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Pre-order on Amazon: bit.ly/LikeAMachineAmazon

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The Emperor Machine - The Point

Track taken from the first DERWIN RECORDINGS maxi including remix by Peter Kruder // available May 25th 2011 (Derwin Recordings)

DERWIN 002-1/-3 
Format: 12” / download
BC: 673799310218


TRACKLISTING

Side A:
1. Dr. Jeckyll And Mr Hyde (Peter Kruder Remix)  

Side B:
1. Everything (Prommer & Barck Remix) 
2. Gladys Knight (Alex Barck Remix) 

Digital Bonus Track:
Dr. Jeckyll And Mr Hyde (Peter Kruder Remix - Alex Barck Edit) 

Prommer & Barck - Gladys Knight (Alex Barck Remix)

PillowTalk - The Come Back

Trip

Stuck Drawer (alternate version 1) (John M Bennett)
lyrics ©John M Bennett
image and music by Suno AI


Stuck Drawer (John M Bennett)

There’s a brick in the drawer
There’s a darkened wad of foil
There’s a coin in the drawer
There’s a dried up frog in the drawer
There’s a stick in the drawer
There’s a bottle of yellow fluid in the drawer
In the drawer there’s a shoelace tied to a comb
In the drawer there’s a tiny box
Nailed with giant nails
And a book sealed with tape
In the drawer there’s an inflated balloon
Slowly hissing air

Stuck Drawer (alternate version 1) (John M Bennett)

We have very few informations about this release on "Transatlantyk" label but when its labelhead Zambon, the man also behind "The Polish Cut Outs", releases something we tend to be very curious as it hardly disappoints ! This one makes no exception ; 4 edits by the warsaw digger legend DJ Dook that many consider as the best disco dj in Poland. We chose to premiere "Togo Disco" a warm-up weapon, road tested over the years by Transatlantyk crew, which never fails to amaze. Tough and raw Afro disco cut from late 70's is being extended here for maximum dancefloor utility. Record is already out in Poland & in Berlin (at Oye) and should hit the world anytime soon, enjoy !!

PREMIERE : DJ Dook - Togo Disco

The new single from DBFC on [PIAS] Different Recordings

Available from Friday 29th April 2016

GET IT!  http://found.ee/autonomicdigital
 

Autonomic

AUTONOMIC

Future Feelings feat. Mendrix - Demons (Future Feelings Remix)
futurefeelings.bandcamp.com
www.instagram.com/futurefeelings
please follow
Contains a sample from Fleet Foxes' "Tiger Mountain Peasant Song"
© Tickle Sound Ltd.
℗ Tickle Sound Ltd.

Demons

Future Feelings feat. Mendrix - Demons (People You May Know Remix)

Beatport

David Hasert - Repeat Offender

Avanti ''The End Has No End'' EP Gazeebo International

Master by Juan Gazeebo aka Jon Nedza
http://www.gazeebointernational.com/

Mix by Febe Esquerra @ OmetuscoSoundMachine
http://www.facebook.com/ometuscosoundmachine



Free Download

Avanti - Funk Me Till The End

Ichisan - Space Patrol (Solardisco - SOLAR006)

Remix Requests  please contact lipstudio2@gmail.com

EMPEROR MACHINE  Biography
Over 30 years since acid house’s summer of love and there are few of 1988’s cast of actors still left standing. Still fewer are those whose music is still resolutely pointing towards the future rather than endlessly looking to the past. In fact, there’s arguably only one candidate left in the UK. While his peers are content with revival parties and classical house nights at the Albert Hall, Andy Meecham is out on his own as one of the few whose gleaming analogue machines are still pointing towards an imagined future rather than an endlessly relived history.
As the Emperor Machine, Meecham’s solo project since 2003, he has been wrenching monumental basslines, strange keyboard figures and luminescent rhythms from his beloved synthesisers, inspired by everything from sci-fi movies and KPM library albums. In some ways, his mission has scarcely altered in the 35 years since he first heard ‘Planet Rock’ in the early 1980s. “That’s the thing that got me hooked,” recalls Meecham. “The fact that it was futuristic sounding.  Anything that was sci-fi: UFO programmes, Dr Who, Star Trek. Stuff that suggested the future.”
While he’s happy to plough towards the future, we still has some serious history to contemplate. Meecham is one of the clique of acts in Staffordshire inspired by house music that included Candyflip, Altern-8, Sure Is Pure and Nexus 21. Meecham’s band with long-time conspirator Dean Meredith, Bizarre Inc, was one of the most successful of their generation and 1991’s ‘Playing With Knives’ was a staple in all self-respecting DJs bag that year. Major label deals, led to swift dissatisfaction; Meredith and Meecham went back to the mixing board to rethink their future. 
As Chicken Lips, they re-emerged alongside peers like the Idjut Boys and Faze Action, to offer their delayed and dislocated rhythms to an audience hungry for relief from the monotony of the four-to-the-floor house rhythm, with joyously dubbed out originals and fiendishly clever remixes for luminaries like Ennio Morricone and Groove Armada to Wolfmother, transforming Love Train from a metallic romp into a disco-dub delight with a bottom-end bigger than a Kardashian. Then there are Andrew’s other aliases (he’s had more than Carlos The Jackal), notably Sir Drew, Future Four, Gino Fontaine, BIG 2000, Randee Jean and Zeefungk.
The Emperor Machine was born out of an online slating of one of his favourite synths, the Roland SH 3A. Indignant at this appalling slight, Meecham set to work on a track only using said Roland. James Dyer at DC Recordings loved it so much, he asked him for another and gave the project its name. Emperor Machine it was.


 As with most of the Emperor Machine music, the methodology goes against the grain of how most electronic musicians approach producing. Rather than reducing it to mathematical blocks of music on a computer screen, Emperor Machine is about long passes, played live and then edited down by a crack team of highly-trained Potteries-based orang-utans, lorded over by merciless taskmaster Meecham.
The key to success is not dancefloor domination, but a far simpler rule, says Meecham. “The music has to make me shudder. So I work on something until I get that tingling feeling. So it’s almost more of a drug thing really. I have to get that out of the music and I can’t get that from full-on 909 four-to-the-floor dance music.”
A shudder and a tingle. And maybe a monster bassline. Emperor Machine redux. 
Bill Brewster