Heard this during Mathew Jonson’s set at Loveland 2022. A real bottle swinger 🔥☄️

Трек пиздец, у сатаны в гостях

TECHNO 01

This is the new digital re-mastered version of "Typerope" on ITISWHATITIS Recordings. Enjoy!

Typerope

Cobblestone Jazz - India In Me

A great philosopher (Samuel Johnson, not Ebeneezer Goode) once wrote… “our brightest blazes of gladness are commonly kindled by unexpected sparks”. While it would be a stretch to suggest the Drumcode artist roster are closet philosophy fans, once one begins to unravel the tale that led to Jel Ford remixing the 2012 Alan Fitzpatrick hit ‘For An Endless Night’ and it is impossible to escape the unexpected enterprise and spirit of surprise that are at the heart of this exciting collaboration. 

As fans of Adam Beyer’s label will testify, the two Drumcode names have more in common than just a label stable, they also share common ground with the peak-time melodic sound that has delivered many of the labels most memorable output. Ford being a much more recent addition than Fitzpatrick, whose history with the seminal Swedish imprint stretches back to 2009, however Ford’s history within techno goes back even further having released multiple EP’s through the early noughties on vintage UK techno labels including Dave Angel’s Rotation Records, Billy Nasty’s Tortured Records, Primate Recordings and Ford’s own Jericho imprint. 

It is within this shared passion for uplifting synths and big room melodies that the ‘unexpected spark’ of creativity that led to Ford remixing Fitzpatrick can be found. An long-time admirer of Fitzpatrick’s work, Ford had developed an idea for his alternative version and secretly worked on the remix long before any discussion of the project had taken place. Once given the draft version, Fitzpatrick immediately endorsed the remix, excited to have an updated version to breath new life into what had become a familiar staple of his sets for the past two years. Parts were swapped and the end result being the barnstorming end-of-night monster presented here. A track that will be familiar with many having been the subject of much social-media furor since it first surfaced back in Autumn 2014. 

Alan Fitzpatrick - For An Endless Night (Jel Ford Remix) - Drumcode - DC140

Mark Broom - Involver

More info: http://www.xlr8r.com/news/2015/05/premiere-hear-a-track-from-donato-dozzys-new-ep-for-claque-musique/

Full stream of "Cassandra," Donato Dozzy's latest EP for Claque Musique.
@donato-dozzy
@claque-musique

Donato Dozzy - Cassandra

Featuring heavily on most of Drumcode’s shows due to his impeccable DJ’ing, Bart Skils is back with a new EP flexing his signature rolling sound and hooks. Caressing from one track to another, the use of pads in this EP and using uneasy sounds to build tension in each track. The swelling bass within each track manoeuvres the tracks into dark after hour’s territory with the help of the subtle percussion.

Bart Skils - Blue Nile - Drumcode - DC143

Homeless Trax is a collection of tracks without home, which despite the nos and maybes still wanted to see the light of the day. 

And here is the fourth volume in the series. Five original trax that have as their common denominator the Synthcussion plug-in developed by Domenico Cipriani available on Soft Computing Bandcamp. 
Dark sounds syncopated rhythms and acid at will. 

W&P Samuele De Santis
M&M Andrea Cavani (we.amps)

Close Encounters

Buy Vinyl & Digital: bit.ly/uv033bc

Release Date:
Bandcamp: 26.10.2015 (Vinyl & digital)
All other stores: Vinyl 06.11.2015 & Digital 09.11.2015

After opening up his heart with his wonderful solo debut album last spring, it was about time that Joel Alter’s “Heart” gets a proper remix treatment. None other than fellow Swedish countryman Jesper Dahlbäck adds some spice to the intimate affair that is “22 Hours” under his “The Persuader” moniker. His take is a spooky yet compelling peak time bomb. Dorisburg transforms “Everlasting” into a funky and Acid-driven ride that is hard to resist. On top, you’ll get the Original mix of “Mecca” spread over a whole 12” side and a Discoid version as a digital bonus.
The wonderful artwork was created by Joakim Heidvall.

Buy Vinyl & Digital

Joel Alter - Everlasting (Dorisburg Remix)

Techno industry's ultimate legend The Advent returns on Belgium's greatest imprint, MB Elektronics and this time he shared his techno kitchen with another enormous figure – Hugo Paixao. Those brilliant minds cooked the very tasty ‘’Misty Nights EP’’. When The Advent and Hugo Paixao meet under the signature of label chief Marco Bailey, there is no need for more words. Dive in the mist and feel nothing but the sound. 

Buy it at: http://bit.ly/MBE149D

Find MB Elektronics on Facebook:
https://www.facebook.com/mbelektronics

Find Marco Bailey on Facebook:
https://www.facebook.com/officialmarcobailey

Find The Advent on Facebook:
https://www.facebook.com/theadvent.official

Find Hugo Paixao on Facebook:
https://www.facebook.com/HugoPaixaoOfficial

The Advent & Hugo Paixao - Misty Nights (Original Mix) [MB Elektronics]

Still Life EP

Art Crime - Dead Carnation (Original Mix)

Track taken from "Wuzzelbud FF" (Hart&Tief 04)
Release Date: September 7th, 2018

Get the double vinyl EP here:
http://bit.ly/wuzzelbudff

Stream:
https://spoti.fi/2NtrXkq
https://apple.co/2Nk7i2r
http://bit.ly/2NpwYdN

More Infos & alls upcoming Dj-Shows: https://www.pamparecords.com

External assessment vs. self-conception by Robag Wruhme: "People always think, I'm that serene and quiet guy, but actually I'm quite a noisemaker." Could be that the majority of the material he put out in recent years, most notably the "Thora Vukk" album, led to the overall apprehension of Robag being the virtuoso of everything subtle, enigmatic and tenderly melodic. Well, that's far from being a misconception, but still just one side of the coin. The other side is embossed with his most current productions, consolidated to a double EP, captioned with the enchanting name "Wuzzelbud FF".

Wait a second ... "Wuzzelbud"? Devoted fans will instantly prick up their ears. We've heard that before. Back in 2004 Robag Wruhme released his first longplayer named "Wuzzelbud 'KK'". As there's no such scenario Robag might be running out of stream-of-consciousness turned nonsense titles for his music, this must be a vocabulary intersection linking the early days of his career with its status quo. And it is. Wruhme presents "Wuzzelbud FF" as the stylistic follow-up to his debut album, showcasing a sound he commits has been neglected for too long. Wruhme cuts to the chase: "I wanted to put out some straightforward music for the dancefloor, something for the primetime. Well, for the primetime of my sets, at least."

And that agenda is written all over most of this double EP's material. Not so much over the tongue in cheek intro or some of its interludes. But "Veddel Bav" as the first centre-piece of this collection sets the pace already. Don't fall for Wruhme's signature artistry of evoking groove out of micro-sampling while this track is building up. It'll be bulldozed by a bass heavy kick and off-beat hi-hat-lashes soon enough. An insanely well balanced composition of accurately placed details and thumping massiveness, that is.

A layout that's elaborated even further on the title track you'll find opening the B-side. In-field recorded patterns, courageous delay-implementation, a take no prisoners mentality when it comes to prep this for the peaktime, a super simple yet super effective bassline (or rather -note), a buzzing and twanging percussive overload bound to what's usually known as 'a banger'.

Get some rest with "Tisma", a rather spaced out jam and then prepare to be shaken thoroughly by "Provol Eto", the cowbell decorated, synthbass fueled epitome of heaviness in this set of tunes. Safe to say, this adds to the most functional and relentless material, Wruhme has ever written.

No breathing pause granted, as "Maiowu" speeds up to utter D'n'B frenzy or as Wruhme himself describes it to a "sounddesign that's cut from rhythm" - a recourse to his mid 90ies rule denying, almost anarchic approach to production.

The final re-introduction of a straight kick then opens side D. "Wabb Bodun" - that's yet another no-frills, engine-room located stomper, inspirited and strengthened by rhythmic shifts and crisp tweaking alone. Well, and a sneezer. An in-the-red powerhouse that calls for an alleviation like the ambient farewell kiss "Ausgang". An assembly of textures that sets a peaceful conclusion to an energetic and mostly high-revving journey.

More Infos: https://www.pamparecords.com
(C) Pampa Records 2018

Cobblestone Jazz - India In Me

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