Beautyful ambient. Great sound on the voice chamber

What a beautiful song. Amazing vocal too!

Really nice feel here,vocals are really good and the music sweeps you along from beneath you,  very good

This is really good. Reminds me a bit of TV on the Radio. Great work.

Thanks for sharing this it's very coul . I love this voice.

Future Track Twenty

Fleeting Revelations

Thanks For Playing

Disposable Music and Collectible Razors is the second album by Labobros, realeased on the 20th December 2021. This is an experimental album in terms of sounds, music styles and languages.

So many collaborations from every part of the world like: Cesareo (Elio e le Storie Tese), Paolo Tofani (Area International Group), Mourad Musset (La Rue Ketanou), Jinian Wilde (David Cross Band), Peter Lacey, Jade Marie, Pasquale Nigro, Alfonso Sacchetti, Benigno Grillo, Roberto De Rosis, Natale Novellis, Serafino Zangaro, Vero Luz, Joe Figg, Gabriele Vignati.

Disposable Music and Collectible Razors

Modern Virus (Feat. Covid-19)

Modern Virus (Feat. Covid - 19)

Ghosts In Venice

Remain by S-T-U-V

iTunes/Apple Music: https://music.apple.com/us/album/remain-single/1753063736

Amazon: https://amazon.com/music/player/tracks/B0D7GR18CD?marketplaceId=ATVPDKIKX0DER&musicTerritory=US&ref=dm_sh_7N6sP3DYz72i9pf93RcgIP6kU

Pandora: https://pandora.app.link/JJ8JgMAgHKb

Remain

Remain by S-T-U-V

Girls Night

Hello everybody,

this is my new song She Wasn't There. It took me some time to get courage to upload this one, because it's very personal (Story of my life) but I felt it is the right time to go out with it ..If the real art comes from the pain than this is it hahahahah Let me know in the comments how did you enjoy this one and don't hesitate to contact me :-p 

Have a nice day 
Your Darcis

She Wasn't There

When we were working on the production for ‘Doin' It,’ I wanted to create something that was both modern and timeless. So, we went for a clean, tight beat right from the start. You can hear how the drums are crisp and set the foundation, but they don’t overpower the rest of the track. They allow space for the vocals to really shine.

The verses have this laidback feel, with subtle synths and warm chords that support the vocals without distracting from them. It’s minimal but intentional, giving the listener room to focus on the lyrics. In the verses, I’m really telling a story about taking control, moving with confidence, and staying true to yourself, no matter what. There’s this almost conversational tone in the way I sing it, like I’m talking directly to you.

When we get to the chorus, the energy lifts, and that’s when you feel the anthem side of it. The instrumentation fills out more, and the backing vocals come in to add richness. The bass starts hitting a little harder, and it’s almost like the song is saying, ‘Yeah, this is it, this is your moment.’ I wanted it to feel empowering, like the music is wrapping around you, supporting you.

Then, as the song moves into the bridge, things strip back a little again. I always love that moment in a song where it pulls back before building back up. It’s like a breath of fresh air before you push forward again. In this part, there’s a bit more focus on harmonies and vocal layering, giving it this reflective, almost introspective vibe. It’s a chance to pause and take in the message before we bring it all home.

The outro leaves you on a high, like you’re ready to take on the world, which is exactly what I wanted. You should feel like you can conquer anything after hearing this track.

26/10/2024

Tasha - Doin'  It

This song is really personal to me. It’s about the struggle to trust and let your guard down when you've been hurt before. In the first verse, I talk about ‘fight or flight’ something I learned from my dad. He taught me to protect myself, but over time, I realized that instinct can make it really hard to connect with people, especially in relationships.

There’s this idea in the song that love feels dangerous, like you can’t ever fully relax. That’s what I mean when I say, ‘My love sleeps with one eye open.’ Even when you want to give someone a chance, there’s this voice in the back of your mind saying, ‘Be careful, don’t let them in too much.’

The chorus is kind of the heart of it. Sometimes it feels easier to just walk away before you get too deep, especially when trust doesn’t come naturally anymore. Overthinking everything can feel like a trap, so leaving feels like the safer option. But at the same time, there’s that desire you want to believe in someone, you want to trust, but it’s hard when you’ve been let down before.

In the second verse, there’s a little glimmer of hope, like, ‘Okay, maybe this could work if you prove you’re different.’ But that hope comes with conditions. It’s not easy to rebuild trust when you’ve been through pain before. There’s this frustration, like, ‘I don’t have time to fix something that’s already broken prove to me it’s real from the start.’

For me, this song is about navigating that tension between self-protection and vulnerability. It’s about being honest with yourself about your fears, your walls, and the fact that trusting someone again takes real effort. But there’s also this underlying hope that maybe, just maybe, it’s possible if the right person comes along.

Tasha - How To Trust A Man

Klangmoebel - Soundtracks, Vol. 3: Misophonia - Hatred of Sounds

Kitchen Bossa Nova

Hey everyone! I wanted to take a moment to break down the production of my track, Shame, and let you in on how we crafted the vibe of this song.
We started with the drum tight, punchy kicks and crisp snares that really set the mood. There’s a subtle swing in the hihats, giving it that laidback but still driving groove. The percussion is layered with soft claps and rim shots, adding texture without overpowering the vocal.
The bass is deep but not overwhelming it moves smoothly underneath everything, creating warmth and depth. It’s a mix of an electric bass with some slight saturation for a vintage feel, helping it sit perfectly in the mix.
We laid down some rich, reverb drenched keys to carry the emotional weight of the song. The chords have a bit of a jazzy, R&B influenced progression, making everything feel intimate and nostalgic. There’s also a soft pad in the background, filling out the space and making it feel dreamy.
For the vocals, we went with a clean, upfront mi just a touch of reverb and delay to give it some space. There are subtle harmonies tucked in behind the main vocal, adding warmth without distracting from the raw emotion in the delivery. The background vocals are panned slightly left and right to create a sense of depth.
Throughout the track, there are these little ear candy moment reverse vocal chops, a gentle vinyl crackle for texture, and soft ambient swells that keep the song feeling alive. The outro has a slightly lofi filter sweep, pulling everything into a dreamy fade-out.
Overall, we wanted Shame to feel like a late night confession, intimate, warm, and just a little bit haunting. Hope you guys enjoy this breakdown, and let me know what your favorite part of the song is!

Tasha - Shame

Saline is Dead Hazards' debut LP featuring 13 songs that play with themes like disillusionment and detachment and hold sounds ranging from raw sludge to rock-operatic passages. Saline brings a mixture of fuzz, colliding melodies, and low strings wrapped in melancholy, with a nod to 80s-90s heavy metal and alternative. 

Unpaid Tolls

🔥 New banger alert! 🚨 "Right or Wrong" is finally here! This track is all about real-life struggles, loyalty, and the choices we make. Hard-hitting bars, deep emotions, and a beat that slaps—this is a song you don’t wanna miss! 💯

Right or wrong (prod. @nomidgusti)

NickJC Begin Ft Michael Mayo

Need to celebrate? We are the Champions is a track meant to do just that. Have your victory lap... from the kitchen to the living room... or in a mega arena. It's your moment

We are the Champions of the beat

Title: Il s'est lavé les lunettes avec une tranche de saucisson

 
Lyrics: 

C'est magnifique,
En faire tout un fromage




J’me perds dans la sauce béchamel  
Où les calendriers s’emmêlent  
Un mardi porte un dimanche  
Les aiguilles mangent leur revanche





Il s’est lavé les lunettes
avec une tranche de saucisson

Boutonner le lundi avec le mardi
J’ai d’autres chats à fouetter

Il s'est lavé les lunettes avec une tranche de saucisson

Please Just Make Sense

Producer and Composer Score Film, Movie Soundtrack, Epic Cinematic TV Games...
Germany Born, Pavia based, Rino is a multi-instrumentalist, composer, songwriter, producer and sound engineer from Italy.
Specialized in hard rock, psychedelic rock, rock blues, pop, ambient guitar.
Experience with years of studio and live work as a musician and songwriter.

​Serving the business of music through distribution, publishing, and artist representation.

Remain by S-T-U-V

The Jank Guitar Store Records

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gd&tm

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