Das ist Musik für den evolutionären Sprung in das non-organische Intelligenzzeitalter

I like more this old kraftwerk records than the pop driven discography that is recocniced as cannon...

'In Defense' from D003 compilation released by Doyenne.

D003 arrives as a split between four experimental sound artists from London/LA, Philadelphia, Krakow, and Portland/Berlin.

Available on Bandcamp now:
https://doyenne-books.bandcamp.com/album/doyenne-003-felisha-ledesma-martyna-basta-lucy-liyou-ekaterina-bazhenova-yamasaki

In Defense

Flora

Asagao

This is a scratched message delivered by the postman to all his former lovers. Starts with a cell phone loop with birds and contains an audio sample from the Hollywood movie Van Gogh starring Kirk Douglas.

Uit the postman

~as the sun burns off the last tatters of morning cloud~

PRB011 
Release Date: 21 July 2015 
http://proibitorecs.biz/

PRB011 A1 - Rushing To Paradise

Inspired by the flora and fauna of our planet, Sign Libra’s productions invoke lush, magical dreamscapes. In 2016 the Latvian RBMA alumna released her ‘Closer to the Equator’ EP digitally via Sounds of the Dawn and now the excellent French label Antinote is blessing us with a physical version of the record. We’re excited to host the second track from the EP, entitled “Mantodea vs. Furcifer Pardalis,” a beautiful concoction that Sign Libra also played for us in the participant introduction round at the 2016 Academy in Montréal. Since she provided us with an evocative description of her own track, we can’t help but to share that with you as well in full:

“Living in trees and bushes, animals must hide themselves well from predators and be skillful hunters. One of such masters of ambush and mimicry is the praying mantis. Well camouflaged and lighting up quickly, this insect is a highly efficient predator, but it has a worthy enemy – the panther chameleon. Its camouflage is exceptional because it can change skin colour to match its surroundings. During the hunt the chameleon’s eyes move independently to spot prey. It creeps towards its victim until it unleashes a super weapon – its tongue, which shoots out at a speed of 15 meters per second and not only hits but grasps its target…”

Sign Libra’s ‘Closer to the Equator’ EP is out on vinyl February 19th via Antinote.

Watch the video for “Mantodea vs. Furcifer Pardalis” here: https://www.youtube.com/watch?v=iPougGl8c2c

@signlibrachannel
@antinote-records
http://redbullmusicacademy.com

Sign Libra - Mantodea vs. Furcifer Pardalis

Following on from a pair of Extended Players released in 2011 ("Passed Me By" / "We Stay Together") Andy Stott returns to Modern Love with 'Luxury Problems', an 8 track album of new material recorded over the last 12 months. Five of the tracks on the album feature the voice of Alison Skidmore, Andy's onetime Piano teacher whom he hadnt seen since he was a teenager back in 1996. There was no grand gesture in mind, it just sort of happened - but after almost a year of studio work the result is really quite unlike anything you'll have heard from him before. 'Numb' opens the album with Alison's voice; layered and looped but essentially left bare and exposed, tumbling into a dense shuffle, sort of somewhere between Theo Parrish and Sade, but more f*cked. 'Lost and Found' follows and deploys a growling rave bassline and a disturbed vocal, the beat assembling itself around a squashed Linndrum like a submerged Prince/Cameo production, haunted and impenetrable, but full of funk. 'Sleepless' started life as an African drum edit that sooner or later succumbed to Stott's intense rhythmic shifts. It's a sound that's been imitated countless times since the release of 'Passed Me By', here re-tooled and re-built for its next evolutionary phase. 'Hatch The Plan' ends the first half of the album with some heavily treated location recordings and a low end grind that probably doesnt quite prepare you for the vocal arrangements that follow - it's just a beautifuly inverted pop song. The second half opens with 'Expecting', the most recognisably 'Stott' moment on the album: a wrecked, deliriously knocked-out 4/4 shuffle deployed at halfspeed; those heavy kickdrums sucking in everything around them. 'Luxury Problems' is next and offers up the album's most quietly euphoric and open 5 minutes; conventional arrangements and drumloops disrupted by sharp disco bursts that mess with what you know: it's straight and beautiful and unbalanced and damaged, somehow all at once. "Up the box" switches up the narrative and goes somewhere else entirely, an extended intro that seems to build continuously for 3 minutes before breaking off into a slowed-down Amen edit, creating a kind of narcotic Jungle variant that fragments everything and ends just at the point you think it's going to go off, before "Leaving" finishes the album with an almost unbareably beautiful arrangement of voice and synth and a final key-change that takes you from joyful to forlorn in an instant.

03-Sleepless

Strom

Spule 4

Klingklang

Tanzmusik

Psychic Nausea

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