FROM DOP WITH LOVE
More here: www.doorofperception.com

Tracklisting:

Georgia — Petwo, Reality Souf Broker
DJ Python —  ADMSDP (Feat. LA Warman)
RAMZi — Piton
Bwiti Rite (excerpt) played by Papé Nziengui
Jon Hassel & Brian Eno — Delta Rain Dream
Khotin — Frog Fractions
Lawrence Le Doux — Cayenne
DJ Sports — Reluctant Memory
Thomas Brinkmann as Soulcenter — Psycho Set
Furious Frank — Dream Of Love (606 Trance Mix)
Fantastic Man — Trance Sexual
Donato Dozzy & Anna Caragnano ­— Parola (Rework)
Prince Of Denmark — 8 
Cos/Mes — Gozmez Land
Edward — Lolo
Voigt & Voigt — Roxy
Pan American — Train Station
Forss — Journeyman

DOP Mixtape II - Nothing lasts, but nothing is lost

This is the 90th Ambient Sessions presented by Deep Electronics. The monthly released sessions brings you the best and the most diversity Ambient music can offer.This month Paranoid Soul  makes his debut on the Ambient Sessions. He already did several mixtapes on the DE serie and now for the first time here on Ambient Sessions.

About:
A Paranoid SouL is a gnomic, yet an imperceptible gathering that is held after every second. 

This is where perplexed intellects,
interjected interpretations,
petrified moods,
unaccustomed angles,
undistinguished trains...
Constrained recommendations...
Encounter to work on their differences,
formulate the existence of this being that is publicly titled David Motang. 

No tracklist just music ;)

Links: 

Links: 

EmailUsAt : spaceviewx@gmail.com 

SoundCloud : @spaceviewx 

YouTube : www.youtube.com/channel/UCT1KEArSg1FS5ilSj2mI0zQ 

Hearthis..at : hearthis.at/spaceviewx 

Mixcloud : www.mixcloud.com/spaceviewx 

Facebook : www.facebook.com/space.viewx/ 

Instagram : www.instagram.com/space_viewx/ 

Twitter : twitter.com/SPACEVIEWX/ 

Tumblr : spaceviewxsblog.tumblr.com/

Ambient Sessions # 90 - Paranoid Soul

recorded live @weich-berlin

05.11.2023

mastering jv2000

Weich Berlin 2023

For this episode we present the inaugural episode of the Wichita Lineman project, an homage to the processual nature of song. In 1968, while driving through the high plains of the Oklahoma panhandle past a long line of telephone poles Jimmy Webb spotted a lineman perched up on one of the poles speaking into a handset. The songwriter had received a phone call earlier that day from Glenn Campbell asking him to write another hit — seeing the lineman gave Webb an idea, he imagined the man was talking to his girlfriend through the wire and he wrote a song around that image. An existential ballad, a modernist love song transmitted across great distances through long thin wires. A self-reflexive ode to the globalized subject, capturing both the fragmented connections and physical isolation inscribed in telecommunication technologies.

Glen Campbell made the song a hit and it became something more than just that. Something about it resonated across great distances and it has been covered all the across the world over many decades, and is still transmitting today. This project attempts to trace some of the lines created by this capacious song. The idea for this project came while listening to the Dick Slessig Combo’s stunning 45 minute distillation of the song from their 2004 CD. The song was recorded shortly after the passing of Mark Lightcap’s Acetone bandmate Richie Lee and somehow the song seems capable of holding and absorbing this grief. 

“I hear you singing in the wire / I can hear you through the wine / and the Wichita Lineman / is still on the line.”

Séance Centre Radio Episode 74 - The Wichita Lineman Project

From Japan here's producer, DJ and friend of the label Kunyuki Takahashi (@kuniyuki-takahashi) with a special recording of his live set during Rainbow Disco Club this year 2024. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hey Kuni. What was growing up in Sapporo like, being quite remote from the other major cities in Japan? Via what channels/media/ways did you learn about music, art, etc? 

KT: Tokyo is most biggest scene about culture and music, but I was really looking for more out of Japan. Sapporo is more slow. I was just into music when I was teenager so everydays looking interesting music, because around 80's was crazy it' like big bung for music. My friends and i also really looking for PUNK, Industrial music, Ambient music, also of cause electric music as well at that time. It was just our like networks and channels for connect to other essence from each one. You know Teenager No need mainstream, no need TV show just believe to get some good one  from friends!

MFM: Your sound overall has a very 'organic' and 'spiritual' touch. Where does this come from? Who and what were/are your inspirations?  

KT: Both of feeling is definitely I need and my favorite things about when I touch instruments because it's nice to connect into music. So many instruments has lot's of colors so it's my inspirations come from. But to be honest i'm really bad to playing instruments....

MFM: That is debatable, haha. Where did you actually learn to play all those instruments, like the conga's and flute?

KT: I learnt about percussion and congas by listening to African music, and in the 90s I spent a lot of time with these. I used to listen to Peter Gabriel's Realworld record series so it's my teacher of  music! There are flute-like instruments in synthesizers and music workstations, but when I tried to use flute sounds by Synth, I couldn't feel spiritual, so I decided to try my hand at it. There is so much spiritual real instruments.

MFM: Your contribution is a recording of your live show at Rainbow Disco Club in Japan this year 2024. What can you tell us about the show? For those who had to miss it, maybe you can describe the setting a bit?

KT: Yes it was from My good friend Masa From Rainbow disco club.
I've been joined Rainbow disco club many times and always did a Dance set but he Told me “could you play live show like your album from Music from memory For RDC2024?”, and I was say “YES I would love to and if we can do then I want to do proper Music from memory live set.” So it was so exciting. Because these music from MFM was very special. It was morning time, there is nature and birds singing, and I was joined with my like bird whistle, feel windows, relaxing people waiting before making dance time. I re-created all sound patterns so it was so fun like should do make Tape sound like bit noise sound, more retro sound. Also I really remembered about what I used different Chords before in the 80's and 90's!

MFM: Your live shows seem to be improvisation based, very playful. As if you're jamming in the studio. Does playing live differ much to you from working in the studio?

KT: Yes I love like improvisations when doing live show. I'm always thinking about each party is totally different energy from music lovers. I love to get something good happen with music lovers, and yes it's totally different with Studio works. Prepare for live set also needs time and skills, so i always try to do at my studio for what can happen at the live show.

MFM Mix 052: Kuniyuki Takahashi

Listening Session w/ Matthew Halsall
Based in Manchester, Halsall is known for being one of the leading artists of today’s UK jazz scene. Starting off by playing the trumpet in his early age, he has evolved not only into an extraordinary trumpeter, but also into an outstanding producer and composer whose distinct sound draws on foundations of spiritual jazz, meditative music, sample-fuelled electronica as well as global percussive influences. After releasing nine delicately composed albums and founding his label Gondwana Records in 2008, Halsall and his band headlined London’s prestigious Royal Albert Hall last year - a manifestation of a career spent transcending boundaries and always bringing a singular, and yet ever-changing, perspective.

In our conversation, Halsall shares how his musical journey began as a passionate listener, and how the first instrument he experimented with was not the trumpet.

Watch here the Kasheme Conversations of Matthew Halsall:
https://youtu.be/qW1G9A2e2t8

Stay tuned for more!
Kasheme Conversations next month with Neal Sugarman

TASCAM DR-40X

Listening Session w/ Matthew Halsall

A mystical interpretation of a Bedouin's behest.

Sahara Siren

11_23_2025-somnia

Flux

OP 𓅛 mix 20 - William Carrà - Elegy

You thought you knew New Age until you knew a Newer Age. Our latest Portals looks at a world of New Age through the lens of more recent releases. More information and download: http://asip.me/portals7

ASIP - Portals Episode 7: The Newer Age

The Door Of Perception is an ever-growing compilation of things that talk to me on a deep level. Passing on that feeling of resonance is a way of caring. I wanna take you with me on a path towards the light of consciousness.

DOP Mixtape II - Nothing lasts, but nothing is lost

The Door of Perception