I'm Tired

Z-Decompress November

(Photo of Jesus' tomb, place of the resurrection of Jesus Christ in Jerusalem Israel)

Propitiation

Called in dismay
And you heard my pain
With you on my side
Who could be afraid?

Was about to fall
Then I heard your call
Your words of living truth
Will never pass away

[chorus]

He is my strength
And our redemption
Better to trust in Him
Than to trust in man

He is our hope
And our salvation
Better to trust in Him
Than to trust in man

Right hand exalted
Wrought with power
Everlasting mercy
endures today

His propitiation
Is our salvation
He is the gate
the righteous way

[chorus]

This is the day
The Lord has made
hearts are remade
In His holy name

Thank Lord Jesus
For He is good
And His mercy
Forever endures

Propitiation

Maybe I Will

Cast of Characters:
Entheogenic Psychonaught (Josh Clary)– @josh-clary-1 –Josh – Warwick four-string fretless bass, PRS SE semi-hollow body electric guitar, Sigma acoustic guitar, lyrics, vocals, and composition
SunnyBeck-- @sunnybeck — Beck — synth and MIDI composition
K2 and the Three [and the Four]--@k2andthe3, @k2-kara –Ken -- drums
J.J. Terrell– @j-j-terrell – organ
Llanpsych -- @llanpsych -- Tez – production, mix, and mastering
This is a love song written about Josh's favorite band, Phish. He came up with the chords on his acoustic guitar, and shared it with the group. This was written with Beck in mind, though, too, as he knew she'd be contributing her magic to this one, too. Even when it was just the acoustic guitar set to a looper beat, she came up with many of the parts you hear throughout. Although, she also readjusted and redid a lot of it, too, throughout the process. Ken was the next piece of the puzzle to jump in. He laid down his perfect drums beats to it in only one or two tries, giving it the groove it needed. After Ken laid down the beat, that allowed Josh to add his bass to the mix, too. It was almost done musically, but it needed a lead guitar, which Josh also put in there. Before it was finished, though, JJ weighed in with his clever organ, which can be heard from about 2:30 on. When it was all wrapped up musically, Josh also sang his lyrics, which are written from the perspective of two Phish heads conversing about the imminent Phish show, which is always a big, exciting event. 
  Josh has seen almost 70 Phish shows in his life, and he hopes his adoration for the band is evident in this song. This is the second song Eclectic Collective have done with Beck, and we all hope for many more, too. She's a fantastic musician, with a wonderfully deep well of creativity. We hope you enjoy listening to this as much as we enjoyed creating it. 

Original lyrics by Josh Clary:

Are you gonna meet me at the show tonight
Am I gonna see you at the show?
What songs do you think they’ll play tonight?
I’ve been waiting all year to go

You should check out last night’s set list
The show was packed with killer songs
Is there any one that you’ve been chasing?
I love it when the crowd all sings along
 
Trey’s been stirring up all the great jams
Page rules the keyboards from his throne
Mike digs the groove so deep and he stands
On Fishman’s beats that shake our bones
 
Hope you have your ticket for the show tonight
I know these days they’re on our phones
At least now about grass there’s no fight
Light a joint on up the hill and feel at home

Some spun wook is always tripping
Looking for profundity in all the songs
Every now and then they have to just stop spinning 
Stare at the lights, and sing along

So I know we’ll hear some great things tonight
Every time I go, my mind gets blown
After in the lot I know I’ll eat a grilled cheese, 
Suck on a balloon, then drive on home

Trading Mics For Fish Pages- Eclectic Collective w/ SunnyBeck

Tempo 90 BPM
Timing 6/8
Key Eb minor

Instrumentation
-Beat made up of Latin/Asian/African & Euro kits in unison
-Ovation Acoustic Guitar (Capo 3 - 440Hz A)
-Ibanez 5 String Bass (No Capo - 415Hz A)
-Piano on keys
-2 x Ambient pads played on keys
-Vocal 1 run
-Epiphone Electric guitar rhythm (No Capo - 415Hz A)
-Epiphone Electric guitar lead (No Capo - 415Hz A)
-Legato String section added ~ Cellos/Basses/Violins/Violas on keys
-Additional Piano added to intro
-Additional Percussion

To do
-add some falsetto oo's and ah's and look at a backing vocal line that brings in the verbosity of the demo for some of the phrase line ends


Grapey Guinness

Good Jaysis it's hot!
23 Degrees!
There's a vineyard!
Aw, Irish wine please...
Chateux de Leprechaun
Tourists... come with us
Pretty soon we got that grapey guinness

From North to South
See Costa del Kerry
Make sure you come soon
Green grass ' be olive and cherry
Not to worry...
More drink for the winners!
It's coming soon
Get your grapey guinness

Meet the new med
Shannon Riviera
Turf pina coladas down your neck
Heat is bearable
Moroccans, Italians, Spanish come with us
Grape and grain
Ahhhh Good grapey Guinness

It's global warming
Microwave Earth
Bring on the bing!
Sweaty peak soon for worth
Until heat times out..
Head for Dublin
It's Norway next!
Aww damn this heat be doubling

Meet the new med
Shannon Riviera
Turf pina coladas gown your neck
Heat is bearable
Moroccans, Italians, Spanish come with us
Grape and grain
Good grapey Guinness

From North to South
See Costa del Kerry
Make sure you come soon
Green grass ' be olive and cherry
Not to worry,
More drink for the winners
It's coming soon
Get your grapey guinness

Grapey Guinness

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Awake & Aware - The Gap Gets Wider

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lyrics written, vocals recorded and provided by Special Cecilia @specialececilia - merci beaucoup, you are so Special Cecilia!

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music, carefully used, is a track written, played, mixed, produced, and provided by courtesy of mobygratis and its crew, licensed

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vocal arrangement, mix, final mix, and track produced by fictionalive

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artwork card photography, image editing by fictionalive

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fusion of it all -
fictionalive with the popoems series and the hyper media reports
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dropped
monday, november 17th, 2025
1:44 am central european time zone
it's needed also tomorrow
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Awake & Aware - The Gap Gets Wider

Between snatches of time, while we’re working on a full-fledged song with a video (…we should make it by next Friday!), we pulled out a Chiptune instrumental version of our song “In the Future” (https://soundcloud.com/beatingedge/in-the-future). 
Mary and Tom weren’t needed this time, so of course they ended up taking care of production and mixing. The song was recently also released on the mainstream (https://ffm.to/in-the-future). 
Who knows, in the end you might find yourself humming it!😜

👾All our Chiptune tracks are here: soundcloud.com/beatingedge/sets/8-bit-vibes
©2025 Beating Edge

In the Chiptune Future

In the Chiptune Future (Instrumental - Chiptune)

Flunk - Sanctuary (Dramantic Remix).mp3

Love Light

https://soundcloud.com/curtis-whalen-175533944
“Permanent Jacket (Goblyn Version)” is Goblyn’s twisted takeover of the original track created by Curtis Whalen — but this time, the mask is in full control.
This version goes deeper, darker, and more unhinged. Goblyn drags the listener straight into the padded walls of his own mind — a place where the straps never come off, the lights never stop flickering, and the demons never stay quiet.

In this remix, the asylum isn’t a metaphor.
It’s home.

The beat hits heavier, the vocals crack with rage and panic, and every line feels like Goblyn clawing at the seams of a straitjacket that became part of his skin. This is the sound of a villain who stopped fighting the madness and started wearing it like armor.

Permanent Jacket. No escape. No cure. No second self.
Just Goblyn… trapped inside forever — and making music loud enough to shake the walls.

Permanent Jacket (Goblyn Version)

I don’t make music to be famous. I make it so I don’t lose my fuckin’ mind.
Every verse I drop is a piece of me I’m tryin’ to bury — or resurrect. I wear this cracked mask ‘cause I ain’t tryna show the world my face… I’m showin’ it my scars.

I’ve been stalked by my own thoughts since I was a kid — insomnia, rage, regret, voices that don’t shut up. So I put ‘em on beats. I don’t spit for the crowd. I spit for the shadows. My sound? Dark club trap dipped in paranoia, smeared with melody and madness.

Sometimes I sing. Sometimes I scream. Sometimes I don’t say a word — just let the silence talk for me.
Call me Goblyn. Just don’t turn the lights off.

Permanent Jacket (Goblyn Version)

Goblyn

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