Great composition. The sounds sound great. Awesome!!!

As usual, you've created a fantastic composition. Just the songwriting itself is excellent, not to mention the crystal clear production and mixing. Bravo!

Very cinematic… Could be the perfect soundtrack to an artsy indie “walking simulator” type videogame and I mean that in a good way!

Beautiful composition and sounds! Well done :)

Ahhh.... Exp, Exp, Exp.... what can I say -- you are clearly a sensitive and kind human, based on the sound, melody and feel of this track.

these sounds really shine, lovely natural vibes

the percussions and build are great. I'm finding those drums - fantastic as they are - a little over dominant in comparison to the music and the strings in particular. But excellent job and I'm likely wrong :)

All sounds made using Wave Manuel in Bitwig 4.4

My submission for KVR OSC 167 using 4OSC in Waveform 12 Pro

DAW: Waveform 12 Pro
Synth: 4OSC (33 Instances)
Native FX: TEqualizer, 8-band Equalizer, Compressor, Limiter,
3rd Party Free FX: OrilRiver, SuperMassive, Cocoa Delay, GClip, LoudMax, OTT, QuickHaas
Mastering: GClip, LoudMax
Metering: SPAN, Youlean Loudness Meter 2

Perseverance

Perseverance (OSC 167 Waveform 4OSC)

Submission to the KVRAudio OneSynthChallenge #167 "Any one DAW Synth"
In use: Bitwig The Grid

【peter:H】tEchno mAntrA 23

My entry for the KVR OSC 167 
Using the SunVox DAW & Modula Synth

As Zara and her compatriots investigate the anomaly, they discover a hidden world of secrets and lies. They also uncover an alarming truth about the anomaly itself: it is not just a random occurrence, but a deliberate attempt by a powerful entity to alter the very fabric of reality.

The Utopia Anomaly

My submission for KVR OSC 167 using Reason and it's Europa synth.
DAW Reason Intro 11
DAW synth Europa (31 insatnces)
DAW utilities: Combinator, Mix Channel, Mixer 14:2
DAW FX: MClass Equalizer, MClass Compressor, MClass Maximizer, Audiomatic, RV7000mk2, Scream 4 (distortion section Off, EQ and Reso sections On), Softube Amp (amp section Off, cab section On)
3rd party: OTT, Townhouse, VintageVerb, Shadow Hills, CraveEQ, MSpectralDynamics, BX Masterdesk

Gazing At Shoes (OSC167 - Reason & Europa)

Entirely made with Bitwig poly grid synth for KVR OneSynthChallenge #167
All sounds by Elvicente

Staying Journey

For this track I used 17 instances of Subtractor which was the first and only synthesizer in Reason 1.0 back in 2001. 

For reverb and delay I used Reason's DDL-1 and RV7000. For creamy long reverbs I used a free plugin by Airwindows named Galactic 64. On the masterbus I used Channev by Analog Obsession which is a free mastering plugin.

Subtractor - What Comes From Within

My cat Shouf died a couple of years ago. A dear friend of mine lost his cat this weekend and this brought back many wonderful memories of our mysterious, friendly and wise cat Shouf.

This track has been made using 11 instances of Voltage Modular in which I only used free modules from VM Nucleus, R_Ware x Airwindows and Haaschen bij haslo. My DAW has been Cubase Pro 12.
Third Party free VST FX: SuperMassive, Panagement by Auburn, Wider by Polyverse, LaLA by Analog Obsession and a wonderful new freebie by Amalgamated Signals named Clean Machine which I can recommend to everyone to beef up their mixes (compression, limiter and saturation)

Voltage Modular Nucleus - Shouf's Travels

This is what David Attenborough would sound like when he's discussing microplastics with his dolphin translator at the Assembly of Southern Right Whales, and an orca keeps interrupting.

Entry for the 169th edition of KVR's One Synth Challenge, using the free Kilohearts synth kHs One. Usually only free effects are allowed but we were allowed to use other Kilohearts effects so I've made use of SnapHeap and Multipass.

Whale kHsong - OSC-169

MORE LORE & POSTMORTEM: indiekev.itch.io/one-summer-night-ost-jam-08

3rd track for the OST Jam 08. Given how many issues I've had during the week with internet and the computer, I decided to make it a Medley of most of the themes I was thinking for the final battle against Eryndor in the imaginary JRPG I had in mind.

This is by far my most complex work and I'm super proud after 3 projects (OST Jam 07, Crunchtime & now OST Jam 08), to feel like I've improved a lot in composition. Didn't have much time for doing good mixing though but it is what it is xD

DETAILS

Section A
The initial section is the God of Darkness awakening, plain and simple. Organ is really loud, choir is omnipresent, it has all the marks of an omen coming to pass. I wanted the very slow ending to the section as a way to really hammer what the group has in front of them. And that's also the section where Eryndor attempts to control the God of Darkness, being just a little bit early to the party.

Section B (0:31)
It feels regal and godlike, Eryndor is starting to ascend after having absorbed the God of Darkness power, but in the end ends up being the one losing himself to madness. I think it works especially with the super dissonant organ finish with the Tenor singing alone, it felt like it was Eryndor lost his soul to the God of Darkness. Of course the Organ will the main characteristic of Eryndor in his ascension, but slowly something else will take its place when he's lost to the darkness.

Section C (0:49) 
This is a long drawn out couple of sections, stretching pretty much 3 sections. It's the start of the combat with Eryndor as a twisted godform. It's dramatic, you face casualties. We hear a solo Viola, which is pretty much the instrument of Eryndor's darkness.

Section D (1:16)
Some more tension and building up for section D. Here the Solo violin joins which is Ren, seeing how many of the people he's loved being lost into the darkness. It's pure despair for him, until he starts finding the resolve with Selias alone.

Section E (1:41)
This section made me shiver literally when I was making it, not as much the end but the start of it was haunting me for days and I'm so happy with it.  Now Ren is trying is best to defeat Eryndor but to no avail, Selias is hurt in the process as well as his companions while Eryndor lays waste to the world. We hear the choir, organ, brass, strings and winds swell up as the pressure mounts.

Section D (1:41)
Ren decides to give his all and the real fight really begins as he's able to awaken the primordial energy as the vessel for Selias, until...

Section E (2:08)
We have some parts of the battle theme here with Eryndor's low growl in the background. The choirs are here to make it feel more powerful too.

Section F (2:40) 
Ren awakens Helios godform as Selias holds him, and Eryndor cowers in disgust to the blinding light.

Section G (2:52) 
Now both are at the same power level starts dishing out proper damage now to Eryndor, we now hear the proper battle theme in a lower darker key and it works beautifully (for me).

Section H (3:16)
Now this is extended here because it's where the end of the fight would loop pretty much.

Section I (3:50) 
The end pretty much spells the end of Eryndor and the God of Darkness.

One Summer Night - Eryndor's Madness (Medley)

Epic cinematic background music capturing awakening dreams theme. Features soaring orchestration, emotional depth, and inspiring crescendo. Perfect for dream sequences and transformational moments.


Awakening Dreams

Yet another hobbyist bedroom composer, producer and sound designer.

Perseverance (OSC 167 Waveform 4OSC)

The Exponent

Recent comments

zarf

zarf

ontrackp

ontrackp

Related tracks