"White Lodge" from The Kickback's September, 18th 2015 debut LP 'Sorry All Over The Place' - http://consequenceofsound.net/2015/06/the-kickback-announces-new-album-premieres-lynchian-song-white-lodge-listen/

Available on iTunes: http://smarturl.it/SAOTP

White Lodge

Monday 12:49 PM

These songs were originally released in Japan in the summer of 1985. The song Cakebox was believed to have been on the Pretty In Pink soundtrack for a short time until Paramount Pictures changed the films original ending. The song however did serve as the official theme song and the inspiration behind an entire line of Japanese mens cosmetics, most famously The King Sweaters Glitter Cake Pomade. The pomade which had pieces of glitter and silver in it was created by The King Sweater himself while on the road with his band The Royal Order Of The Crossed Kombs who were two Japanese girls Lotus (bass) and Blossom (drums) both veterans of the Cream Soda rockabilly scene in Harajuku. The band was around for only a very short time. 

In January of 2015 the rights of the the song Cakebox, as well as the recipe to the pomade and the name The King Sweater revert back from the Super Brilliant Sunshine Cosmetics Co to their rightful owner Greg Behrendt and you can hear the whole amazing story in his one man punk cabaret show 

I AM THE KING SWEATER
credits
released 24 February 2015 

Produced By Kevin "The Rat" Andy 
Yo-Yo Studios TokyoJapan 1985 

ReMixed ReMasted Mike Eisenstein 2015

The King Sweater - Cakebox - 01 Cakebox

Comedian Andy Kindler delivers his annual State of the Industry address at the 2018 Just For Laughs comedy festival in Montreal.

TASCAM DR-40

Andy Kindler's 2018 State of the Industry Address

The Kickback immediately enters the front ranks of contemporary rock ‘n’ roll with WEDDINGS & FUNERALS (Jullian Records), a furious, exhilarating, and deeply emotional collection that somehow captures all of the shared experiences that bring us together – joy and sorrow, unity and separation, love and hate, life its own self. Produced by Dennis Herring (Modest Mouse, Elvis Costello, WAVVES), the album sees singer-songwriter Billy Yost rending his chest to bare his own dark heart while grappling with intense personal trauma. Set against an inventive bed of infinite guitars, grizzled bass, and slippery rhythms, songs like “Latest Obsession” and “False Jeopardy” are personally cathartic but also painfully universal, Yost’s heartbreak as identifiable and real as any of our own.

“I found out I was getting divorced,” Yost says. “It was really unexpected. I got to a pretty bleak place initially. I don’t know what I’d have done without the ability to try and cope with things through music. I wouldn’t care to ever make a record this way again, but I also know it’s the best group of songs this band has been able to make.”

The Kickback was founded in Yost’s hometown of Vermillion, South Dakota, and then rebooted in Chicago to include guitarist Jonny Ifergan and bassist Daniel Leu. The band made their bones with a series of self-released EPs and electrifying live set before recording their 2015 debut album, SORRY ALL OVER THE PLACE, with Spoon’s Jim Eno behind the board. Like any rock ‘n’ roll band worth its salt, The Kickback toured hard, lighting it up at countless headline shows, festival showcases, and gigs alongside such diverse outfits as Here We Go Magic, Manic Street Preachers, Miracle Legion, Tokyo Police Club, and Bush.

Yost relocated once again when his wife entered graduate school at Penn State but continued to be dead focused on pushing The Kickback forward. Yost admits his perspective on the long relationship was clouded by drive and ambition, leaving him totally blindsided when his wife dropped the axe.

“We were in South Dakota,” Yost says. “The band was playing my best friend from college’s wedding. I found out I was getting divorced about an hour before I had to give my best man speech. I pretended like everything was okay and then went numb for about a year.”

Yost moved into a friend’s basement office where he spent a month “staring at the walls” before getting back to work. “I Taste My Own Blood,” a musical open vein marked by its candid chorus “I lost my love in central Pennsylvania/And heard about it in South Dakota,” was followed by a long stream of “really sad rock ‘n’ roll songs,” all demoed on Garageband.

“A one-sided view of someone trying to work through a divorce,” according to Yost, WEDDINGS & FUNERALS marks a great acceleration in more than simply sonics. Songs like “Dating Around” and “Pale King” are more literal than The Kickback’s earlier work and all the more potent for it, Yost’s existential turmoil forcing him to write from the gut rather than his head, reducing the popcraft and wordplay to find the sweet spot between those two aspects of his persona.

The Kickback is now poised to tour in support of WEDDINGS & FUNERALS, joined on drums by Yost’s brother Danny. The band is somehow more raw and unhinged on stage than ever before, like the album, an ideal vessel for Yost to unleash his still-roiling internal angst. Confrontational, aching, and fraught with palpable pain and apprehension, WEDDINGS & FUNERALS is as powerful and pure as modern rock ‘n’ roll gets, the striking sound of a gifted artist’s primal scream howled into the abyss with no hope on the horizon.

“Being a divorcee before 30 was not something I saw coming,” Billy Yost says. “I'm still a fucking mess. I still have my ex-wife's name tattooed on my chest. I still hate myself for every right decision I made for the band that ruined my marriage… and I would do it again.”

White Lodge

The Kickback

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