Great piano! Your production quality is always top notch, as is the composition :)

This song reminds me somewhat to the movie "Interstellar". Very well executed.

The feel of this matches the title and image, which is a very good start....

great track, as we've come to expect from you.  Keep raising the bar!

Great sound design and composition. Very well Done!!

Your music always sounds very professional and modern. I think you could have a great professional producer career (If you are not)...

All the tracks were made using just one synth(chosen for that OSC round) for all the sounds, including percussion and drums.

One Synth Challenge

All sounds made using Full Buckets - Bucket One & Bucket Pops freeware in Bitwig 5

Tronic Soul

This track was made for the One Synth Challenge #173 using thirty (30) instances of the Bucket One virtual synth and one (1) instance of Bucket Pops virtual drum machine.

Intermission

A journey into the abyss and beyond...
Spotify: https://open.spotify.com/album/5pN8LOloM7q8TxHtnVnik1

DAW: Tracktion Waveform 12.5 Pro
Synth: Bucket Pops (10), Bucket One (19)
FX: RandArp, CocoaDelay, OrilRiver, Supermassive, TAL Reverb-4, Compressor, kHs Transient Shaper, GClip, Loudmax, Gatelab, 8-band EQ, OTT, MUtility
Mastering Chain: TDR Nova, Kotelnikov, ChowTape, Loudmax
Metering: SPAN, YLM2

Celestial Echoes (OSC 173 Two Buckets)

An entry for the KVR One Synth Challenge #173 - Two Buckets

"Life is disseminated through the galaxies in the form of nucleotide templates. These ‘seeds’ land on planets, are activated by solar radiation. and evolve nervous systems. The bodies which house and transport nervous systems and the reproductive seeds are constructed in response to the atmospheric and gravitational characteristics of the host planet, the crumbling rock upon which we momentarily rest.

It is time for life on Earth to leave the planetary womb and learn to walk through the stars".

~Dr Tim Leary

The track is one instance of Bucket Pops, some native Bitwig effects (mostly Delay+), and ValhallaSuperMassive, and quite a lot of automation and modulation :)

OSC173 - Two Buckets

Transmission from Sirius

YouTube versio has better streaming quality: https://youtu.be/Adfmvx2jIsg

"Memories blurred in time. Like it all was yesterday. Popping in my head like a rain drops. Walking down those cold empty streets in the rain, a perfect place to hide your tears. The store is still open. I gotta go there and get my favorite drinks, the only thing that can cure my pain...
Sometimes I wanna catch a ride and go away, where nothing will remind me of you and your betrayal."

Submission for One Synth Challenge #173 featuring "Bucket ONE" and "Bucket Pops" by Full Bucket.

For this track I mostly used slightly edited stock sounds of "ONE" and "Pops". The twist with a drum machine is nice, but I still used layering to create some drum sounds. The "Pops" doesn't have velocity sensitivity which is a bit of a shame (it could have a switch in the "settings" menu). There also seems to be voice limit, so it forced me to split "Pops" to several instances. The "ONE" synthesizer has a nice sound that feels vintage. Even stock sounds are very usable and have some character. But I found its interface a bit unintuitive. I still couldn't find a way to edit the second part when using double mode (I tried to load it from the preset, but it didn't work). It also doesn't have a mono/legato mode switch (or I just couldn't find it).

The FB's synths are usually very light on CPU, which pleases me a lot. I can safely run 30+ instances with mostly native effects. Good for those who have "old bucket PCs" like me...

8 instances of "Bucket Pops" and 22 instances of "Bucket ONE" used to create a track.

One Synth Challenge archive: https://sites.google.com/site/kvrosc/2023/osc-173-two-buckets?authuser=0
Thread, related to this round: https://www.kvraudio.com/forum/viewtopic.php?t=598764&sid=1c7a300b6be559d3ffc22dfc4c40f522

Follow me on Patreon: https://www.patreon.com/infravolt

Violet Rain

Violet Rain (OSC#173)

Entry for One Synth Challenge 173 - 2nd Position on the classification
Created with Bucket Pops (x8) and Bucket One (x9) by Full Bucket Music

https://www.kvraudio.com/forum/viewtopic.php?t=598764

Lost Technologies (OSC 173 version)

Created for the One-Synth-Challenge #173 with 21 Instances of the VST Plugin Bucketone and 2 Instances of Bucketpops by Full Bucket in FL Studio 21.

Fullbucket: https://www.fullbucket.de/music/vst.html
One Synth Challenge Website: https://sites.google.com/site/kvrosc/home
One Synth Challenge Forum: https://www.kvraudio.com/forum/viewtopic.php?p=8702278#p8702278

Effects:
Channel EQ [6], Fruity Delay 2 [4], Fruity Limiter [3], Fruity Multibandcompressor [1], Fruity Parametric EQ2 [1], Fruity Reeverb 2 [3], Fruity Stereo Enhancer [1], Maximus [1], Soundgoodizer [2]

Analog Obsession Lovend [1], DeadDuck DDGate [1], Denis Tihanov OrilRiver [4], Melda Production MAutopan [1], TAL Reverb 2 [1], TAL Tube [1], xFer OTT [3], Youlean Loudness Meter [1]

Mission to Space (OSC#173 Bucketpops & Bucketone)

Submission for One Synth Challenge 173 - Bucket One + Bucket Pops. 
Made in Reaper using:

Instruments: 
Bucket ONE (25) ; Bucket Pops (2) ;  TDR Nova ( 12, very lightly ) ; VOS Nasty DLA (6) ; LoudMax (1) ; Polyverse Wider (1)
Reverb buses (3) :
 Protoverb (4) ; Oril River ( 8 ) ;  TDR Nova (9) ; HOFA Pan ( 12 ) ; JS delay (2 ) ; mixer (3 ); A1 Stereo Control (3 ) 
Master : 
TDR Nova ; A1 Stereo Control ; M/S encoder ; band splitter ; Flux Bittersweet ; band joiner ; M/S decoder ; M/S encoder ; TDR Nova ; Protoverb ; mixer ; Limiter No6

My Submission for the @kvrosc 190. Have a great new year 2025!

DAW: Waveform 13 Pro
Synth: Vital (34 Instances)
FX: T-Compressor, 8-band EQ, Deelay, Orilriver, Supermassive, Gatelab, MIDI Arpeggiator, GClip, OTT
Mastering: Kotelnikov, GClip, Nova, LoudMax
Metering: SPAN, YLM2

Covert Art: https://www.pexels.com/photo/photo-of-night-sky-1819650/

Auralis

Auralis (OSC 190 Vital)

Stream on Spotify: https://open.spotify.com/album/6WDTQeHuXAJvvt0Uf8m6Fs

Submission for the @kvrosc #191. All the sounds using One Synth without much external processing. Just MIDI and no samples.

DAW: Waveform
Synth: Zebralette 2 (38 Instances)
FX (Free/built-in): Compressor, Gate, 8-band EQ, Khs Transient Shaper, Deelay, Orilriver, Supermassive, MIDI Arpeggiator, GClip, OTT, LoudMax
Mastering: Kotelnikov, CHOWTape, GClip, LoudMax
Metering: SPAN, YLM2

Image credits: cottonbro studio https://www.pexels.com/photo/shadow-of-a-person-on-gray-wall-6203497/

Superheroes

Superheroes (OSC 191 Zebralette 2)

Belief is about the contrast between going through the motions and truly feeling something. The first part is a bit groovy — like doing what we do, following the rhythm of life. The second part slows down, opens up—letting go, expressing, believing in something deeper. 

No overthinking, just letting it be.

DAW: Waveform
Synth: Six Sines (20 Instances)
FX (Free/built-in): Compressor, 8-band EQ, Deelay, Orilriver, Supermassive,  GClip, Gatelab, Loudmax
Mastering: Kotelnikov, GClip, LoudMax
Metering: SPAN, YLM2

Image Credits:https://www.pexels.com/photo/one-black-chess-piece-separated-from-red-pawn-chess-pieces-1679618/

Belief (OSC 192 Six Sines)

Stream on Spotify: https://open.spotify.com/album/1jq80Sv2MztNAhprgvTCjl

DAW: Reaper
Synth: Thorn (47 single instance patches from INIT)
Mixing FX (Free): Orilriver (for bus), GClip (for bus), Loudmax
Mastering FX (Free): Nova, Kotelnikov, LoudMax
Metering FX (Free): Prism, YLM2
---------------------------------------------------
The Awakening is a playful musical journey through the battle within—an exploration of self-doubt, fear, and the struggle to break free. It captures the voice inside that holds us back, the moments of uncertainty, and the eventual realization that the only true enemy is ourselves.

Narrative:
---------------------------------------------------
Krit was a small boy, often feeling like he didn’t quite fit in.
Despite his achievements, there was always a quiet voice telling him, 
"You don’t belong". 
He told himself it was normal, part of growing up. But it never went away. 
Then one night, he had a dream.

🌅 Act 1: The Dream
He ran through wide, golden fields, feeling light and free. For the first time in a long time, he didn’t have to think, everything just felt right.

🌑 Act 2: The Nightmare
Suddenly, the world grew still. The fields shrank, and a shadow appeared in front of him.
"You don’t belong."
The air thickened. He couldn’t move, and the doubt that always lingered felt overwhelming.
"You are nothing."

⚔️ Act 3: The Ascent
A shift. Krit started to move. Slowly at first, then faster. The shadow loomed, but he kept going. The doubt didn’t disappear, but it no longer held him back.

🌟 Act 4: The Awakening
He pushed forward, the weight lifting with each step. The shadow faded, and with it, the doubt.
Krit didn’t stop. He had awakened, and nothing would hold him back again.
---------------------------------------------------
I would like to thank Taron and The Sound Of Merlin for their valuable feedback and guidance in refining certain aspects of this song, truly grateful!

The Awakening (OSC 193 Thorn)

Stream on Spotify: https://open.spotify.com/album/6mSKcze7qnV0bQKOpDLn42

DAW: Reaper

Synth: Monolit (35 Instances)

Mixing FX (Free): ReaComp (Only Sidechain), ReaGate(Gating Snare Reverb), ReEQ (HP/LP), Flux Mini 2(Sidechain),  Orilriver, Supermassive, Deelay, DD AutoPan, Panagement 2, Wider, Lil Tube (Subtle Bus Saturation), GClip, Loudmax, ReaLimit

Mastering: Nova, Lil Tube, Kotelnikov, LoudMax

Metering: Prism

Calling the Monolith

Call the Monolith (OSC 194 Monolit)

Tell Me Why (Instrumental)

New Linear Music
Code SACEM :111567057667

EPHEMERAL TIMES

time sequences  - romain deschamps - septembre 2025

Enemy Base hums with menace — cold synth lines, mechanical pulses, and an atmosphere heavy with surveillance. Inside a fortress of screens, scanners, and machines, the enemy scours the nearby universe for any trace of the explorers and the stolen map. The track captures the claustrophobic tension of being hunted, where every signal and flicker of light could give them away.

🎵 From the Beyond the Stars album — 25 tracks of electronic/sci-fi inspired music.
🎮 Perfect for stealth sequences, enemy lairs, or high-tech surveillance scenes in games.
📡 ISRC: USCGJ2549647

Beyond the Stars

bandcamp

Enemy Base

Yet another hobbyist bedroom composer, producer and sound designer.

Celestial Echoes (OSC 173 Two Buckets)

The Exponent

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