fallo

Worthwhile stuff support Mars-25

Four

Where do I begin with this instrumental? Some may think this song was written about a lady name Rosy, when actually it's the name of my oldest guitar.   

C. 2022
All instruments by: Daniel Lars
All songs Mixed, Written, Produced, Mastered: Daniel Lars

Reality Sparks High

Rosy

The Buckaroo

Original composition….Alejandro Gonzalez M.

En Aquellos Tiempos

To honor my friend and teacher Dr. Baskaran Pillai on his birthday 1st Feb 2025.

My Babaji

Burnside, by Brian Gore Guitar Poet 

Walking by the river
With tracks beneath my feet
People hide in shadow
Shamed by their calamity
On New Years Eve near Burnside
They numb their sorrow
Hidden in the trees

A mad man in the street
Who could be you or me
Screaming senseless words
At someone we can’t hear or see
Like a crazy prayer for justice
For cards to be reshuffled
Equally 
(Chorus) 

Walking up Burnside 
With the sunset in my eyes
Walking up Burnside
Through the looming stormy skies
I’m walking up Burnside
And it makes me wonder why
We try at all 

I have an untold story
Of suffering and fright
My sadness was a doorway
Leading to a second sight
Of the the love we have inside us
And how it could turn darkness 
Into light 

As the day turns into evening
And night lights the old town sign
My steps are moving forward
Towards a deeper peace of mind
To a dream we have forgotten
For a welcome kind of place
Free from greed and glory 
That lifts up the human race

(Chorus)


Burnside - Brian Gore Guitar Poet and Michael Manring

Composer: Antoine Guigan

Vocals, Bass, Melodica, Drum Machine and Synth Programming, Production: Antoine Guigan
Wah Wah Bass: Charles-Éric Charrier

activism ; activists ; advocacy ; advocate ; advocates ; barrier ; barriers ; biased ; biased toward ; biases ; biases towards ; bipoc ; black and latinx ; community diversity ; community equity ; cultural differences ; cultural heritage ; culturally responsive ; disabilities ;

disability ; discriminated ; discrimination ; discriminatory ; diverse backgrounds ; diverse communities ; diverse community ; diverse group ; diverse groups ; diversified ; diversify ; diversifying ; diversity and inclusion ; diversity equity ; enhance the diversity ;

enhancing diversity ; equal opportunity ; equality ; equitable ; equity ; ethnicity ; excluded ; female ; females ; fostering inclusivity ; gender ; gender diversity ; genders ; hate speech ; excluded ; female ; females ; fostering inclusivity ; gender ; gender diversity ; genders ; hate speech

hispanic minority ; historically ; implicit bias ; implicit biases ; inclusion ; inclusive ; inclusiveness ; inclusivity ; increase diversity ; increase the diversity ; indigenous community ; inequalities ; inequality ; inequitable ; inequities ; institutional ; Igbt ; marginalize ;

marginalized ; minorities ; minority ; multicultural ; polarization ; political ; prejudice ; privileges ; promoting diversity ; race and ethnicity ; racial ; racial diversity ; racial inequality ; racial justice ; racially ; racism ; sense of belonging ;

sexual preferences ; social justice ; sociocultural ; socioeconomic ; status ; stereotypes ; systemic ; trauma ; under appreciated ; under represented ; under served ; underrepresentation ; underrepresented ; underserved ; undervalued ; victim ; women ; women and underrepresented

Forbidden Words

I see the side of the abbey
It's big and bright. Though a bit grey.
You hide something.  What am I missing?
You won't tell me. I stare at this tree.

The buds explode in the same time
The branches grow so suddenly
The tree covers the old abbey
I dive into your eyes slowly

I see the truth. It ain’t pretty
You hide your face with a giant leaf.
I understand. You feel guilty.
You’re not with me. I stare at the tree.

The buds explode in the same time
The branches grow so suddenly
The tree covers the old abbey
I dive into your eyes slowly



The Tree

blood stains

elysium

A Musician’s Guitar

where did she go

Clothes In The Dark

Walking The Grey Line

Plague Doctor

Antagonism is the result of a studio session with:
Fred T. Baker ( Bass )
Mark Hewins ( Guitar )
Javier Paxariño ( Saxophon )
and Ullip ( Drums and Fender Rhodes piano)
A piece of contrasts and therefore polarising at the same time. A mixture of four completely different musical styles, characterised by free improvisation and an intuitive approach. It is a piece of incomparable dynamism and joy of playing by the protagonists. A piece to fall in love with, to appreciate jazz rock, progressive and psychedelic music. Not a piece to just listen to in passing. It will challenge you. Get involved and you will experience a rapid flight through time with all its antagonisms.
www.ullip.eu

Legal : www.ullip.eu/video-production
The use of my music to train AI and generate similar compositions is strictly prohibited and will be prosecuted. European and German copyright law applies in all cases. All rights reserved ©

The Tree

The Fall of Saigon