ETC!ETC! is a Robot.

Booking Inquires : music@decibel.life
MGMT: brady@in8artistgroup.com

Just two kids that like music as much as you do.



LUCY LUXE 
Dubstep/Tearout Dubstep
Minneapolis, MN

BOOKINGS: lucyluxeofficial@gmail.com

PROMOS, REMIX REQUESTS//
lucyluxeofficial@gmail.com

FACEBOOK// www.facebook.com/officiallucyluxe

TWITTER// http://twitter.com/djlucyluxe

INSTA// lucyluxe

All her life Jordan "lucy luxe" Osten has been surrounded by many different types of music with a true love surrounding electronic music. She started listening to electronic music as a freshman in highschool, but it wasn't untill she heard "rocket in the sky" by Benny Benassi that she truly fell inlove with EDM. By sophmore year, Luxe was an avid fan of electro house and trance music listening to it at every chance she got.

Luxe started attending electronic dance music shows at 17, mingleing her way into the clubs and minneapolis rave scene. She immediately fell in love with the club/nightlife scene. After purchasing decks, a mixer, some cheap speakers and sony headphones, she sought hours of hard work to really nail the art of mixing music.

In fall of 2009, Luxe was contacted by a twin cities promoter about potentially djing at an underground rave. She jumped on the opportunity to finally get to showcase her talens. This ended up being a huge success and Luxe started to become a regular dj at shows all around minneapolis.

In the start of 2010, Luxe met Monica Farr. Monica, a dj also, had already created a name for herself in the twin cities spinning at local clubs, bars, and downtown events. Monica started to hook Luxe up with gigs around the twin cities in the club scene and soon they created the female dubstep duo "Dirty Talk".  They have played with some very big names such as Excision, Vaski, Reid Speed, Deadmau5, J. Rabbit, Mt.Eden, Figure, Feed Me, Zeds Dead, Kill the Noise, Skrillex, Borgore and many more. They have also had releases on Play me Records, Play me records too, Tycho records, Dirt Lies & Audio, Rude bass records, and Atomic Zoo Recordings.

Currently Luxe is working hard in the studio on her own variety of music and continuing to spin all over the nation.  Coming out with free mixes and tunes all the time, the future for this young dj/producer looks to be bright. Her capabilities as a musician and entertainer are truly infinite.

Miami Nights 1984 is Michael Glover from Victoria, BC, Canada. His obsession with the 1980s has led to the founding of Rosso Corsa Records and a revival of synthesizer music. With Rosso Corsa he is championing many artists such as Mitch Murder, Lazerhawk, Jordan F and Lost years to make 1980s-inspired music with modern fidelity.

Being among the pioneers of this revival, Mike’s first project Actrazer initially defined the Rosso Corsa sound together with output from label co-founder Lazerhawk. They coined their music Outrun, a genre of soundtrack music with epic leads and arpeggiated synths. At the same time, Kavinsky, the Outrunners and the Valerie Collective were all contributing to this new sound.

Since 2010 Michael Glover has been ecstatic about the success of his second project known as Miami Nights 1984 (MN84). Characterized by smooth synthesizers and nostalgic solos, this new sound accentuates the carefree feel of the 1980s.

The Miami Nights sound garnered support on an international scale with the official remix of ‘Somebody I Used To Know.’ by Gotye. It infuses 1980s charm with Gotye’s powerful voices and moody lyrics. Rollings Stone says it’s an “eighties-inspired synth-pop remix, inspired by [mike's] love of old John Hughes films” while VH1 says “It’s a synth-led 80s redux, and it’s pretty rad”

When asked about influences, Mike says he obviously takes from the 80s: “The music, movies, shows, cars and girls are all running through my imagination when I write a piece of music. I’m not happy with a piece of music unless I can imagine it as the soundtrack to a film or show. Ever since I was a child I enjoyed synth-based music like Tangerine Dream, Jean Michael Jarre and Ray Lynch.” His name coincides with the original run of the Miami Vice TV show on September 28, 1984.

In creating his sound he uses “a variation of analogue synths and virtual instruments in Abelton Live. I’ve been using more virtual instruments for convenience and ability to leave a project without worrying about getting the same sound again.” Many of the parts are first recorded from live instrumentation and tweaked afterward in Ableton.

Building on the successes of Rosso Corsa Records and an official Gotye remix, Mike released the second Miami Nights 1984 full length album Tubulence. Spanning 12 tracks, Turbulence builds upon the synth-pop charms and synthesizer solos from Miami’s first album with more character: orchestra stabs, percussive rushes, slow motion bends and epic interludes distinguish the album. So does the album’s more intense moments which promote the Outrun electro sound we have championed for many years.


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