Just a couple of weeks ahead of the release of adults’ second album, the band share “flag”, the final track to be previewed from “the seeds we sow are sprouting buds nonetheless”.

adults’ final single, flag, is a clash of voices, side-eyes at nostalgia, despair at gentrification and the hauntology of urban decay. Inspired by Fugazi’s Cashout, this song was reworked as many times as Elephant and Castle has been ‘regenerated’. It exudes anger at the estate agents, council leaders and landlords who decimate local communities for a quick profit, and then try to remake the ‘culture’ which they have evicted. 

adults’ new record is a pocketful of seeds, ideas, loves, fears and hopes which have sprouted, grown, and intertwined over the past two years. It's a jumble of indie pop, jangle, shoegaze, emo and country songs made in those moments in between. They say that the new album “gathers together echoes of the songs and bands we love into deeply personal songs about growth, change, loss and love, set to the background hum of a world which wants to crush all hope.”

The songs are patchworks of riffs, loops and overdubs stitched together by long time co-conspirator Rich Mandell over the course of 3 months recording on rooftops and warehouses in South London. This is the longest they’ve ever spent recording, (they did their first record in a day in a garage!) and have tried to put together a much more coherent, intentional record as well as just messing around with loud amps and gear they don’t have access to in their bedrooms! 

FFO: los campesinos!, martha, breeders, radiator hospital, nana grizol, sleater-kinney, joanna gruesome, the beths, the pains of being pure at heart.

adults are a fast silly indie punk band of four long term pals (carl, joe, joely and tom) who love indie-pop, diy and burgess park. Containing members from various UK diy bands (Fresh, New Starts, Wolf Girl, Tomboy Grandpa, Top Deck) they write noisy awkward pop songs with crunching guitars, speedy drums and yelping dual vocals. Based in south London and firmly established in the UKs indie-pop scene, adults released their debut single ‘MSN’ with Art is Hard records (Bristol, UK), an EP with Caballito Records (Madrid, Spain) and their debut album ‘for everything, always’ came out in 2022 on Fika Recordings (London, UK). Collaborating on splits with much-loved Bitch Hunt ‘Space Armadillo EP’ and recently with Oxford’s Spank Hair titled ‘…in the big league’.

Influenced by the kindness and community of the UK diy scene, adults continue the fight to write one song as good as the world’s best band, Martha (Durham). 

They have a new album ‘the seeds we sow are sprouting buds nonetheless’ coming out on Fika on 31/10/2025 and will be playing shows around the UK with mates Felicette in October.


flag

Here Come The Rugby Boys

Limpet

A queer indie-punk love letter to learning to accept all that life throws at you, with big sing-along choruses and heart-on-sleeve lyrics about relationships, friendship and gender.

Hitchin-based indie-punk four-piece Brutalligators are back with their second album, Still Here, a powerful, cathartic, and joyously loud collection of songs about survival, identity, and moving forward. From shout-along anthems to intimate confessions, the album explores grief, friendship, queer identity, aging, and that ever-complicated feeling of simply trying to exist.

“Sometimes you just need to write a banger” says Luke Murphy about the latest single ‘Train Wreck’. “We wanted to write a big, gang-vocals-driven, chanty, fun punk song, with big singalong choruses. I think this is one of our dumbest songs lyrically, in the best possible way. In saying that, “my life’s a punchline that I didn’t get – just keep on laughing and it might make sense in the end” feels like the perfect summary of the last ten years of my life.”

Train Wreck

Released as a standalone single, the song represents some of the poppiest and slickest music of Adam's career thus far.

"It started out as an experimental home recording" says Adam. "As it developed, I felt it had the potential to be a fun, catchy pop single. It's a bit of a departure for me, as I usually tend to write quite narrative-led, wordy songs whereas this one is more lyrically abstract and driven by the melody and the production."

C Duncan (Mercury-nominated artist and a friend of Adam's) was brought in at the mixing stage. "Chris is an extraordinarily talented musician and composer. His grasp of musical theory is crazy and it's what makes him such an original and inspiring songwriter. But he's also underrated from a technical perspective. He records and produces most of his own records so I initially approached him to help me as a mixing engineer on this song. He polished it up beautifully and, as an extra bonus, added some gorgeous instrumentation and vocal harmonies."

Lyrically, the song offers up imagery inspired by seasonal changes. "As we slide into darker and colder autumnal days, I'm increasingly aware of how important sunshine is to me. The song is sort of written from the perspective of an inverse-vampire: someone with an insatiable craving for sunlight. The wider theme is one of optimism and seizing the day."

The single is Adam's first release since his critically-acclaimed 2024 album 'Littoral Zone'. 'Drink The First Light' is a palette-cleanser to fill the interim before he begins work on his next full album and it represents a new-found joy for collaboration:

"One of the great things about being a solo act is that you can work with different people on every project. I've been in the band Randolph's Leap for 15 years and we've established a really good and effective understanding of how to work with each other. But it's also nice to bring in new people and learn new methods. I've definitely learned a lot over the last few years by working with people like C Duncan, Andrew Wasylk, Gillian Fleetwood and Jenny Sturgeon. I'm having a lot of fun too."

Drink The First Light

Scottish indie miserabilists The Just Joans announce their new album Romantic Visions of Scotland which is due out via Fika Recordings on 23 January 2026 and share the wry first single “Here Come The Rugby Boys”. The Glasgow band pair shambling indie pop with sharp observations on romantic pratfalls and everyday disappointments, all delivered with sardonic Scottish wit, fronted by siblings David and Katie Pope, whose wry lyrics and heartfelt vocals remain at the heart of the band’s distinctive sound. 

“Here Come The Rugby Boys” has all the hallmarks of a classic indiepop anthem, with an incredibly infectious tune and keen lyrics. As songwriter David Pope explains: “When I was 9 or 10 a couple of guys came to my primary school in Paisley to tell us about mini rugby. They promised us mars bars and glory and neglected to mention anything about communal showering or being humiliated in front of our fathers. I went along for a few months and this song is based on my vague memories of those cold Sunday mornings. 

"Musically I think there’s a bit of “part-time punks” by the Television Personalities in the song, alongside a bit of the camp theatricality of The Kinks. It was one of the first tracks we recorded for the new album and there’s a level of clumsy enthusiasm and drive which seems to suit the song. It captures something of the frightening, careering, messy nature of the game (and of that age in general).”

Originally inspired by a grandiose exhibition title spotted on Glasgow buses in 2019 for a show at the National Museum of Scotland called Wild and Majestic: Romantic Visions of Scotland, the album Romantic Visions of Scotland arrives six years later as a collection of semi-autobiographical snapshots from the Central Belt of Scotland. Whilst some of the details have been exaggerated for comic (or tragic) effect, the songs are based on personal experience of mundane failings, bitter regrets and missed opportunities that make up an unremarkable life.

Recurring themes of nostalgia for a bygone era and the fear of being left behind by lovers, friends and peers run throughout the album. Musically and lyrically, the band channels Village Green-era Kinks, with nods to The Television Personalities, The Smiths and Dolly Mixture.

About The Just Joans

The Just Joans were formed in Glasgow in 2005 by songwriter David Pope. Early demos were collected together and released as a loose concept album, Last Tango in Motherwell, in 2006. Chris Elkin joined on guitar and was followed shortly after by David’s younger sister, Katie, on vocals and Fraser Ford on bass. Over the years they have released EPs and albums on WeePOP! and Fika Records and have gained a cult following as Scottish pop miserabilists. 

The current line-up consists of Katie Pope (vocals), David Pope (vocals, guitar), ChrisElkin (lead guitar), Fraser Ford (bass), Arion Xenos (keyboards) and Jason Sweeney(drums).

Sunturns play exactly one show each year, at the historic Parkteatret venue in Oslo’s Grünerløkka neighbourhood. For almost 15 years, this alternative Christmas concert has been a haven and refuge for music lovers in need of a somewhat different take on Christmas. Through three albums of original Christmas songs, Sunturns have chronicled the highs and lows - okay maybe mainly the lows - of the winter solstice in Northern Europe, with humour, wit and warmth. This recording takes five tracks from last year’s concert performance, and shares them with a wider audience. The first four are taken from 2024’s album “Christmas III”, and the classic encore “The Closest I Can Get” is from 2011’s debut album “Christmas”.

“The Closest I Can Get” was first recorded for the first Sunturns album “Christmas” (2011). This album came to be as the culmination of already quite long-standing traditions among many Oslo bands to record original, alternative Christmas songs - possibly inspired by Sufjan Stevens. Sunturns was a coming together of bands like Making Marks, Monzano, The Little Hands of Asphalt and Einar Stray Orchestra, and in the band first mentioned, songwriter Ola Innset specifically gave guitarist Simen Herning songs with space for guitar solos in them as a special christmas gift for him. “The Closest I Can Get” has no less than three, epic guitar solos, and the song is always an encore at Sunturns’ annual Oslo christmas show. The recording is from last year, and if you listen closely you can hear the crowd singing along to the melodies of the solos.

Sunturns was formed as a Christmas super group by members of Oslo indiepop bands Monzano, My Little Pony and Einar Stray Orchestra. Those bands aren’t around anymore, but the band members have other projects, such as Flight Mode, The Little Hands of Asphalt, Elva, Making Marks and Mildfire. 

Sunturns still exists, however, with the same name and the same line-up – strangely making it one of the most long-lived of the bands to come out of the Oslo indiepop-scene of the early 2000s. Being a Christmas band, they only play shows at a particular time of year. You guessed it: Christmas.

The name Sunturns refers to the original meaning of Christmas in the North, namely the winter solstice and the ‘turning’ of the sun. Instead of getting shorter and shorter, the days start to get longer. Big hurray, but spring is still a long time away. The band is named after the song “The Sun Turns”, which opened the debut album Christmas I, and was originally recorded by My Little Pony. Christmas II also has a song with the phrase “sunturns” (The Axial Tilt), and on Christmas III it pops up again in the track First Winter.

The Closest I Can Get (live at Parkteatret)

The Just Joans reveal their new single “Limpet” (out on 2nd December), taken from their forthcoming album Romantic Visions of Scotland (due out on 23 January 2026 via Fika). With a driving rhythm evoking Dexys Midnight Runners or an old Northern Soul record, the song talks about the wonderful messiness of life with a newborn from a woman’s perspective. Pairing shambling indie pop with witty observations on romantic pratfalls and everyday disappointments, the Just Joans’ signature sound stems from siblings songwriter David Pope and singer Katie Pope.

As David explains: “I wrote “Limpet” shortly after my son was born. I wanted to write something that captured the wonderful messiness of life with a newborn, but also touched upon some of the stuff that you miss out on (mainly getting drunk and snogging strangers). It also seemed to make sense to try and write the song from a female perspective, for whom the all consuming nature of the experience is altogether more oppressive.” 

Usually opting for a more DIY approach to recording, Romantic Visions of Scotland is their first album to be recorded in a proper studio. They worked with The Delgados’ Paul Savage at Chem19 in Blantyre. As David explains he worked with Paul in the studio, “to give it a bit of a kitchen-sink Motown style production”. Funded by Creative Scotland, the recording allowed the band to bring in bass and cello arrangements, adding depth and a sheen of musical proficiency to their signature sound. 

Originally inspired by a grandiose exhibition title spotted on Glasgow buses in 2019 for a show at the National Museum of Scotland called Wild and Majestic: Romantic Visions of Scotland, the new album arrives six years later as a collection of semi-autobiographical snapshots from the Central Belt of Scotland. Whilst some of the details have been exaggerated for comic (or tragic) effect, the songs are based on personal experience of mundane failings, bitter regrets and missed opportunities that make up an unremarkable life.

Recurring themes of nostalgia for a bygone era and the fear of being left behind by lovers, friends and peers run throughout the album. Musically and lyrically, the band channels Village Green-era Kinks, with nods to The Television Personalities, The Smiths and Dolly Mixture.

Live dates
Jan 23: Mono, Glasgow
Jan 24: The Lexington, London, The Winter Sprinter
Jan 30: The Wee Red Bar, Edinburgh


About The Just Joans

The Just Joans were formed in Glasgow in 2005 by songwriter David Pope. Early demos were collected together and released as a loose concept album, Last Tango in Motherwell, in 2006. Chris Elkin joined on guitar and was followed shortly after by David’s younger sister, Katie, on vocals and Fraser Ford on bass. Over the years they have released EPs and albums on WeePOP! and Fika Records and have gained a cult following as Scottish pop miserabilists. 

The current line-up consists of Katie Pope (vocals), David Pope (vocals, guitar), Chris Elkin (lead guitar), Fraser Ford (bass), Arion Xenos (keyboards) and Jason Sweeney (drums).


Press Quotes:

“They fit snugly into the scratchy, low budget Scottish indie tradition of The Delgados and Arab Strap… There’s mischief in this miserablism.” - Mojo 4*s

“Glasgow’s The Just Joans have documented the romantic pratfalls of a generation of indie kids with sardonic wit and a shambling musical style where Stephin Merrit lies down with The Vaselines.” - Uncut

“Funny and sad, it’s the kind of song that made Red House Painters, The Magnetic Fields and The Wedding Present’s early albums so easy to embrace; an unpretentious sharing of relatable gloom.” - Record Collector

The Just Joans - Limpet

Fronted by siblings David and Katie Pope, gloomy Glaswegians The Just Joans have been a cult presence on the indiepop scene for over a decade since their festival debut at Indietracks in 2008. Noted for their mischievous lyrics, tender melodies and overwhelming Scottishness, the band were best described as ‘the missing link between The Magnetic Fields and The Proclaimers.’

Having completed the long journey from shambling two-piece to accomplished sextet, these misanthropic musicians with Britpop soft spots have excelled since joining Fika Recordings in 2017. Their latest offering on the label, The Private Memoirs and Confessions of The Just Joans - a smorgasbord of misery, longing and everyday angst – was dubbed ‘the best new album of 2020’ on its release (ten days into the year).

Limpet

The Just Joans

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