Really good piece. Morricone is indeed not far, but with a modern touch with those synths/pad which reminds me also in some aspects the "Breaking bad OST" by Dave Porter.

@the-dj-real this that storytelling beat.

Dance Adrift

FromTheOtherSide

Music & Lyrics: Jan Schonander
Video: https://www.youtube.com/watch?v=HpuhD4uGJXM

All synths are Nord Stage III native - with plenty of tweaks to all aspects. Apart from the drums there is no programming and everything is performable.

About volatility and self-control. Nearly all the time is not all the time and it’s worth remembering that.

SCREAM

Don’t you worry baby, it’ll all be fine
Don’t you worry baby, it’ll be alright

Who…
It’ll all work out
Not a scream or a shout
Who….
Sometimes
Nearly all the time

Don’t you worry baby, it’s gonna get better
Don’t you worry baby, it’s gonna be alright

Who…
Again and again………
Who…
Sometimes 
Nearly all the time
Sometimes
I wanna scream
Nearly all the time
I wanna scream
Again and again ...

Don't you worry baby, it'll all be fine
Don’t you worry baby, it's gonna be alright

I’m in control
Yeah, I’m in control
Sometimes
Don’t you worry
Don’t you worry baby, it’s gonna be fine
Nearly all the time

Scream

Spotify

Yes !! for the first time in my life , i sing over a music i did NOT compose ! But i couldn' t resist this beautiful music written by Debbie and Dave . Million thx my friends for letting me try some vocals on it:))

Easy To Please (music by Debra Buesking and David Dunham)

Composition Philippe Guitare rythmique/Slide/Wah-Wah @user-759566380
Texte et chant Guillaume @user-759566380
Instrumentation/arrangements/mixage/masterisation @Tulipe-records

Paroles

On voudrait faire une chanson
Écolo , geek et non genrée
Qui plaise aux filles et aux garçons
Sans gluten sans vulgarités
On enfoncerait toutes ces portes
Ouvertes sur nos libertés
De Washington à Aigues-Mortes
On chanterait le poing levé

On devrait parler de Poutine
Et de sa folie des grandeurs
Qui mettent le feu dans nos vitrines
Comme une canicule en chaleur
On balancerait notre avis
Sur le changement climatique
On tordrait le cou nous aussi
A ces idées fausses et sceptiques

Et puis on ferait un refrain
A faire tomber un dictateur
Un peu comme une voiture sans freins
Conduite par un jeune acteur
Et puis on ferait un refrain
A déranger les complotistes
Un peu comme une voiture sans freins
Conduite par un vrai journaliste

On devrait faire une chanson
Sur la Covid mais sans tabous
Sur ces experts yaka fokon
Qui savaient tout sur rien surtout
On parlerait de tous ces gens
De ces héros du quotidien
Qu'un imbécile de Président
A traité comme des assassins

Et puis on ferait un refrain
A faire frémir les chaînes infos
Un peu comme une voiture sans freins
Conduite par Docteur Renaud
Et puis on ferait un refrain
A angoisser tous ces bavards
Un peu comme une voiture sans freins
Conduite par Mister Renard

On dézinguerait les puissants
Qui n'écoutent pas la Planète
Les oreilles bouchées par l'argent
L'cerveau au chaud dans leurs braguettes
On allumerait ces people
Qui font souffrir les dictionnaires
Qui polluent les pages de Google
Tout comme du pétrole dans la mer

Et puis on ferait un refrain
A faire peur aux capitalistes
Un peu comme une voiture sans freins
Conduite par un communiste
Et puis on ferait un refrain
A effrayer tous les Bobos
Un peu comme une voiture sans freins
Conduite par un Populo

We'd like to make a song
Eco-friendly, geeky and gender-neutral
that appeals to both boys and girls
Gluten-free without vulgarities
We'd break down all those doors
Open to our freedoms
From Washington to Aigues-Mortes
We'd sing with raised fists

We should talk about Putin
And his delusions of grandeur
Setting fire to our windows
Like a heat wave
We'd throw our weight around
On climate change
We, too, would bend our necks
To these false and skeptical ideas

And then we'd make a chorus
To bring down a dictator
Like a car with no brakes
Driven by a young actor
And then we'd make a chorus
To upset the conspiracists
Like a car without brakes
Driven by a real journalist

We should make a song
About the Covid but without taboos
About those yaka fokon experts
Who knew everything about nothing
We'd talk about all those people
These everyday heroes
Whom an imbecile President
Treated like assassins

And then we'd make a chorus
To make the news channels quiver
Like a car without brakes
Driven by Docteur Renaud
And then we'd make a chorus
To scare the chatterboxes
Like a car without brakes
Driven by Mister Renard

We'd blast the powerful
Who don't listen to the Planet
Their ears plugged by money
Their brains warmed in their zippers
We'd light up these celebrities
Who make dictionaries suffer
Polluting the pages of Google
Like oil in the sea

And then we'd make a chorus
To scare the capitalists
Like a car without brakes
Driven by a communist
And then we'd make a chorus
To scare all the haves
Like a car without brakes
Driven by the rabble

© Guillaume DULER / Philippe SEGUINARD / TULIPE RECORD 2022

Sans Freins ( Tulipe & Jim ) TRANSLATED

Music & Lyrics: Jan Schonander

This is unapologetically inspired by the A-side to one of my favorite albums of all time. I'll let you guess which album that is - if you are older than 50 it will most likely be easier.

A lot of us spend our lives chasing a dream, and despite reaching milestone after milestone the dream is always just beyond our reach. If you're lucky all you need to do is stop and think - maybe you're already there. I was reminded about this when told a story about a popular beach boatman asked by a hedge fund manager why he doesn't invest in an additional boat. After many questions the investor tells him that after years he could become so financially successful that he could spend his afternoons with his family and friends. The boatman tells him that after his morning fishing run that is already what he does. 

The guitar is a Logic Pro X Heavy Metal Guitar. For the drums I "mixed it up" a bit by using more reverb on the snare than on the rest of the drums. Also had a hi-hat in there initially but I took it out as I thought it muddied up the sound too much. In general I debated how much reverb to use and progressively used less and less to try and warm it up. For the bass I combined an electric bass with a traditional standing base. I departed from my usual approach of trying to reproduce as natural a piano sound as possible by using equalization to mainly remove some of the high and low end - the purpose being to create a "lo-fi" sound. Finally, the synth is Nord Native and treated with some ringshift to get the moving in and out your ears effect.  

LATELY MAYBE

Too much
Not enough
Will I ever
Is it never
I can’t see
Will it ever be

Lately, I’ve been thinking too much
Lately, I’ve been dreaming too much
Maybe, I’m in heaven
Maybe, I made it yesterday

Is this the end
Or could it be the beginning
I can’t tell
It seems a bit like hell
So many moving parts
So many false starts

Lately, I’ve been thinking too much
Lately, I’ve been dreaming too much
Maybe, I’m in heaven
Maybe, I made it yesterday

Too much
Not enough
Lately
Maybe
Lately it’s been too much
Maybe it’s been too much

Lately Maybe

Up in space 
there’s a correlation 
I’ve found
I wish that
You could turn around, babe
And come outside

And I wake up 
to the seven fates
I learned my place
but I go insane
where I find it
where I found you


It's new love
Don't say its true love
I've been there too, love
An obscenity fool in love

Obscenity Fool

Music, Lyrics, All Instruments, Vocal: Jan Schonander
Music, Vocal: REKHA IYERN [Fe] https://soundcloud.com/rekha-iyern-fe

All sounds except the drums are Nord Stage 3 native.

Anything wrong with right now? It is sometimes easy to fall into the trap of thinking  that everything was better before, especially as a parent. Thought I'd look up some statistics and see how things stack up vs around 30 years ago. Turns out violent crime is down by over 50% since a high in the early 90s - property crime is also down by 40% - of course there is nothing about that meaning we shouldn't strive to improve further and try to get back to the even lower rates in the 60s. Like the crime rate, the poverty rate fluctuates a lot, but in 1990 it was estimated that 13.5% of the US population lived under the poverty line whereas in 2021 it had been reduced by 14% to 11.6%. In this song I have focused a bit on hard to measure things like the choices a lot of people have today compared to before, in terms of finding their own path vs being set on a path by parents and, importantly, the choice to love who you want. So, we are safer, less poor and have more freedom, but overall happiness levels in the US are apparently at the lowest level in 50 years. Given that the US is predominately a middle class society this might be explained by a fifty year trend of increasing income inequality. The wealthy and poor are better off economically but for a very large swath of the US population things have become more difficult. Clearly there are things to work on. Nevertheless, in many ways, especially with a longer perspective we are so much better off today vs before. 

THIS TIME

Talk about the past
About early and late
What might happen

They say it was better 
You gotta watch your watch
Soon it’ll all pass you by

Why can’t you be like them
Perfect, always
Right there, right now

I feel it, I need it
I feel it, l need it, I’ve got it 
I feel it, I need it, I’ve got it, I want it, I love it
Love

In this time black or white
I could choose a boy
I think I’ll choose a girl

At this time or any other  time
I choose, I choose what to say
I think, I don’t have to care

For this time I might be there
I could change my mind
I think I’ll change my mind, yeah

Right now
I feel it, I need it
Right now
I feel it, l need it, I’ve got it 
I feel it, I need it, I’ve got it, I want it, I love it
Love

Yeah, oh yeah....

In this time
At this time
For this time

This Time

This Time | REKHA-IYERN [Fe] 🎤

Recorded in Modesto, Ca.   Featuring Hammond B3 Organ solo. Alto Saxophone solo. Trumpet solo. Fender Electric Bass. Fender Rhodes Electric Piano Rhythm. Hammond B3 Organ Rhythm with Bass. Trap drum kit. Percussion Zildjen Crash & Ride cymbal, separate Hi-Hat.

Lighthouse

Barreling

Music: Jan Schonander
Crows from Pixabay
Image generated with OpenAI with a prompt

The anticipation - the standoff - the requiem 

A favorite movie of mine from my younger days is "The Good, The Bad & The Ugly" famously ending in a Mexican Standoff between Clint Eastwood, Eli Wallach and Lee Van Cleef. Directed by Sergio Leone with music by Ennio Morricone I recommend this spaghetti western to anybody who hasn't seen it.  On a whim I thought I would perform a musical reenactment, although in my version there are no survivors.

The experimental part of this has to do with the reverb on the drums in the "shootout" to simulate gunshots.

A Mexican standoff is a confrontation where no strategy exists that allows any party to achieve victory. Any party initiating aggression might trigger everyone's demise. At the same time, the parties are unable to extract themselves from the situation without suffering a loss. [Wikipedia]

Mexican Standoff

Music & Lyrics: Jan Schonander

A lot going on in this song. The original idea was to take the idea of ostinato to the extreme. This was accomplished by using an arpeggiated Eb throughout - of course there was some work that went into the modulation and envelope of the synth I chose. I used the same synth varying the number of notes and direction of the arpeggios to get the sounds that define the track. 

In music, an ostinato (Italian: [ostiˈnaːto]; derived from Italian word for stubborn, compare English obstinate) is a motif or phrase that persistently repeats in the same musical voice, frequently in the same pitch. Well-known ostinato-based pieces include classical compositions such as Ravel's Boléro and the Carol of the Bells, and popular songs such as Donna Summer and Giorgio Moroder's "I Feel Love" (1977), Henry Mancini's theme from Peter Gunn (1959), The Who's "Baba O'Riley" (1971), and The Verve's "Bitter Sweet Symphony" (1997).[WikiPedia]

Lyrically I wanted to capture the hysteria of the Chinese balloon while addressing the fact that many of us voluntarily allow ourselves to be monitored by the government and private enterprises. We pay for Google Assistants, Alexa, Siri etc and I think I'm not the only that get's the AI saying it didn't understand after periods of absolute silence. It is also a known fact that private enterprises monitor our e-mails and we voluntarily sign up for this  - who knows who is analyzing and parsing that information. I have worked for decades in the telecommunications business and for those that don't know there is a feature called "Lawful Intercept" that all suppliers are obliged to enable - this allows authorities to listen in on any communication they deem fit. Lastly, while using free services like Facebook we allow the monitoring of our habits, many of us with a grudge, but still we allow it, and social media is becoming more and more pervasive so it seems we want more.

SHAKE THE FEELING 

What are they looking at
What could they be looking for
Looking for
Looking for

What are they looking at
What could they be looking for
Looking for
Looking for

Sometimes you feel like
Someone is listening
Hear voices in your head
Sometimes you feel like
Someone can see you
Looming over your shoulder

It’s not the first time
It’s not the second time
It’s not the last time, no

High and low
In and out

Can’t shake the feeling
Runs through your body
High and low
Can’t shake the feeling
A drug in your mind
In and out

What are they looking at
What could they be looking for
Looking for
Looking for

What are they looking at
What could they be looking for
Looking for
Looking for

Sometimes you can hear
A stranger in your house
And you spent all your money
Sometimes think you know
A machine is reading
You signed the dotted line

Sometimes you’re afraid
A lawful intercept
You voted for them
All the time you don’t care
They’re recording you
Nothing is for free

Can’t shake the feeling
I never ever wanted this
High and low
Can’t shake the feeling
Why can’t I say no
In and out

Can’t shake the habit
It’s my addiction
Ask for more
Can’t shake the feeling
I don’t want to
I want more

What are they looking at
What could they be looking for
Looking for
Looking for

Sorry I didn't quite get that

Shale The Feeling

Shake The Feeling

Will the lonely oak tree remember the embrance of its sisters? 
What will she fell when she shades the men who left her orphan?
Will the human being ever learn that without enviroment there is no future for humanity?
Will it then be too late?

THE TREE THAT WAS FOREST

Pierre Bordetti productions (c) 03/2023.
Composed, arranged, performed, and produced by:
Pierre Bordetti

An Electro-Jazz track inspired by one of the very 
beautiful photos brought back by Julie during a recent 
trip to Thailand.
Many thanks to Julie.

Un titre Electro-Jazz inspiré d'une des très
belles photos rapportées par Julie lors d'un récent
voyage en Thaïlande.
Un grand merci à Julie.

Raise your eyes

Raise Your Eyes

Musings on mortality.


I hear that countdown clock ticking
Remaining time is flying by
I'm still alive and kicking
But there are dark clouds in the sky

We thought that we'd be young forever
The sun is always in the sky
Our spirits light as a feather
The rules of life do not apply

Hold on the line
Hold on the lifeline

The best part is behind us
Our race is almost run
Failing bodies remind us
Soon we'll be undone

Hold on the lin
Hold on the lifeline

Hold On The Line

Music: Jan Schonander
Percussion: Belial Pelegrim https://soundcloud.com/belial-pelegrim

A story of an unfortunate drift off to sea ...  it all ends well albeit after some delirium.

Many thanks to Scott for sending me the drum track which inspired this tune.

Dance Adrift | Belial Pelegrim🥁

Lingering Echoes – The City Centre
July 2023
Duration: 2:50
Fascinating sonic places that provoke lingering memories. 
Photo of downtown New York City  
Special thanks to John-Marc Ventimiglia @john-marc-ventimiglia for his highly valued musical input and for creating the “The City Centre ” sound library used to compose this piece.

The city centre, often busy and vibrant,  is the area of a city where commerce, entertainment, shopping, and political power are concentrated. The term is commonly used in many English-speaking countries and has direct equivalents in many other languages. However, noticeably, in the United States, the term "downtown" is commonly used to denote a city centre, and in Canada the terms "city centre" and "downtown" are used interchangeably. The first citation for "down town" or "downtown" dates to 1770, in reference to the center of Boston. Some have posited that the term "downtown" was coined in New York City, where it was in use by the 1830s to refer to the original town at the southern tip of the island of Manhattan. During the late 19th century, the term was gradually adopted by cities across the United States and Canada to refer to the historical core of the city, which was most often the same as the commercial heart of the city.  In many metropolitan areas, the city centre or downtown, is marked by a cluster of tall buildings, cultural institutions and the convergence of rail transit and bus lines. 

For soprano sax, tenor sax, baritone sax. oboe, heckelphone, clarinet, xylophone, marimba, piano, bassoon, contra bassoon, city sound samples and percussion.

Lingering Echoes - The City Centre

Plushed (Part 1)

Thanks for visiting. This is a retro eclectic music mix with a strong keyboard base.  Looming influences from among others Iggy Pop, David Bowie, Lou Reed & Jon Lord. The songs are mostly about the human condition.

I am always looking for a guitar player that wants to collaborate. Would be fun to find a real drummer also.

A Gat is a cat in Catalan - it all makes sense if you’re me.

To all of you likers and reposters that don't listen - what's the point?

Mexican Standoff

TheGat(s)

Recent comments

et al.

HEART HOUSE AND THE NEW KINDNESS

EIN MUSIC

David Fl'y

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