Electronic - Electropop

If Time is Not Linear, Why Can't I Forget the Past?

Best songs 2017 (apr-jun)

Hand Picked Indie

Coming Of Age by Foster The People, live at RTL2
Check my new sounds at https://soundcloud.com/kevin-liyanto/tracks

Coming Of Age by Foster The People

Crave You - Flight Facilities

mixed and co-produced: Jurriaan Sielcken 
mastered: Pieter Kloos
artwork: Sophie Hemels

Absence

The next remix of 'Avocado Galaxy', out this Friday October 23
DWLD the original here: bit.ly/1NYdzaH
Artwork by Aldous Massie.

@TornadoWallace
@WorldChampionMusic
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instagram.com/worldchampionmusic
twitter.com/worldchampionau

DWLD AVOCADO GALAXY

World Champion - Avocado Galaxy (Tornado Wallace's Paradise Remix)

'Shakes' is taken from World Champion's debut 'Avocado Galaxy' EP, out now via Future Classic: http://smarturl.it/AvocadoGalaxyEP

You can also order on 12" vinyl: smarturl.it/AvocadoGalaxy12

@WorldChampionMusic
facebook.com/worldchampionmusic
instagram.com/worldchampionmusic
twitter.com/worldchampionau

Artwork by Aldous Massie

iTunes

World Champion - Shakes

Part song, part experimental tech-art piece, Toronto’s cinematic indie-pop/rock duo W I N C H E S T E R reveal their debut single Last Day of the Year taken from their forthcoming EP, “If Time is Not Linear Why Can’t I Forget the Past?”. The high-tech visual and audio experience is the product of the unbridled collision of the pair’s backgrounds in architecture, classical music, coding, visual art, DJing, and design. Together, Canadian artists Lauren Austin and Montgomery de Luna forge an atmospheric sonic pallette brought to life by an equally hybrid video art piece that blurs the line between computation, projection mapping, photography, and still life.

A refreshing, genre-bending composition of dark-alley dance beats, pop hooks, luscious synths, and ferocious guitars, songs from the W I N C H E S T E R debut have been described as, “epic tracks” by Velvet Rope Magazine’s editor Care Finch, stating, “this is certainly a band that I can get into”. Despite only releasing their first single now, their informal demos have already garnered the attention of Velvet Rope, the Indie Rock Playlist, ongeKunsteld, 88.3 CJIQ’s Indie Rock Invasion Show, Bells Brigade, Coast2Coast Mixtapes, Music of the North, and 89.5 CIUT’s Unsigned Radio.

Fully self-produced in domestic secrecy, Last Day of the Year is the first in a series of art pieces to be released later this year through Label Labs Records, an emerging grassroots recording club based out of Toronto. With each release the group will carve out another piece of the W I N C H E S T E R universe, methodically developing the visual companion to each song. This combination of sonic and visual elements as one integrated work advances the duo’s vision of a holistic concept realized through multiple media which will define their place in the music scene.

Last Day of the Year Written and produced by Montgomery de Luna
Performed by Montgomery de Luna and Lauren Austin
Mixed by Shayn Hotton
Mastered by Emily Lazar at The Lodge, assisted by Chris Allgood
Released by Label Labs Records recording club
© Copyright 2016 Montgomery de Luna, ℗ 2016 Montgomery de Luna
All rights reserved

Last Day of the Year (single)

Last Day of the Year

W I N C H E S T E R - Last Day of the Year

Follow us on instagram: https://www.instagram.com/the.forever.now/
Check out or new song here: https://soundcloud.com/theforevernow/mirage-feat-lauren-austin
Follow us on Spotify: https://open.spotify.com/artist/6dvB1Qs7NpDPkvMDx0NJ6A?si=bu1zmilDQiOM0s-r8YQPkw

Part song, part experimental tech-art piece, Toronto’s cinematic indie-pop/rock duo W I N C H E S T E R reveal their second single I'm Not Ready to Go Yet, taken from their forthcoming EP, “If Time is Not Linear Why Can’t I Forget the Past?”. The high-tech visual and audio experience is the product of the unbridled collision of the pair’s backgrounds in architecture, classical music, coding, visual art, DJing, and design. Together, Canadian artists Lauren Austin and Montgomery de Luna forge an atmospheric sonic palette brought to life by an equally hybrid video art piece that blurs the line between computation, projection mapping, photography, and still life.

A refreshing, genre-bending composition of cinematic swoons, pop hooks, luscious synths, and surreal guitars, songs from the W I N C H E S T E R debut have been described as, “epic tracks” by Velvet Rope Magazine’s editor Care Finch, stating, “this is certainly a band that I can get into”. Despite only releasing their first single in October of 2016, the song has already been picked up by the Hype Machine, IX Daily, Pan od Muzyki, Le Canal Auditif, Aimless Skylarking, Indiemono, and Indie Bands Blog. Their informal demos have previously garnered the attention of Velvet Rope, the Indie Rock Playlist, ongeKunsteld, 88.3 CJIQ’s Indie Rock Invasion Show, Bells Brigade, Coast2Coast Mixtapes, Music of the North, and 89.5 CIUT’s Unsigned Radio.

Fully self-produced in domestic secrecy, I'm Not Ready to Go Yet is the second in a series of art pieces to be released later this year through Label Labs Records, an emerging grassroots recording club based out of Toronto. With each release the group will carve out another piece of the W I N C H E S T E R universe, methodically developing the visual companion to each song. This combination of sonic and visual elements as one integrated work advances the duo’s vision of a holistic concept realized through multiple media which will define their place in the music scene.

I'm Not Ready to Go Yet

W I N C H E S T E R - I'm Not Ready To Go Yet

Part song, part experimental tech-art piece, Toronto’s cinematic indie-pop/rock duo W I N C H E S T E R reveal their latest single Field Day taken from their forthcoming EP, “If Time is Not Linear Why Can’t I Forget the Past?”. The high-tech visual and audio experience is the product of the unbridled collision of the pair’s backgrounds in architecture, classical music, coding, visual art, DJing, and design. Together, Canadian artists Lauren Austin and Montgomery de Luna forge an atmospheric sonic pallette brought to life by an equally hybrid video art piece that blurs the line between computation, projection mapping, photography, and still life.

A refreshing, genre-bending composition of dark-alley dance beats, pop hooks, luscious synths, and ferocious guitars, songs from the W I N C H E S T E R debut have been described as, “epic tracks” by Velvet Rope Magazine’s editor Care Finch, stating, “this is certainly a band that I can get into”. Despite only releasing their first single now, their informal demos have already garnered the attention of Velvet Rope, the Indie Rock Playlist, ongeKunsteld, 88.3 CJIQ’s Indie Rock Invasion Show, Bells Brigade, Coast2Coast Mixtapes, Music of the North, and 89.5 CIUT’s Unsigned Radio.

Fully self-produced in domestic secrecy, Field Day is the third single in a series of four art pieces to be released later this year through Label Labs Records, an emerging grassroots recording club based out of Toronto. With each release the group will carve out another piece of the W I N C H E S T E R universe, methodically developing the visual companion to each song. This combination of sonic and visual elements as one integrated work advances the duo’s vision of a holistic concept realized through multiple media which will define their place in the music scene.

Mixed by Shayn Hotton
Mastered by Shawn Hatfield at AudibleOddities

Field Day (single)

Field Day

W I N C H E S T E R - Field Day

"Crazy" written/performed by CASPR
Produced by Danen Reed
Mixed/Mastered by Riley Urick

Crazy

hard pill to swallow

hard pill to swallow (great good fine ok remix)

Lyrics:

Could you live forever
Living in this fantasy?
If you could see what I see
Would it change the way you feel?

Follow me
We could leave this city 
And just fly away
(Let me take your breath away)
Anywhere
We could go anywhere
You want to be
(Let me show you)

Take me higher
Take me far away
Show me what could be
Arms wide open
Won’t you lead the way
And don’t look back

Tryin’ to break the cycle
Tryin’ to escape this dream
If you could stop running
Where would you choose to be?

Follow me
We could leave this city 
And just fly away
(Let me take your breath away)
Anywhere
We could go anywhere
You want to be
(Let me show you)

Take me higher
Take me far away
Show me what could be
Arms wide open
Won’t you lead the way
And don’t look back

When you look at it all
Do you like what you see?
All the choices you made
And the life that you lead?
Leave the world that you know
Take a chance follow me
We’ll fly away
We’ll fly away

Take me higher
Take me far away
Show me what could be
Arms wide open
Won’t you lead the way
And don’t look back

Perspectives

Chimes - Cold

Performed by The Forever Now, formerly known as "W I N C H E S T E R"
Mixed by Shayn Hotton
Mastered by Shawn Hatfield at AudibleOddities

Throw It Down

I can't believe Carti brought you here, this song is ancient. 

snackswithyeo.bandcamp.com if you wanna support me, all my latest stuff is there and on your usual streaming platforms too.

Follow @snackswithyeo on socials to stay up to date.

Sell Out

Jacob's Ladder

Playing from 8pm every Wednesday in August at Ding Dong Lounge, Melbourne. Free entry.

This is a selection of 4 tracks. Full album available now from: snackswithyeo.bandcamp.com

Follow @snackswithyeo or visit facebook.com/yeoyeoyeoyeo to stay up to date.

Wishing Well

This is a selection of 4 tracks. Full album available now from: snackswithyeo.bandcamp.com

Follow @snackswithyeo or visit facebook.com/yeoyeoyeoyeo to stay up to date.

Burden

Quick acoustic take on of one of my favorite songs from the last year...

Fineshrine (Purity Ring Cover)

Tires screech as a car packed to the ceiling pulls away, urgently longing to get out of California. The passenger seat is empty—a warm glow grows stronger among the hills in the distance. This is the world of “Grounded Satellites”, the triumphant return of Copenhagen based indie rock outfit The Forever Now. The band has come a long way since BIRP.FM referred to Throw it Down as, “an atmospheric sonic palette brought to life”, and Indie Obsessive awarded it a “contender for ‘The Summer Hit of 2017’,” marked by their relocation from Canada to Denmark.

Combining cinematic elements with indie rock, synth-pop, and singer-songwriter music, The Forever Now carve out a filmic experience with each release. Defined by their genre-defying style and relentlessly do-it-yourself approach, The Forever Now have been on critics’ radar from their debut, when, according to TEEZ FM, “they have impacted the music scene with their proper debut single ‘Last Day of the Year’”.

The project has often drawn comparisons to artists such as M83, The Naked And Famous, MGMT, Chvrches, and Oh Wonder. The Revue described their work as: “Incredibly beautiful. It is part cinematic, part cosmic, part operatic, and completely dazzling. The production work is sublime, radiating of the spatial pacing of Anthony Gonzalez’s (M83) work on Oblivion. The song, however, reaches sonic heights that Gonzalez wasn’t able to achieve … Simply spectacular.” With Grounded Satellites, The Forever Now mark a return to form, finally achieving the soaring heights of an explosive indie rock single they always dreamed about.