Taken from the Kuiper EP out on Pluto (UK/ Eu), Luaka Bop (N & S. America), Inertia (Au/ NA), Beatink (Jp)

Vinyl released 22nd July 2016
Pre-order here: http://found.ee/KuiperEP

Download Kuiper: 
iTunes:  http://found.ee/KuiperiTunes

Stream Kuiper:
Spotify: http://found.ee/KuiperSpotify


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Kuiper

New mini-album 'Night Melody' out August 5th
Order it on 12"/DL: www.erasedtapes.com/store/index/ERATP087
or digitally from iTunes: http://snip.ftpromo.net/nightmelody
More info: www.rivalconsoles.net

London-based electronic songwriter Ryan Lee West aka Rival Consoles to release his most personal work to date in the form of a mini-album titled ‘Night Melody’ through Erased Tapes on 5th August 2016.

During the release of his acclaimed full-length album ‘Howl’ and heavy touring in late 2015, Ryan came out of a long relationship and found himself making music throughout the winter months. The result of his efforts is a 34-minute, 6-track mini album ‘Night Melody’, born out of and shaped by long hours working into the night. It’s nocturnal in sound; mysterious in the way that the early hours so often are.

“I found myself, in a silent home, with the days getting dark very early. I’ve never before in my life been affected by the lack of light so much. I just remember it always being night time. I would either make music into the night, go out drinking with friends, or go to parties and dance into the early hours, every day, week after week, month after month, until eventually the days became brighter again.”

The opening statement ‘Pattern of the North’ starts off with a collage of spliced synth melodies, inspired by anxiety that accompanies going home for Christmas. It’s followed by ‘Johannesburg’, an early sketch gradually filled out during his tour in South Africa. 

“After playing it around some of the cities, I got a lot of inspiration to bring it to life and push it into something that really moves me. I think this is one of my most colourful pieces of music, with its driving rhythm and almost a homage to Terry Riley’s ‘In C’ towards the end, with a build of very simple, hypnotic parts. I especially love that for over five minutes the piece is tied to just one note. This makes the ending very dramatic, because all of a sudden there is this harmonic change.”

‘Lone’ started life around the time Ryan was working on his ‘Sonne’ EP in 2014. It’s the result of constant adjustments to find the perfect balance of fragility and assurance. As everything on the album, it’s a carefully considered, emotionally mature piece. “I think, as I get older, I need music to represent something and not just sound interesting, though of course the two are connected.”

The closing statement ‘What Sorrow’ is a fitting end to the album, building from gentle melancholia to a joyous crescendo. It’s a sensibility that’s central to the record; joy and sorrow both find their counterpoints.

“This record is very personal to me and I hope it offers something for other people, as it helped me to make it and to listen to it. Almost every synth line was recorded intuitively, without perfection but with a lot of intention and expression. I’m not interested in making something sad or making something happy. I want music to be bittersweet, to be more complex, like life – containing moments of vibrant colour and hope, as much as darkness and sadness.”

This summer will see Ryan follow on from his recent North American Tour with the appearance at many festivals including Lovebox, Secret Garden Party, La Route Du Rock, Sea Change and Tale of Us-curated Afterlife party at Space, Ibiza. ‘Night Melody’ will be available on 12” vinyl and digitally, August 5th.

TRACK LISTING:  	

A1. Pattern Of The North
A2. Johannesburg
A3. Slow Song

B1. Lone
B2. Night Melody
B3. What Sorrow

Night Melody

Lone

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Rival Consoles - Lone

Soundway's at it again! This time with a brand new album from South London's Huw Bennet under his newly established Susso alias. The New Keira LP features music which is inspired by (and directly samples) the magnificent sounds of the Mandinka people, which he recorded during a recent trip to Gambia.

The tracks are composed entirely from original source material, field recordings and Huw’s talents as a multi-instrumentalist; performing tuned percussion from the region including the Mandinka Balafon, Kutiringding drum, as well as drawing on his skill as a professional upright / electric bassist. One of the tracks which best exemplifies his contemporary electronic sound, whilst still paying homage to a traditional Gambian aesthetic has to be Ansumana. It's definitely been a shop favourite ever since the good guys at Soundway sent it over and we can't wait to get our hands on this beautiful release when it arrives next month. Reserve your copy now ahead of the official release next month: j.mp/KeiraLP

Keira

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Phonica Premieres: Susso - Ansumana [SOUNDWAY]

Savant Garde
Music and lyrics by Ryan White (BMI)

How many brain cells?  Don’t need to think about it.
The perfect galaxy?  Don’t need to think about it.
Most vivid color?  Don’t need to think about it.
I’ll write a think piece!  Don’t need to think about it.

I’m gonna check you out.
I’m gonna check you out.
I’m gonna check you out.
I’m wanna check you out out out out alright.

The king has spoken: everything that you're doing is wrong
Don’t feel the notion of emotion that is there in the song
Your UV needle zigzag noise marathon
Ain't at the forefront of cool junk that I’ve hit upon
The hypocritics come out, don’t need to think about it
Your punk offends me somehow, don't need to think about it
Circle jerk scene appends all the trends and then
Pretends to know their value even though the value offends.

How many major chords?  Don’t need to think about it.
Rows in my database?  Don’t need to think about it.
What’s in a masterpiece?  Don’t need to think about it.
I’ll square the circle!  Don’t need to think about it.

Model View Controller

Savant Garde

from their upcoming Cassette
out on Wilhelm show me the Major Label

Red Gaze -  Pervasive Unease

all words & music written by the faded north
recorded & mixed by Stefan @ Mbox Studios
artwork by Adam Buckley

The Faded North EP

Worm

"We walked down streets and crammed onto trains, our faces masks of fear. Unsure how to react, we, collectively, did not react. We grieved for a country and an ideal we never thought would die. We grieved for a loss of certainty.

We argued about what we thought would happen. We preached understanding. We advocated for anger. Some people said that we’d at least get some incredible art, other people said that was a small view of a world we were quickly realizing we’d misunderstood. Everyone was right. Everyone was wrong. Art made in precarious times matters as much as we let it matter.

But what are we looking for from the art we enjoy? Escapism? A reckoning with harsh reality? A temporary shared hallucination? Music can heal because it presents the pain of being human as universal. 

Love is Love was written and recorded in the two months immediately following the election, but it’s not a record borne entirely of angry, knee-jerk reaction to what America is becoming. Instead, it’s a meditation on love, and on what life means now. Taking cues from last year’s City Sun Eater in the River of Light, it feels very much like a record made from living, shoulder to shoulder, in a major city: weaving psychedelic swirls of guitar between languid horns reminiscent of the best Ethiopian jazz—Love is Love is a distinctly New York record. It is a document of protest in uncertain times and an open-hearted rejection of cynicism in favor of emotional honesty. It is bright, and then, unexpectedly, a little dark sometimes too.

There will be parts of life where we will watch as events unfold and we will feel helpless. We will not be sure of the future. On good days, we’ll have each other. On the bad ones, we’ll turn to the art that helps us feel something. Love is Love is a document of the new world we live in, proof that light can come from despair and hope is still possible. We just need a little help remembering it exists."- Sam Hockley-Smith

WOODS - LOVE IS LOVE

For its 225th release Freerange welcomes this exciting Austrian producer who goes by the name Demuja, you already know him if you follow closely LYO. His "Mary Janes Theory" record caused something of a stir when it came out at the start of the year on his fledgling vinyl-only label Muja. Taking his inspiration from classic deep house but with a rough and raw approach, Demuja sit proudly alongside the likes of Ross From Friends, Mall Grab or Rimbaudian riding the new wave of fresh, contemporary house.
On his Freerange debut, the Move EP offers up four original tracks, each with their own distinct flavour. Opening the release we have title track "Move" spring into action with simple Rhodes chords floating across a crisp, driving up-tempo groove showing off the deeper side to Demuja. Next up "B.o.o.m" offers us a simple yet captivating, dancefloor-focused affair with a lone, repeating piano stab hooking us into the action. Flipping over we have "Into My Brain" which brings some acid-tinged Italo vibes and a jacking beat to proceedings whilst the closing track "Turn Me On" cuts up a much-loved Paradise Garage classic for a warm, soul-infused slice of classic, bumpy house music.

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PREMIERE : Demuja - Turn Me On

Vienna-based heavy pop three piece.
Immigrants from the North of England.

Worm

The Faded North

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