Piano, Blaze +Rythm*

DANGEROUS GIRLS PHONING FROM LONDON

Movements of ApproachToSilence & Friends 22-III

Ft.JUNZO - Excuse Me - Ray ,  TheGat(s) --- Getting Somewhere

// Lillithe & Paploviante --- Can't Erase The Pain //

/// Lillithe & Paploviante --- Can't Erase The Pain ///

// Lillithe/Paploviante --- I AM A FOOL LOVING YOU //

/// Lillithe/Paploviante --- I AM A FOOL LOVING YOU ///

Syntaleta --- Falling Slowly ,  TheGat(s) --- Getting Somewhere

NUNCA SAY JAMAIS PLUS

Go ahead and sit back and Dig it, people ...  :-D
Yeah...  It's Pretty laid Back, 
but at a moment's notice, 
We put our tranquil creative hearts and souls into this one. 

So Thankful for my bro Jörg @Joerxworx  
He laid his SaX down oh so gently on this 'In One Take'  
And i just Love it! <3

And hey folks, don't worry 'bout us, we're all right...
we never even broke a sweat!  Just BiG sMILEs! 😁  


© Gary Courtland-Miles and Jörg Wasser 2021
℗ Gary Courtland-Miles and Jörg Wasser 2021

And... if you'd like to enjoy more, here are a half dozen of our other collaborations.

@  https://soundcloud.com/gary-courtland-miles/sets/anomon-joerxworx

Cheers! 😊

Laid-Back Bluez _  ft Jörg

Please welcome to join Syntaleta community on www.patreon.com/syntaleta
Remastered by Houman (https://soundcloud.com/houmans)

Power Of Sorrow

Trance Danse ~ #5 of 5

D101

Shadow Glows

Alive Again

 Russians says "There' s no Ukraine, it shouldn't exist"...  I'm Ukrainian and I'm proud of it. My country do exists as well as my music. No one in the world has no right and power to make such statements about any nation. They drew their fascist sign "Z" with blood of Ukrainian children. If you support Russian aggression against Ukraine you've got that bloody sign on your forehead. The God is to judge you...
This track is remastered by Houman (https://soundcloud.com/houmans)

Falling Slowly

HOOK: Party people let’s get it jumpin’ Every things gonna be alright DJ, keep the music pumpin,  I wanna see you dance all night, Feel the rhythm rushing through my body let the bass line set you free, every body come on get up on it,  And let me know If you’re a freak like me. 
                                                                                                              VERSE 1: Dj keep it pumpin, let the baseline drop, get the party jumpin, make the speakers pop….. It’s Mrs Rhymes in the house, feeling freaky tonight, creating hype on the mic, giving you what you like. Spitting funky flows to make you bounce to the beat, got you moving to the music, time to turn up the heat, Getting freaky on the floor, get freaky with me Come on, Let me see you shake it, let it all hang free.  Keep movin, don’t stop, let me see what you got, Give me more, turn me on, don’t stop making me hot, move around to the sound , let me see you get low, drop it down to the ground,  back it up real slow,  Do what you like,  you know what‘s right, keep living your life, Have fun, enjoy the ride and keep dancing all night, Release the beast, if you’re a freak let me know, Come on, let it all out, you’re the star of the show                                                                                  VERSE 2: You got get up on it, let me see you  sweat, I wanna see you get freaky, gonna make you all wet, Keep it pumpin, keep jumpin, come on give me some more, Give it everything you got, don’t stop til your sore.  Shake your body to the beat, move around to the sound, Grab your man by the hand, show him how too get down, Move your hips side to side, then you drop it down low,  Make em shout, ain’t no doubt, she’s a freak, now you know.  Just push a little harder, keep grindin’ all night, If you ain’t having no fun you need to change your life, Live it right, don’t fight, keep your work load light,  get up,  join the party, let’s get freaky tonight.  Keep rockin, we ain’t stopping’ boy don‘t be a tease, Take me up to the top, I’m Begging oh baby please, It’s Mrs rhymes, so fine, I don’t swallow, I spit, But no matter where I'm at it’s guaranteed to be lit.

Freak Like Me

Gypsy Love

■概要(Overview)
あなたはまた行ってしまうのね・・。
だからタイムマシーンを作ったの。
さぁ、あの頃に戻りましょう・・そんな曲です。

ボーカロイドを使いました(フリーソフトの「UTAU」を使用)。
全体的に、今回も混沌とした感じになりました・・ね(^^;)

You will go again ...
That's why I made a time machine.
Well, let's go back to that time ... That's the song.

I used Vocaloid (using the free software "UTAU").
Overall, it felt chaotic this time too ... (^^;)

■歌詞
「Enihcam Emit」
うつろいやすい　人なのね　あなた
あまりにも　冷たい仕打ちね

ずっと　ここに　残る　傷跡

出会った頃の二人に戻って　みたい

完成したわタイムマシン
あなた可愛い寝顔ね
うふふふ

目覚めた時には元通り
あなた私に夢中よ
うふふふ


ここがふたりが　出会った　場所ね
あなたったら　10円札　追いかけて

ずっと　ここに　残る　さくらよ

完成したわタイムマシン
わたし麗しのモダンガール
うふふふ

目覚めた時には元通り
あなた可愛い寝顔ね
うふふふ

なんどでも　戻れるはずよ
あなたに　さよならは　絶対言わせない
あなたは素直なモダンボーイ
わたしが　いいって　いうまでは

■ Lyrics (Google Translate)
"Enihcam Emit"

You're a fickle person
It ’s too heartless.

Scars that remain here forever

I want to go back to the two of us when we met

It's completed time machine
You have a cute sleeping face
Ufufufu

When you wake up, it's back to normal
I'm sure you're crazy about me
Ufufufu


This is the place where the two met
You're chasing a 10-yen bill

Sakura stays here forever

It's completed time machine
I'm a beautiful modern girl
Ufufufu

When you wake up, it's back to normal
You have a cute sleeping face
Ufufufu

We should be able to go back anytime
I will never let you say goodbye
You are a straightforward modern boy
Until I say "it's okay"

Enihcam_Emit

I AM A FOOL LOVING YOU
Donna Summer Cover: I feel love
Backing track: Feel the African  Love - Paploviante
https://soundcloud.com/paul-racle/feel-the-african-love
Vocals: Melissa, Gospel chorus
www.Ghosthack.de
Lillithe: adding Beat, Vocals and Arrangement Production

I AM A FOOL LOVING YOU  Lillithe/Paploviante

Music, Electric Piano, Drum Programming: Jan Schonander
Spanish Guitar: Dan van den Berg https://soundcloud.com/danarchx 
Electric piano is the Logic Pro X Classic Suitcase MkI. 

Sometimes a lost suitcase has a more interesting journey than the traveler. I remember flying domestically in Spain and my suitcase going on an extended  journey. It was only found because I remembered my flight from Madrid to Barcelona actually continued to Cairo. After a few missteps I convinced the airline to search at Cairo International and it all ended well, but only one day before I had to leave for home. This track could easily be modified if anybody wants to divert the suitcase to a different pair of countries. Just let me know and I'll send the stems.

Suitcase

Suitcase | Lost & Found | Dan van den Berg 🎸

Just Breathe

https://open.spotify.com/album/0WzK1d9VgB2ABW3CcWFJqO?si=Iq-d1R16RRGqLwdZwQvqSg
"Long Lost Way" electronic music with guitar and vocals
"The day is done
Shadows on the way
like oxygen
I need you every day
Gone down this road
the long lost way
Into the night
Into the day

Long Lost Way

One Time Phone - Fleursonseaux
All rights reserved - © Copyright

One Time Phone

Esperaza Jurassic  Market

Can’t Erase The Pain / Lillithe & Paploviante
WAMDUE Cover: King of my castle
Lillithe: Percussion and Vocal arrangement
Paploviante: Music, Bass & Mix
Vocal: Ghosthack www.Ghosthack.de

Can't Erase The Pain - Lillithe & Paploviante

A synthpop / synthwave version of the Traditional English Folk song,
"London Bridge Is Falling Down"
wink wink !

Operation London Bridge

Music & Lyrics: Jan Schonander

It sucks to get old, but it beats the alternative.

GETTING SOMEWHERE

About time 
Could it be there’s not enough
About love
The rush and the loss
About me
The highs and the lows
About us

All the missed opportunities
The places you didn’t go
The people you never held
All the lost laughs

You’re getting your fair share
If only you dare
You’re getting somewhere
If only you dare

About joy
Did I spread enough
About happiness
Did I live it up
About time
About time for me
About us

Time to punch in your ticket
There’s one final show
Time to empty your bucket
Let loose let go

Somewhere…

You’re getting your fair share
If only you dare
You’re getting somewhere
If only you dare
Somewhere
You’re getting there
Somewhere
You’re getting there

Somewhere
You’re getting somewhere
Somewhere
You’re getting somewhere

Getting Somewhere

Picture is from the book by Dr Rupert Sheldrake

The Sense Of Being Stared At

In my dreams I sometimes dive in the wide ocean or in deep water. Sometimes I find myself surrounded with sharks, sometimes I have to find my way through storms.

I always wake up very agitated after these dreams. Diving in deep water is an emotional adventure I tried to capture in this song.

Thank you, Adam, for giving it a last shape...

Matthias am Klavier

Deep Sea

(Written by Terry Reeves)
Terry Reeves: Lead Vocals
Gary Reeves: Drums
Hans Albers: All instruments, backing vox, arrangement, production

I have been trying to play the guitar since the early 70s but even after all this time still don’t think I’m really good enough to actually call myself a guitarist.  I was lucky that there were always guitars laying around the family house and could therefore pick one up any time I wanted and strum away to myself.  Having two older brothers who were semi-pro musicians was also a big encouragement and I used to love going down to see them rehearsing with the band they were in at the time, developing a yearning to join them, whilst never believing it would actually happen.

When I moved into a place of my own, my brother Bri gifted me one of his guitars so that I could play any time I wanted.  I can’t actually remember when it occurred to me that I was actually starting to write my own songs but as I continued to play,  pleasing chord structures just seemed to emerge and I started to sing along.  Eventually, I wrote down some lyrics and gave each piece a title. It became a kind of therapy, channelling a lot of my personal and political frustrations into song but keeping it all to myself.  Fear of rejection ruled my thinking for some time.

That I managed to overcome that, tentatively recording a few songs onto cassette and sending them to Bri & Gal turned out to be one of the best things I ever did.  I’ll never forget them calling to say they thought the songs were great and that we must get together to rehearse and record them. 

So that’s how Root Division became an actual band.  We drafted in John Palmer, who had played bass in the band I used to see rehearse all those years before and soon after, there we all were in my living room, recording my songs onto Bri's four track reel-to-reel machine.  It all seems pretty stone-age now but it sounded bloody great to me.  

Those first sessions were recorded in a house on the edge of a school playing field (I was the groundsman) so we could make as much noise as we liked.  Later on, we gravitated to the attic of a house Bri was sharing, going on to record 13 songs and having a blast in the process.  The memories I have of those days still loom large in the memory.  Days full of wild ideas and even wilder laughs.  Days I will never forget.

In all the nostalgia of yesteryear, we mustn’t forget Hans Albers, who has once again produced another brilliant arrangement.  I cannot ever thank him enough for everything he brings to these songs.  Thanks to you all for listening.  Your encouragement means everything.  (Terry Reeves)

Head in the clouds nowhere to go
Empty room with guitar solo show
Playing demo of songs for reaction
Cathartic moments, hidden rejection

Searching for a root division (Dividing dreams, finding truth)
Searching for a root division (Concerts in telephone booths)

Expressive words tried to be taken
Spying musical notes not unshaken
Hopeful moves toward a joint decision
Holidays end in disappointing collision

Searching for a root division  (Dividing dream, avoiding life)
Searching for a root division  (Cutting sharp, use surgical knife)

Writing words with a political slant
Separation of four directional plants
Playing music with family heroes 
No thought of ending with ‘Another Zero’

Searching for a root division (Dividing dream, avoiding truth) 
Searching for a root division (Finding time, a musical sleuth)

(Never expected my brothers to call...)
Searching for a root division (repeat)
 
Live band recording reel to reel tape
Buzzing feeling with a chance to escape 
Start to finish our music engagement 
All on my own to a foursome arrangement

Searching for a root division (Dividing dreams, avoiding truth) 
Searching for a root division (Keeping time all under one roof)

(It’s time to get the band out of bed…"Come on John!")     
Searching for a root division… (Repeat to end)

SEARCHING FOR A ROOT DIVISION - Cripple Club & Hans Albers

@ApproachToSilence2 - 17.5.22

https://open.spotify.com/album/5UhvykOnZmQikKu37bvmCF?si=h_dqwOFuQRKg9MYf5ZWs4Q

https://www.youtube.com/watch?v=kuOHAdz_Sic&list=OLAK5uy_nZnOK9cnPNTzw1jU77SPGHFgX1t0SmiVo

ApproachToSilence_2022

Bliss

Pierre Bordetti productions (c) 05/2022.
Composed, arranged, performed, and produced by:
Pierre Bordetti

_ Always stay by your side _

Every morning,
When you rise,
when you smile,
When you dance
when you run,
You give life to everything,
You give life to everything,
You rekindle my flame,
You rekindle my heart,
When you rise with me,
When you rise with me,

Inside me,
I have a dream,
always stay by your side,

Inside me,
I have a dream,
always stay by your side,

Always stay by your side

Cosmic Winds
May 2022
Duration: 3:10
Listen to the Cosmic Soundscapes Playlist: https://soundcloud.com/bruce-klepper-1/sets/cosmic-soundscapes
Cosmic Wind is a powerful cosmic force that can push interstellar dust clouds of low density into intergalactic space.  As the cosmic winds start to push the clouds, they start to separate and start looking like taffy being pulled apart. 
For Strings, Cloud Chamber Bowls, Autoharp, Vibraphone, Tubular bells, 
Timpani, virtual instruments, field recordings and percussion.

Cosmic Winds

＊This work was made by overdubbing my guitar performance to Ray's work "Excuse Me".Thank you Ray for accepting my request.
------------------------------
Ray ---- Excuse Me
https://soundcloud.com/in-the-mood-for-music/excuse-me
------------------------------
＊Below is from Ray's original description.

ーーA slow and melancholic song, hope you like it.
https://www.youtube.com/watch?v=82n6jeKPRo0
Facts about this Track:
Idea, Arrangment, Audio-Editing and Midi-Programming, Guitar playing, Mixing and Mastering by Ray
Vocals: Audio-Samplesーー

------------------------------
＊By the way, it's Ray, not me, who makes the chord backing that takes the rhythm with the wah pedal, the thick chord stroke with the flanger, and the pick scratch that rubs the wound strings with the pick.  Please listen to Ray's work and check it out.  From the beginning, Ray brought a sound that wasn't normally "suitable" for this piece.  The charm of this free and open work is exactly what Ray created.
------------------------------
Over the last few months, we have been exposed to a lot of media coverage. A man who lived and worked with his family in Poland returned to his hometown of Lviv with his family. "I can't stand to see the destroyed city anymore. I want to regain the beautiful Ukraine," he said. "It's a beautiful country, Ukraine," said one woman proudly. She said, "It has been destroyed and polluted, but we will definitely regain beautiful Ukraine."

When the Ukrainian people talk about "Ukraine, a beautiful country", there is a vast sky and land. As I watch the news of the tragedy, I find that we are more encouraged by the strength of the people who are ready to rebuild the country.

Initially, I was planning to work on another work by Ray, but when I listened to this song again, I noticed that "the sky" appeared in the refrain part. I know the lyrics of this piece deal with a different theme, but as I hummed the refrain, I felt that it could be a "fighting song" for me to move forward with the Ukrainian people. .. The target of support is the Ukrainian people, and I myself. I secretly thought that I wanted to make it one of the "cheer songs" for everyone, who are struck by this unreasonable invasion. And I decided to put my guitar on this song.

------------------------------
In addition, "Lillithe / Paploviante", including the sound source that Ray seems to have used in this work, should be called our great pioneer in that field as well. They have produced a huge collection of works using Vocals' Audio-Samples as the theme. At that time, I would like to note that they are experts who have mastered the source and lyrics of Samples by clearly stating them each time. The creators who inherit the method will be able to learn from the various usages of Samples to the usage rules by keeping in mind the reference of the works they have accumulated. It will be a great ally for each successor as they open up the future beyond SoundCloud.

Their enormous collection of works teaches us a lot. I would like to express my deep gratitude to them again for that. 

Lillithe https://soundcloud.com/lillithe
Paploviante https://soundcloud.com/paul-racle

Excuse Me

Ray - Excuse Me  ft.JUNZO on electric guitar

Badkup - Bonetired 
(c) 2022 by
@fadysporz
@para-lia

Bonetired

Watched and I Did

How does it happen
A child learns to talk
You ask the child how
The child says I don’t know
I just heard sounds and I imitated them
You ask a bird how to fly
The bird will say I watched other birds
I did what I saw and the next thing I know I was flying
You ask a wolf how it hunts
The wolf will say I don’t know
I just watched and did

Watched and did, watched and did
That is what I did
I watched and did

You can find Dave Cooper's music here:
https://soundcloud.com/warfydave

Watched And I Did (with Dave Cooper)

Jamais plus, (*Translation below*)

Plus jamais, je ne la reverrai
Plus jamais, je ne l'entendrai
oublier tout ce qui s'est passé
oublier que nous nous sommes aimé.
Plus jamais, je ne l'appellerai
plus jamais, je ne lui écrirai
effacer son visage de mes pensées
effacer sa voix de ces bandes usées.

Un peu cassé, je sortirai du fossé
vous retrouver, je sais que vous m'attendez
chère inconnue, je viendrai vous chercher
car jamais plus, je ne saurai me tromper.
Un jour de mai, nous nous sommes embrassés
Un jour, oui mais, depuis nous sommes enlacés
Mon ingénue, c'est bien de vous dont j'ai rêvé
car jamais plus je ne saurai me tromper.
*(Chanson originale, mix, voix, texte KidOfEarth)  
©Copyright France

Never again,

Never again will I see her again
Never again will I hear her
forget everything that happened
forget that we loved each other.
Never again will I call her
never again will I write to her
erase her face from my thoughts
erase her voice from these worn tapes.

Kinda broke, I'll get out the ditch
find you, I know you are waiting for me
dear stranger, I will come and get you
because never again will I be able to be wrong.
One day in May we kissed
One day, yes but, since we are intertwined
My ingenue, it's really you I dreamed of
because never again will I be able to be wrong.
*(Original song, mix, vocals and lyrics KidOfEarth) 
©Copyright France)

Jamais Plus

Berlin To Havana

Little to say about this song; both lyrics and music (all organic but for programmed drums) were done very impulsively, so it may show my primal inspiration without reworks or additions. Hope you'll enjoy it!

Pic from: https://vincentmars.com/2013/11/20/the-sensual-paintings-of-fabian-perez/

Translated Lyrics:

YO PENSÉ (LA SEXTA VEZ) / I THOUGHT (THE SIXTH TIME)

Yo pensé: esa mujer no es peligrosa…
  (I thought: that woman is not dangerous …)
No esperé enamorarme como un idiota.
  (I did not expect to fall in love like an idiot.)
Me pregunté: ¿qué tiene en los ojos que tanto me tienta?
  (I wondered: what’s in her eyes which tempts me so much?)
y me acerqué para hablar con ella y verlos de cerca.
  (And I got closer to speak with her and watch them closely.)

Y si era la primera vez, ¿por qué no extrañaba hacerlo con ella?
  (And if it was the first time, why didn’t I feel strange doing it with her?)
Y si era la primera vez, ¿por qué parecía que era la sexta?
  (And if it was the first time, why did it seem to be the sixth one?)
Y si era la sexta vez, ¿por qué hubo preguntas después de la escena?
  (And if it was the sixth time, why were there questions after the scene?)

Y si fue la única vez, ¿por qué no puedo apartarla de mi cabeza?
  (And if it was the unique time, why cannot I take her out of my head?)

ER41FI08 97-17

Factor Integrante

Yo pensé (La sexta vez)

01 - NI - Session Guitarist - Picked Acoustic - Pawnshop Guitar
02 - Heavyocity - Ascend modern Grand - Ascendant Wings 
03 - Heavyocity - Ascend modern Grand - Delicate crystals
04 - Heavyocity - Ascend modern Grand - Syncopated Eigths
05 - OT - TM - Mixed Choir Multi
06 - Sonuscore - The Orchestra Complete - Under Pressure

Ascendant Winds - First Part

Rainbow -  - Output - Stereo Out

Thanks for visiting. This is a retro eclectic music mix with looming influences from among others Iggy Pop, David Bowie, Lou Reed & Jon Lord. Mostly I write about the human condition.

I am always looking for a guitar player that wants to collaborate. Would be fun to find a real drummer also.

A Gat is a cat in Catalan - it all makes sense if you’re me. The (s) stands for many collaborators.

I encourage everybody on SC to listen more and be less transactional.