One for the bogs 🚜

Indie 2022 2nd Quarter

May 2022

MAY 2022 PART 2022

All the songs which remind us of each other, and all our happy memories

Mack Adventures

You'll Get Over It-Drew kent

Produced by Sylendanna

Spotify Link: https://open.spotify.com/track/5rlUoCX2fvOgUS7gjCbgdi?si=b1d16bdfc0c24c56
Apple Music Link: https://music.apple.com/us/album/nice-2-know-ya-instrumental/1589677980?i=1589677981
Youtube Link: https://www.youtube.com/watch?v=hG79bQmLClo&t=30s&ab_channel=Sylendanna

Free Download

Nice 2 Know Ya Instrumental (Prod. by Sylendanna) (on Spotify & Apple Music!)

One For Your Workout

Meteorite

My Love

My Love (Dave Glass Animals Remix)

lyrics

VERSE 1

i love her
& i want her
but i know i can’t fucking trust her

im bitter
cause i miss her
but i’ll never fucking forgive her

why’s every word
that comes out ur mouth
baby, can u tell me?
why’s every word
that comes out ur mouth
a fuckin

HOOK

lie lie lie lie lie lie lie
i only 
fell for it
a thousand times

i hope u 
cry all night
the way i did
for u

cause u always
lie lie lie lie lie lie lied

i only 
trusted u
a thousand times

i hope u 
understand that i’m
fucked up, cause u

VERSE 2

i’ve been drinking
can u tell?
now i’m fucked up
by myself

if u dont mind
go to hell
don't go fuck him
fuck yourself

why’s every word
that comes out ur mouth
baby, can u tell me?
why’s every word
that comes out ur mouth
a fuckin

HOOK 2

lie lie lie lie lie lie lie
i only 
fell for it
a thousand times

i hope u 
cry all night
the way i did
for u

cause u always
lie lie lie lie lie lie lied

i only 
trusted u
a thousand times

i hope u 
understand that i’m
fucked up, cause u

BRIDGE

u lied
so many times
so many times
so many times
i fucking
cried
so, many times
so, many times
so, many times
u fucking lied so many times

i've felt like this for so long
i was convinced i was strong
still can't listen to my songs
those things u did, were so wrong

HOOK 3

lie lie lie lie lie lie lie
i only 
fell for it
a thousand times

i hope u 
cry all night
the way i did
for u

cause u always
lie lie lie lie lie lie lied

i only 
trusted u
a thousand times

i hope u 
understand that i’m
fucked up, cause u

sad brad - LIE LIE LIE

Ur Mum

Carry This Flag

Super 45 T

Space Ronsard

STAY AWAY

Stronger Than You Know

Keep It Cool - Available to stream on all streaming platforms

Keep It Cool

Departure

Game on (Remixes)

Game On (Golan Remix)

C’MON YOU KNOW

World’s In Need

I’m Free

Don’t Go Halfway

She Still Leads Me On

Young the Giant: Mind Over Matter (Album Stream)

Mind Over Matter

Camera

Download

Vinyl Theatre's official audio stream for 'Breaking Up My Bones' from the album, Electrogram - available now on Fueled By Ramen. Download it now at http://smarturl.it/electrogram

Site: http://vinyltheatre.com
iTunes: http://itunes.com/vinyltheatre
Facebook: http://facebook.com/vinyltheatre
Twitter: http://twitter.com/vinyltheatre
Instagram: http://instagr.am/vinyltheatre

LYRICS
You've got a funny way of hanging around
A thief in the modern age of rhythm and sound
Take me to another place where clarity's found
'Cause all I hear is noise

It's breaking up my bones
I wanna lie, but I don't care to try
We're taking off
We're taking off, baby
We're taking off
I know you know

You found another way to keep me around
I dreamt of a thousand ways to alter the sound
A thief in the modern age of rhythm and sound
But all I hear is noise

It's breaking up my bones
I wanna lie, but I don't care to try
We're taking off
We're taking off, baby
We're taking off
I know you know

So many times we're staring down the barrel of a gun
I know you care these open eyes stare

It's breaking up my bones
I wanna lie, but I don't care to try
We're taking off
We're taking off, baby
We're taking off
I know you know

It breaks up my bones
This breaks up my bones

Breaking Up My Bones

Music Video: 
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NW, the debut album from Niteworks, OUT NOW. 

Buy now: niteworksband.bandcamp.com/album/nw

Maraiche feat. Kathleen MacInnes

Maraiche (Lord Of The Isles Remix)

From the album "What Men Deserve to Lose".

What Men Deserve to Lose

Sudden Dilemma

The Humours Of Ardnamurchan

From Peatbog faeries latest album, "Dust", released August 2011

02 The Naughty Step

Dan Deacon- When I was done dying

Simplify

Savior

Our debut album "When It Was Now," is now available on iTunes- smarturl.it/atlas

Subscribe for more new music on YouTube- bit.ly/W8yTQS
iTunes - www.smarturl.it/atlas
Facebook- facebook.com/atlasgenius
Twitter- twitter.com/atlasgenius
Tour Dates- atlasgenius.com/tour

About Atlas Genius-
The members of Adelaide, Australia’s Atlas Genius do things a little differently….They set about building a studio where they could write and record music for their newly formed band 3 years before they even played their first live show as Atlas Genius. For two years, they devoted their days to constructing their dream studio and spent their nights performing songs by The Police, The Beatles and The Rolling Stones at local pubs to pay the bills. “We really got down and dirty with dry walling and literally laying the floorboards, and at the same time we were taking a couple of days a week to focus on writing songs,” recalls Keith Jeffery, Atlas Genius’s vocalist/guitarist. "We had a lot of song ideas and it was important to us to have our own studio where we could experiment and hone in on our sound," adds brother and drummer, Michael Jeffery. The studio was designed and outfitted by the brothers with the help of their father (who comes from a music and engineering background). Once the studio was complete, the first song that Atlas Genius finished was a song called “Trojans,” which they wrote, recorded and produced in collaboration with their friend, keyboardist Darren Sell. After many weeks tweaking the song, Michael insisted that the song was ready to be heard outside of the studio walls. Within an hour, “Trojans” was on the Triple J Unearthed Website, SoundCloud, and for sale via TuneCore on iTunes, Amazon and Spotify worldwide.

“We had begun to think that music was a pipedream and we had all gone back to university to pursue more realistic careers,” says Keith. “We’d had such a long slog of playing late nights and working all day, and it felt like we didn’t really have anything to show for it.” But then, in the midst of cramming for their Fall 2011 semester final exams, Neon Gold discovered “Trojans” on the Triple J Unearthed Website and wrote a post praising “Trojans” as a song sure to “invade your head, all dressed up in a clever disguise of earnest vocals riding a hooky riff.” Checking the band’s email account for the first time in over a month, the band found that dozens of record labels, publishers, lawyers, booking agents and management companies from all over the world had contacted them.

“We were trying to focus on school, but it was just impossible,” recalls Keith. “So we said, ‘There’s something going on here. Let’s get back to the music.’” The band added manager, Jonny Kaps from +1, to their extended family to navigate all of the interest as the band focused on writing and recording more songs.

Quickly named an iTunes Single of the Week in Australia and New Zealand, “Trojans” reached #4 on Hype Machine by the end of May. In August, SiriusXM Satellite Radio’s Alt-Nation discovered the song on a blog and decided to give it some spins. There was an immediate reaction from listeners, and in September, “Trojans” was placed into heavy rotation, where it maintained a top-five position on the listener-generated Alt-18 countdown and peaked at number one for 4 consecutive weeks in January 2012. “Trojans” began selling over a thousand tracks per week on U.S. iTunes and soon climbed to 45,000 sales - all with zero promotional efforts from the still-unsigned Atlas Genius.

“Knowing we had this audience that was waiting on new songs, we had a much greater sense of purpose than we had before,” says Keith. “It was really exciting to know that there were people who wanted to hear more of our music.” Although labels were clamoring for the band to come to the U.S. and play a series of showcase gigs, Atlas Genius turned down those offers in favor of staying in Adelaide to keep writing and recording new songs. In February 2012, after months of communicating with numerous labels via Skype, the band chose to travel to the US in order to make their label decision.

“We’d never been to America before,” says Keith. “We flew in at night and saw this sea of lights, and it really became apparent to us how massive the U.S. is. It was pretty intimidating - like ‘How do we fit into all this?’” In April 2012, the band returned to the states having made their decision to sign with Warner Bros. Records. “We felt a connection with them,” notes Keith. “Everyone there feels very creative and dedicated to the music.”

The band’s first release from their new label home, the EP Through The Glass (produced, engineered and mixed by the band), came out in June of 2012. With Through The Glass completed, Atlas Genius then holed up in its studio and worked on writing and recording its first full-length album, while at the same time rehearsing for their first ever tour. The tour started in August 2012 and led to three more tours back to back taking them thru to the end of the year. Thus, their full-length debut was finished up between tour dates and got completed just before Christmas 2012. When It Was Now is set for a US release on February 19th, 2013, with an international release to follow soon after.

The debut captures Atlas Genius’s singular combination of sophisticated musicality and warm, wistful spirit. Infused with a classic sensibility, each of the songs would fit seamlessly if somehow slipped into a long-treasured mixtape. On the shimmering “Symptoms,” for instance, taut keyboard riffs mesh with urgent acoustic strumming before the band bursts into a gently frenetic, guitar-drenched chorus. Meanwhile, “Back Seat” blends its pulsing bass throb with a sweetly infectious beat and tender vocals that alternately soar and sigh. And on “Trojans,” Atlas Genius begins with a restrained guitar melody and vocal (“Take it off, take it in/Take off all the thoughts of what we’ve been”) before giving way to the handclap-accented, harmony-soaked refrain and lush yet kinetic bridge.

“It’s still surreal,” says Keith of all that’s happened over the past 18 months. “I think when we were very young, we had hopes that something like this might happen one day,” he continues. (Thanks largely to encouragement from their Beatles fanatic parents, who encouraged the brothers to begin playing music by age 14.) “But then you grow up a bit and it seems less and less likely. So when we put ‘Trojans’ out, we figured it would be a success if maybe a hundred people heard it. We don’t want to force our music onto anyone. Our goal is to write songs that we love and we hope they connect with other people too.”

When It Was Now

If So

Buy on iTunes

Motion Sickness

Stronger Than You Know

The East Pointers