LePamp - Dissociation

Terrorween The Final

Conçu pour les raves et les nuits sans fin, “Battle on a Acid x Acid is my DNA” est une ode à l’acid techno. Des kicks lourds, des lignes acides tranchantes et une énergie qui ne faiblit jamais

Deux titres acid techno puissants, créé par Azhar Sistorms : “Battle on a Acid” et “Acid is my DNA”. Une plongée dans l’ADN de l’acid, brut, hypnotique et taillé pour le dancefloor.❤️

BATTLE ON A ACID X ACID IS MY DNA ( AZHAR SISTORMS)

Released 20th March on heavyweight (180g) black vinyl in full art sleeve / digital.

Ltd edition Risograph prints, trading cards & stickers are available exclusively from the Western Lore Bandcamp, Pre-orders go live Thursday 13th Feb @ 7PM.

www.westernlore.co.uk

Eusebeia - Seckle (LORE008 A2)

"Times & Places EP" On Time Tunnel Recordings.

Vinyl sold out.

Digital available here: https://timetunnelrecordings.bandcamp.com/releases

https://www.facebook.com/timetunnelrecordings

AA1 - Gold Soundz "IYLM"

A2 - GridZone "The Path"

Biochip C´s obscure Force Fields Volume 1 EP remastered from the original DATs by Beau Thomas@ Ten Eight Seven and pressed by Optimal.

PARA009 A2 Headware - Bite The Dust

BUY NOW >>> https://www.vinylfanatiks.co.uk/product/missing-volume-one-vfs023

When Sam Gordon was 7 years old he fell in love with vinyl. He can recall the very first time he went into a record shop at that age “I really loved Herbie Hancock’s tune ‘Rockit’ which was released when I was 7 and I have this vivid memory of my mum taking me into Our Price in Bromley and as I was so small, she had to lift me up at the counter so I could ask the shop assistant for it” It was this shopping trip that got a young Sam hooked on music and those electro beats of Herbie Hancock stuck in his head throughout his formative years. By the time he was 15 he first started producing – “Me and my mates were messing about with the UK hip hop and early house sound we were inspired by, just sampling loads and rapping over fast hip hop beats and hardcore sounds. This would have been 1991. I had a keyboard with 3 seconds of sample time on it, which meant you could only sample one element at a time, loop it and bounce our ideas down onto a 4-track. Our little crew was called ‘Youts On The Run’ which was a reference to the experiences we had growing up in 80’s and 90’s South East London where we were constantly looking over our shoulder. Our lyrics spoke about these experiences and the music drew on the melting pot of influences that were starting to converge into the UK hardcore/early jungle scene. The Group consisted of me as MC Firefly, a mate Lee who went by DJ Frontline and handled the musical side with me and two others; Kevin “Mad X” and Dene “Iron I”. Firefly was a short lived alias as I soon changed my name to DJ Shocker, leaving the mic behind and getting on the decks instead. And then not long after that I became Missing. These name changes all happened within a two year period!”. It wasn’t long before ‘Youts on The Run’ sent off a few demos and had a phone call from one label, Gangster Records, who released tracks by a UK hip hop group Dominant Force. The label boss liked their ideas and spoke about getting them in the studio but nothing came of it and the other band members lost interest but Sam definitely had the bug!

Sam continues –“By the time I was 17 I was really keen to get into a proper studio but back then it wasn’t easy to make music like it is today where practically anyone could access a DAW; and this was pre- internet so definitely no YouTube tutorials on how to chop an amen! These were the days of analogue studios and they weren’t cheap to rent. I was at Orpington College in Kent studying for A levels and a fellow student Ian, DJ Kingsize who was a DJ on Defection FM at the time, told me about a studio he had used for a demo track in Mottingham (also in South East London), run by a guy called Martin. He was in his 50’s and a chain-smoking Yorkshireman who liked his pints. He knew nothing about jungle but he charged a reasonable fee for a day’s session, about £100, and was a nice bloke and mostly a patient engineer when being asked to try all kinds of mad edits! He had a fairly basic set up with a Roland JV1080, a Mackie 24 channel desk, an Akai S1000 that was upgraded, so had about a minutes sample time, an Atari ST running the same cracked copy of Cubase everyone seemed to have and a few sample CDs. So when it came to my 18th Birthday and my parents asked me what I wanted, I asked for a day’s studio session”. His parents kindly agreed to his request, as they could see how much enthusiasm their son had for music, and a day’s studio hire was secured.

www.vinylfanatiks.co.uk
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Missing - 'A Stitch In Time' - VFS023 - 192mp3 clip

Brand new forthcoming material on Deadbeat Records! :-O

SHADOWMAN - MOST HAUNTED - DEADBEAT RECORDS

Yesterday's Show is in the cloud.
Important Information, I will from now on start my Shows at 10:30pm (not 11).
Had a lot of fun with @vincentgrabowski on our wild b2b ride - mostly vinyl.
Beautiful Sounds from old and new, you'll find some very special Tunes. Enjoy!

201202 - Deegree Recordings Show on jungletrain.net feat. Vincent Grabowski

Puffin' Billy - 148 Beats Per Minute (128kbps)

UK darkside jungle producer
A.K.A Shadowman

Bookings &amp; info:
thedjfx@hotmail.com

DEMONIC POSSESSION RECORDINGS / 
DEADBEAT RECORDS: www.demonicpossession.co.uk

DISCOGS: www.Discogs.com/artist/FX+%282%29

DIRECT RECORDINGS: http://www.direct-recordings.com/fx.html

FRIGHT NIGHT RADIO: www.frightnightradio.net

Cyndicut FM