lucky bop

Heavy rotation / LDSR 218

Moscoman's debut album, A Shot in the Light, is premiering right here on our SoundCloud. More info here: http://bit.ly/MoscomanPremiere

Listen to the album in full now and grab it on vinyl and digital via ESP Institute on 23 September

[ESP033] A Shot In The Light

A1 - Nineteen Eighty-Two

Frank Butters Presents: Cult of Glamour - Rubber Bullet (Ess O Ess Short Remix) (MMM#05)

Emperor Machine 2013-2015 previously un released tracks  Re-Mastered & Re-Mixed @ Vertical Lab UK

Material

Material “Extended DUB” (clip)

Kiwi continues to delight and inspire as he returns to Futureboogie Recordings with his cinematically sprawling "Amityville" EP, including a remix by Life and Death head honcho DJ Tennis. On "Warriors", Kiwi embodies his unabashed love of cult movies with a musical ode that captures the edgy and urban sounds of 70s cinematic synth soundtracks; phasing guitar riffs, rolling snares and dramatic synth sweeps dominate this infectious track. We highly recommend you to check out the full package!

Read more: http://liquidyouth.nl/music/premieres/kiwi-warriors-futureboogie-recordings/

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Amityville EP

Premiere: Kiwi - Warriors [Futureboogie Recordings]

Wonder Stories label boss AIMES returns to Roam Recordings with two new originals that form the Devious Maneuvers EP. It is backed by two excellent remixes, one of which is by Lauer - Roam Alumni and half of Tuff City Kids and Black Spuma - who weaves classic trance elements into Machination while still keeping the sophisticated vibe of the original.

https://soundcloud.com/roam-recordings
https://soundcloud.com/aimes
https://facebook.com/roamrecordings/
https://facebook.com/AIMESmusic
https://facebook.com/LauiLauer/

Buy here!

PRÈMIÉRE: AIMES - Machination (Lauer's Pig Trance Remix) [Roam]

The French Fred Berthet is not a newcomer in the world of the electronic scene, he is considered a certified veteran in this field. Under his pseudonym Dj Steef he is still one of the best choices with regard to the editions Nu-disco and Down-Tempo. It's the same when he signs under his name his productions Electro and Deep-House .
His formula is simple, in an energetic and deep electronic atmosphere, he works on techniques as subtle as effective. Fred signs the 17th release of the label by delivering an EP composed of 3 tracks, Electro and Modern Deep-House. "Hug Night" sets the tone by broadcasting a subtle electro melody, melancholy and heady. "Duvel Inside" and "En Corps" sees the French producer switch to a more hypnotic style characterized by an evolutive synthesizer sound and amazing pad sounds.

Fred Berthet - En Corps (Low Quality)

Come on in! One Swallow Doesn’t Make A Summer Part 1 is a Various Artist sampler off a hypothetical mixtape. The international cast: Zombies in Miami, Alan Dixon, Storken and Hokaiido. The plot: electronic Disco in its broadest and maybe post-modern sense. There is the drum mix to Alan Dixon’s previously released beetles masterpiece „Ambient Braindisk“, the hypnotic wrap that is „Panoramica“ by Mexico’s cutest duo (ZIM), the Gerd Janson Boiler Room approved smash hit „Lille Vals“ by Swedish newcomer Storken and disco trance from the mysterious outfit Hokaiido with „Talisman“. Dance, dance, dance!

Pre Order

Zombies In Miami - Panoramica

Every two weeks, I'm a Cliche, through its Edit Service, gives away an unreleased edit produced by members of the crew or beloved friends.

Check our website or social networks and suscribe to newsletter to make sure you know when a new one is available : 
http://edit-service.com
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Edit Service 7 - by I:Cube

Remix Requests  please contact lipstudio2@gmail.com

EMPEROR MACHINE  Biography
Over 30 years since acid house’s summer of love and there are few of 1988’s cast of actors still left standing. Still fewer are those whose music is still resolutely pointing towards the future rather than endlessly looking to the past. In fact, there’s arguably only one candidate left in the UK. While his peers are content with revival parties and classical house nights at the Albert Hall, Andy Meecham is out on his own as one of the few whose gleaming analogue machines are still pointing towards an imagined future rather than an endlessly relived history.
As the Emperor Machine, Meecham’s solo project since 2003, he has been wrenching monumental basslines, strange keyboard figures and luminescent rhythms from his beloved synthesisers, inspired by everything from sci-fi movies and KPM library albums. In some ways, his mission has scarcely altered in the 35 years since he first heard ‘Planet Rock’ in the early 1980s. “That’s the thing that got me hooked,” recalls Meecham. “The fact that it was futuristic sounding.  Anything that was sci-fi: UFO programmes, Dr Who, Star Trek. Stuff that suggested the future.”
While he’s happy to plough towards the future, we still has some serious history to contemplate. Meecham is one of the clique of acts in Staffordshire inspired by house music that included Candyflip, Altern-8, Sure Is Pure and Nexus 21. Meecham’s band with long-time conspirator Dean Meredith, Bizarre Inc, was one of the most successful of their generation and 1991’s ‘Playing With Knives’ was a staple in all self-respecting DJs bag that year. Major label deals, led to swift dissatisfaction; Meredith and Meecham went back to the mixing board to rethink their future. 
As Chicken Lips, they re-emerged alongside peers like the Idjut Boys and Faze Action, to offer their delayed and dislocated rhythms to an audience hungry for relief from the monotony of the four-to-the-floor house rhythm, with joyously dubbed out originals and fiendishly clever remixes for luminaries like Ennio Morricone and Groove Armada to Wolfmother, transforming Love Train from a metallic romp into a disco-dub delight with a bottom-end bigger than a Kardashian. Then there are Andrew’s other aliases (he’s had more than Carlos The Jackal), notably Sir Drew, Future Four, Gino Fontaine, BIG 2000, Randee Jean and Zeefungk.
The Emperor Machine was born out of an online slating of one of his favourite synths, the Roland SH 3A. Indignant at this appalling slight, Meecham set to work on a track only using said Roland. James Dyer at DC Recordings loved it so much, he asked him for another and gave the project its name. Emperor Machine it was.


 As with most of the Emperor Machine music, the methodology goes against the grain of how most electronic musicians approach producing. Rather than reducing it to mathematical blocks of music on a computer screen, Emperor Machine is about long passes, played live and then edited down by a crack team of highly-trained Potteries-based orang-utans, lorded over by merciless taskmaster Meecham.
The key to success is not dancefloor domination, but a far simpler rule, says Meecham. “The music has to make me shudder. So I work on something until I get that tingling feeling. So it’s almost more of a drug thing really. I have to get that out of the music and I can’t get that from full-on 909 four-to-the-floor dance music.”
A shudder and a tingle. And maybe a monster bassline. Emperor Machine redux. 
Bill Brewster

Material “Extended DUB” (clip)

The Emperor Machine

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