releases on Hellbent, Terminal Underground, and Catch & Release. Fusing Balearic, Afro and Latin house influences, his signature style has garnered support from industry-leading names including Chris Lake, Michael Bibi, Vintage Culture, and Cloonee, with recent collaborations like ‘Still My Baby’ reaching #1 on Beatport’s overall chart.  

Joining him is 21-year-old prodigy Pedroz, whose blend of tech house, minimal and raw club energy has earned releases on Black Book, Nervous, Repopulate Mars, and beyond. With support from FISHER, Gordo, Lee Foss, and BLOND:ISH, he’s fast establishing himself as a hallmark name for high-impact club cuts. 


Spend Money

Stream/Download

GREG & Pedroz - Spend Money (ABRAX010)

House sensations Piem and Kirik join forces to reimagine an iconic 80s Italo disco Spanish anthem, turning it into a modern house gem with unstoppable energy. “Fotonovela” shines with a stunning vocal, playful synth work, and a bouncy bassline that brings timeless nostalgia straight to today’s dancefloors.

Piem, Kirik - Fotonovela - ERM266

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🛒 Buy from: https://www.beatport.com/track/sorry/20782119

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When it comes to crafting chunky grooves and warehouse-ready rhythms, Blu Leopard is the feline maestro we've all been waiting for. We're buzzing to premiere the 'Sorry EP', where Blu Leopard flexes his deep house and deep tech prowess like never before. Get ready for a sound that hits different in the small hours and rattles the warehouse walls.

From tech house beginnings with Colombian beat wizard Camilo Do Santos to dropping gems on Boogie Room Records and Piston Recordings, Blu Leopard is on a roll. His journey from old-school Chicago house to dub techno-infused magic is a sonic evolution that keeps us hooked. 'Sorry EP' is the latest chapter, and it’s got certified floor-filler material written all over it.

Drenched in influences from hip-hop to obscure cultural sounds, Blu Leopard creates a haunting concoction that makes East Berlin sweatboxes feel like home. With nods from house royalty like Eliza Rose, Jengi, and Alex Mills, there's a real buzz around this release. So, whether you're deep in a tunnel party or cruising a Croatia boat rave, 'Sorry' is your new secret weapon.

The 'Sorry EP' is out soon on The Boogie Room save that date, September 10, 2025. Make sure you grab this slice of dancefloor dynamite on Beatport and let Blu Leopard guide you through a wild ride of bass-heavy bliss.

Buy from Beatport

Blu Leopard - Sorry [The Boogie Room]

Get Naughty

Get Naughty (feat. Lauren Nicole)

For the new elrow Music release, Yaya and Freenzy join forces to deliver “Don’t Stop”, a track designed to tear up the dancefloor. Classic vibes meet the punch of a bouncy bassline and a catchy vocal, creating a proper club weapon with unstoppable energy, precision, and groove that keeps the crowd locked in from start to finish.

Beatport link

Yaya, Freenzy - Don't Stop - ERM267

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Heads up, ravers! Dimes 16 has just crash-landed, and it’s packing some serious heat for the autumn shift. Among the all-star lineup of underground maestros, Sokotta steps up with his signature "mature wubs" ready to knock the dust off any warehouse wall.

Ottawa's very own Sokotta, a.k.a. Daniel Shrum, is the brains behind this tech house delight. Since 2013, he’s been diving deep into the electronic abyss, fusing groovy house vibes with bass-heavy beats. If there's a groove with female vocals, you can bet Sokotta's wubs are all over it. He's not just a producer; he's a vibe curator, and this release is a testament to his raw passion and the underground ethos he embodies.

The track's got that chunky energy that slices through the fog like a hot knife through butter. Think Croatia boat raves at dawn — heads nodding, feet stomping, vibes soaring. It's certified floor-filler material, guaranteed to twist the crowd into knots and leave them begging for more.

Dimes 16 is a kaleidoscope of sounds, with fellow artists like Alan Key, Albert (BR), and Kenny Cordeiro joining the fray. This compilation isn’t just a collection of tracks; it’s a movement pushing the underground scene forward, one beat at a time.

You can grab Sokotta's latest masterpiece on Beatport. Trust us — you don’t want to miss this groove train. Lock it in!

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Alan Key & Sokotta - Yep [House Of Hustle]

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That Good

Girls In Green

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https://hypeddit.com/niclorenzdavidhasert/getready

Cologne-based artists David Hasert and Nic Lorenz join forces to create an energetic new track. „Get Ready“ combines a funky bassline with catchy rhodes piano sounds, short vocal cuts and powerful drums. Get ready to dance, as this one makes it impossible to keep your feet still!

Nic Lorenz, David Hasert - Get Ready

Geraldo Justiniano dos Reis, artistically known as Discodroid, is a Catholic theologian and intellectual whose primary leisure pursuit is Electronic Music. As a music producer, he has over ten years of experience in the field. Born in Passos, Minas Gerais, he has received support from renowned artists and companies in the industry, such as Malaa, Fatsync, Vitor Bueno, Lazy Bear, Victor Siriani, Pirate Snake, BASS INC., and Só Meme Boa. He also worked as an A&R at Só Meme Boa Records, where he was responsible for the release of Gustavo Koch’s hit track "Let's Do It". His former project, Gerald Neto, reached the top of Spotify’s "House Brasil" playlist with the track "Spaceship", in addition to other achievements, such as the success of the song "Always on Jazz". Moreover, he was a mixing student of DirtyLoud, one of the biggest names in Brazilian Electro music, and has served more than fifty artists as a mixing and mastering engineer. Currently, Discodroid explores sounds that navigate between House, Tech House, and Techno, delivering unique experiences and, as he puts it, waging a war against generic sound.