in a dream you find yourself in a derelict vessel floating through the dark and cold leagues of space, somehow you're in the hull of the ship and your mind is racing and you think you hear some creature or something around you.

Passing Through

I'm a dream walker. A portal opener. A realm creator. a being of light sent to the planet to cause healing transformative spells on my listeners. Welcome to "The Dreaming Experience" 

[The Light Collective]
a man is in a dream.
a man is in a dream.
a man looks around and sees dark purple and large ice structures around him
he sees his reflecting light shimmer off of a monolith of his own reflection
he becomes aware he is upon a large mountain, and it's floating in mid-air. 
a man is in a dream.
he knows it's cold but feels nothing
he begins his assent upon a nearby ridge.
he makes it to the top to discover a large field before him
a man is in a dream.
he looks over his shoulder to spot some melting ice
he leaps from his position and lands in the field unharmed, strange..
a man is in a dream.
there is tall wheat bursting from the ground all around him.
he sees what appears to be a door but also a portal.
he begins making his way to it 
a man opens the door
a man sees a portal
a man steps into the portal

[Rituals and Rites]
The shadow of light, cast ever so bright; on the eve of ever delight.
They gather tonight, to collect the light; this is their eternal blight.

It's the witch that cannot see,
The wizard that's blind to thee.
cast deep inside the mirror of insecurity.
The spell that is cast on thee.
so easy the spell is cast on me.
so many spells cast on thee.
so many spells cast on me.
by the powers of three.
So Mote it Be.

Helix Nebula (First Record Works)

"Helix Nebula" is a deeply personal project, recorded entirely on an old Yamaha DGX-200 synth workstation. The album was composed, mixed, and mastered using only the on-board sounds and memory of the synth, which limited editing options and track length. Each song was recorded in a single take, without the ability to clip, cut, or edit in precise measures, creating a unique challenge and shaping the creative process in unexpected ways.

Despite the technical limitations, this album became an exploration of creativity and patience. The constraints led me to embrace a raw, spontaneous approach to music production, and I'm proud of what I was able to achieve. I began the project when I was younger, and completed it in 2009.

My Creative Process for Helix Nebula

My process starts by immersing myself in the sounds, pads, and presets available on the synth, experimenting with panning, effects, and splits to create layered, evolving textures. I would spend hours just exploring the sonic possibilities before settling into a rhythm or melody. Often, I’d record a part—whether a pad, melody line, or just an idea I was feeling in the moment—then layer other tracks on top, always working from start to finish in a single pass.

Due to memory limitations, I could only record up to five tracks per song. To work around this, I often switched instruments mid-track to maximize the synth’s capabilities. The process was a constant cycle of revisiting, rewriting, and sometimes completely scrapping a song to start fresh. But when I found something that resonated, I stuck with it until the piece was complete.

Since the on-board memory could only hold so much, the album was recorded in two parts, with each section capturing a distinct phase of the creative journey.

About Me

I am currently studying Music Production at ACM@UCO, where I refine my skills and further immerse myself in the world of sound design and composition. I'm also Avid Specialist Certified, with expertise in several music production platforms, including Cubase Pro 12, Pro Tools, Ableton, FL Studio 21, and Logic Pro X. My creative influences span a wide range of genres—from Trance, Chillstep, and EDM, to classical, indie, and Synthwave.

I work primarily with an 88-key weighted piano and a 61-key MIDI controller, along with an AKAI MPK Mini for MIDI control. My go-to plugins include Omnisphere II, Keyscape, Serum, Polyplex, and Sub XL, among others.

For me, composition is a deeply personal experience—one that blends emotion, imagination, and a bit of the surreal. I draw inspiration not only from the music itself, but from vivid dreams, intense night terrors, and moments of profound introspection. These experiences often influence my music, giving it a sense of otherworldliness and atmosphere.

My work is an invitation to explore new sonic landscapes, whether you're diving deep into your favorite hobbies or simply unwinding with the vibrations. I hope you find something that resonates with you.

Passing Through

th.Dreaming