Damn this on sum shoreline mafia shiii🤣‼️😳

keep up the good work the grind never stops

This Is Really Good.Bro Would You Mind Checking Out My Page As Well

I really like the production, it sounds very professionally done.

Really fucked with this in general dog good job

one CHAPLAIN to rule them all.

Macklemore & Ryan Lewis -  Growing Up Ft. Ed Sheeran (Free Download)

FREE DOWNLOAD

Libretto by Mark Campbell • Based on the short story of the same name by Stephen McCauley.
Duration: ca. 25'

Instrumentation:
Chamber version (10 instrumentalists): flute, oboe, bassoon, percussion, piano, 2 violins, viola, cello, bass.
Piano/vocal Version: three singers (soprano, mezzo-soprano, baritone) and piano. 

Commissioned by UrbanArias, Robert Wood, Executive and Artistic Director

Premiere of Chamber Version: American Modern Ensemble, Tyson Deaton, conductor, Walker Lewis, director, Dixon Place, New York, NY, January 16, 17, 18 and 19, 2016.

Premiere of Piano/Vocal Version: UrbanArias, Robert Wood, conductor, Atlas Performing Arts Center, Washington, DC, February 21, 27 and 28, 2015.

Publisher: Bill Holab Music: http://www.billholabmusic.com

For more information: http://robertpaterson.com/the-whole-truth/

Full Video: https://youtu.be/Dm0E7XPk8-o

Buy Full Score: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2776

Rental Information: https://www.billholabmusic.com/rent-music/

But Piano/vocal Score: http://www.billholabmusic.com/store/index.php?main_page=product_info&cPath=103_137&products_id=2775

The Whole Truth

The Whole Truth: A Chamber Opera in Seven Scenes (World Premiere) - Robert Paterson/Mark Campbell

Produced by SamTP
Engineered by @austinfoxx

$hi:

You don’t know half the shit I’ve seen 
You wouldn’t laugh, if you was me 

I done came a long from what I used to be 
People change errday, see the growth in me 

Move nothing like I use to, use to
I know it’s probably all new to ya, new to ya 
Ain’t really meant to confuse you, who you
I do me, so you can do you, do you 

You don’t know half the shit I’ve seen..

From the hood, then ya probably know what I mean 

Serving feins, won’t a dream. 
It was what I seen. 

Seen niggas get the cream, said that’s what I need. 

Momma had different plans, kept me up the street. 

Every other week pops picked me up 
To see me 

He ain’t have no job, but could always feed me 

Grandma thugged Out,
When she smile, she gleaming 

You don’t know half the shit I’ve seen 
You wouldn’t laugh, if you was me 

I done came a long from what I used to be 
People change errday, see the growth in me 

Move nothing like I use to, use to
I know it’s probably all new to ya, new to ya 
Ain’t really meant to confuse you, who you
I do me, so you can do you, do you

KFitz:

It starts with fear of temptation then experimentation
And I just fear that I’m wastin away chillin sedated
When I could be creating but I could mistaken
Maybe I need some space need a break so I don’t go crazy
Because it’s all in my head I swear I’m too self critical
And I’m sick and tired of complaining that shit sounds pitiful
I just need to get it out so I don’t stay miserable
So this music is my form of expression and it’s literal
I’m actually going thru these things that I write about
I just sprinkle a little in my songs just the right amount
Cuz if I do too much they’ll say that I’m whinin now
When I’m only keeping it real I guess I should lie about
The average day and just say I’m fuckin bitches getting money
I guess that’s not entirely false but I find it funny
That no one thinks it’s getting old to rap about acquiring 20’s and 50’s and hunnids this shit is redundant or flossing about your buss down rolly I’ve never heard that line before I’m at point where most rap is leaving me feelin kinda bored
I’m kinda sure I mean really sure that rap ain’t really for these dudes to just flex got me upset man fuck that

Austin Fox:

oh yeah,
man fuck that 
nowadays we distance
ourselves from all u must have
stingy fingering hush rats
lingering lust baths smothering 
blunt raps hovering over dem
hump backs 
ass nigas dawg

if u ask u nigas dawg
these messages dont come for free
and lately i just lost my mind
giving my spine a few degrees

sailor mongst teh salty sea
someone wants it out for me 
but while yall stuck through chemistry 
we was out learnin 
alchemy how could we 
ever trust em dog
   
we straight sour dawg
fuck em all

$hi:

You don’t know half the shit I’ve seen 
You wouldn’t laugh, if you was me 

I done came a long from what I used to be 
People change errday, see the growth in me 


Move nothing like I use to, use to
I know it’s probably all new to ya, new to ya 
Ain’t really meant to confuse you, who you
I do me, so you can do you, do you

Growth feat. $hi & Austin Fox (Prod. SamTP)

https://thekingkamihamiha.bandcamp.com/album/the-coronavirus-compilation
Four and a half hour worth of my music on pay what you like download - enter 0 and you can have it for free :)

If you like what I'm doing, please follow my social pages, Facebook and Soundcloud are most active:
https://open.spotify.com/artist/6kPMx8A1KCq9Er6HDZUpYP?si=qoEJZ2cSQOWWA6cA3dvslg
www.facebook.com/kamihamihauk
www.twitter.com/kamihamihauk
www.youtube.com/kamihamihauk
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Artwork from Shona Skylar:
https://www.facebook.com/skylarslab/
instagram.com/shonaskylar

Download

Kamihamiha! - I've Run out of Legs

Trapp N My Soul [C&B]©

The second in our series of electro-rock tracks coming over the next few weeks

LYRICS:

They stayed at home
And you went to Rome
Ate on your own
Embraced the unknown

You counted leaves
While they stared at trees
Down on your knees
Escape their disease

It’s too far, it’s too high, it’s too hard to climb

Rome

borne

Ernesto.Maroto - #PUNKISTAN💋

Sacramento

1zzy - F.B.H (OMW) (Feat. VDOT & BigKeem) (F.U.N.F.A.M) (Prod. By AmpOnTheTrack)

Music Maker JAM

Dream in Carbonation

Eating Variations
for Baritone Voice and Chamber Quintet (Baritone Voice,  Flute, B-flat Clarinet, Violin, Cello, Percussion)
Duration: 9' 
Text by Ron Singer
Performers: American Modern Ensemble; Robert Gardner, Baritone
Publisher: Bill Holab Music: http://www.billholabmusic.com/store/index.php?main_page=product_info&products_id=1109
Online Perusal Score: https://issuu.com/robertpaterson/docs/eating_variations-fs-bound_perusal
For More Information: https://robertpaterson.com/eating-variations

PROGRAM NOTES
Eating Variations is based on a series of witty poems with the same title by Ron Singer. The work as a whole is essentially a satire on food faddism and depicts different aspects of eating. The way I chose to set these poems is light-hearted, perhaps lighter in spirit than Singer originally intended, but with a serious, dark side.

The first movement, My Body, a Temple, incorporates the sounds of Tibetan Singing Bowls (also called Temple Bowls or Cup Gongs) and is loosely, harmonically inspired by Khöömei, or Tuvan Throat Singing and David Hykes’s Harmonic Choir recordings; both of whom use a style in which the singer produces overtones on top of the fundamental notes. Perhaps mercifully, I do not require the baritone to use this technique, but instead, use the flute to produce false overtones in a couple of spots.

In the second movement, The Hog, the instruments mimic pig sounds with scratchy, grunting noises from the violin and cello and clarinet multiphonics. A round-sounding whole-tone scale is used and there is a Polka-like accompaniment in the percussion.

The third movement, Even the Dyspeptic Must Eat, uses upward and downward runs in the bass clarinet to impart a roller coaster-like sense of Gastroesophageal Reflux Disease, a condition in which there is recurrent return of stomach contents back up the esophagus. This is reinforced with a slow, background groove in the drums.

The cello part in the fourth movement, The Dietary Moralist, is inspired by Dave Eggar, a cellist who can play his instrument like a guitar and sing at the same time. In this movement, I ask the cellist to play in a somewhat folksy style and sing out of tune back-up vocals—to me, reminiscent of a 1960s musical Hippie Sit-in. The main vocalist is backed by the well meaning but out of tune "band." To paraphrase an interesting email exchange with Singer, we agreed that in this context, the vocalist might represent a contemporary version of a certain species of 60's hippie—say, a particularly zealous fair trade coffee purveyor, and that this Malvolio type is singing along with a group of kindred spirits. This movement is not a literal portrayal of the text, which is quite serious in tone, and stretches the meaning more than the other movements. Perhaps my interpretation may instead be viewed more as commentary on the text.

In each passing decade, people are sure of their eating habits, and the carefree, assured, commercial America of the 1950s was no different. In the last movement, The Happy Medium, I envision a father-like doctor figure squarely explaining to a patient how to eat. The perky background music is meant to evoke a 1950s TV commercial, or perhaps a short, black and white educational grade school film.

Growth feat. $hi & Austin Fox (Prod. SamTP)

KFitz

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