love this, awesome album! if you want to check it bumped up tempo https://soundcloud.com/the-dream-chimney/mix-for-strange-days

Love Inc.   Germany
(aka Wolfgang Voigt, Gas, Mike Ink)
Label:Force Inc. Music Works
Released:1995
Music By [Musik] - Mike Ink
http://www.technique.co.jp/items.html?range=all&q=Mike+Ink

LOVE INC. - Life's a Gas

Hear Your Voice Again

Prayer To Isis by @trevor-jones-official  ↫⨹↬ Ethnic Atmosphere by @egyptianmeditationtemple


Hope you enjoy this compilation of mashup variations of my current favorite song, Prayer to Isis, composed by Trevor Jones, Cleopatra OST, 1999

Prayer To Isis ↫⨹↬ Ethnic Atmosphere

'Miaux is the operating handle of Belgium's Mia Prce. Most of her prior recordings have been issued by Dennis Tyfus' Ultra Eczema label, but after catching her set at last year's Bruismelk festival, Feeding Tube had to “have” her new record. 
Unlike other known works, whereon Miaux is a mistress of elaborate keyboard shenanigans that border on the gothic, Above the High Rays brims with music of a very soundtrackly nature. It mixes Neo-Eastern percussion symbiography with floating swathes of parachute color, all of it presumably birthed from Mia's hands and keys. It's easy to imagine a Jodorowksy carnival scene, shot like the opening of Welles' Touch of Evil, while this album spins. It is soaked with a haunted, lonely quality that touches the edges of mystery like a torch. 
Cover art and one side of etchings by Mr. Tyfus, himself. The tears you shed will be your own.'
Text by Byron Coley

Above The High Rays was composed for a screening of René Clair's sci-fi classic Paris Qui Dort. Released on a one sided 12" with etching on Feeding Tube Records and on cassette on Ultra Eczema.

Above The High Rays

Above The High Rays, 12" Feeding Tube Records / Tape, Ultra Eczema

"Cézanne" from  "Suite for a Young Girl". Out January 22nd via Tambourhinoceros.  Preorder here: https://lnk.to/TAMB120 

CTM* 

Cézanne

Heatsick & Bassclef (HSBC)
The Blaue Stunde
abcdlp.com

HSBC - Blaue Stunde

Ursula Bogner: Winkel Pong
Format: 7” Vinyl/DL
Label#: faitiche15
Release date: Sept 8th 2017
 
Faitiche is delighted to announce the release of a new Ursula Bogner record (faitiche15). Winkel Pong contains three previously unreleased pieces from the archive of the sound researcher who died in 1994. In 2008, Jan Jelinek put together a first album from Bogner’s tape archive (CD/LP Recordings 1969-1988, faitiche01). A second followed in 2011, compiled this time by Andrew Pekler (CD/LP Sonne = Blackbox, accompanying the book of the same name with texts, photographs and Bogner’s graphic oeuvre). For Winkel Pong the tape archive was passed on to Lucrecia Dalt. The Berlin-based Colombian sound artist and musician chose three tracks from the 1980s (exact dates unknown), editing the tape recordings for their release on Winkel Pong.
 
Gundrun Gut (Malaria!, Einstürzende Neubauten), an activist and reluctant chronicler of Berlin’s underground scene since the 1980s, has worked with Lucrecia Dalt. She is also familiar with Ursula Bogner’s work. Reason enough to ask her for an interview:
 
Jan Jelinek: Gudrun, how does it feel to be constantly obliged to talk about the 1980s Berlin underground as someone who was there at the time?
 
Gudrun Gut: I’ve learned to live with it as there are clearly too few people who witnessed it first-hand. Maybe it’s even important to do these interviews as a woman – so that someone actually says that women, too, have written music history. Men tend not to mention this. But it’s true, people do always ask the same questions.
 
JJ: Did you know about Ursula Bogner in the 1980s? Did you ever meet her?
 
GG: No, I never met Ursula Bogner in person and I only discovered her in 2008 thanks to Faitiche. But that’s no surprise: firstly, I don’t know every single woman artist, and secondly, far too many women artists never see the light of day. In the male-dominated art and music market, women are not considered important – or worse still, they are not understood. Look at artists like Sonia Delaunay, Eva Hesse, Bebe Baron, Delia Derbyshire and Daphne Oram. Some of them have now been discovered – but only recently. A lot has changed in the last few years: there is a growing awareness of art and music made by women.
 
JJ: But isn’t it annoying that the conventional distribution of roles still applies? One example: in many articles, Ursula Bogner has been presented as an “electronic housewife”.
 
GG: When Ursula Bogner is referred to as an electronic housewife, then sadly that reflects the situation of many women artists at the time. Women could only pursue artistic activities in private – transcendence was reserved for men. This has still not been overcome. But today, the home has become a site of professional production for all. I’m talking about bedroom producers: it is totally normal to make art and music at home. And that makes things interesting, because “working at home” is no longer associated solely with women.
 
JJ: For Winkel Pong, Lucrecia Dalt compiled and remixed three pieces from the Bogner archive. You know Lucrecia and you’ve already worked with her. How did you meet?
 
GG: I met Lucrecia through MySpace – I think it was 2007. Back then she was still living in Medellin, Colombia. Lucrecia’s father made loop machines for her that she still uses. The Sound of Lucrecia was part of my 4 Women no Cry compilation series on Monika Enterprise, each with four producers from different countries. She’s great fun to watch as a performer because she has a unique sense of rhythm and feel for music. Above all I’m impressed by her sustained approach as an artist, someone who can and does think around corners. I’m thinking specifically of her album Ou, for which she ploughed her way through post-war German cinema, using it as a source of inspiration for a soundtrack. This is proof that she thinks like an engineer – so it makes perfect sense that she would want to explore the work of Ursula Bogner.
 
Berlin, 2017

Ursula Bogner: Atmosphärische Energie (edited by Lucrecia Dalt)

Inspired by the flora and fauna of our planet, Sign Libra’s productions invoke lush, magical dreamscapes. In 2016 the Latvian RBMA alumna released her ‘Closer to the Equator’ EP digitally via Sounds of the Dawn and now the excellent French label Antinote is blessing us with a physical version of the record. We’re excited to host the second track from the EP, entitled “Mantodea vs. Furcifer Pardalis,” a beautiful concoction that Sign Libra also played for us in the participant introduction round at the 2016 Academy in Montréal. Since she provided us with an evocative description of her own track, we can’t help but to share that with you as well in full:

“Living in trees and bushes, animals must hide themselves well from predators and be skillful hunters. One of such masters of ambush and mimicry is the praying mantis. Well camouflaged and lighting up quickly, this insect is a highly efficient predator, but it has a worthy enemy – the panther chameleon. Its camouflage is exceptional because it can change skin colour to match its surroundings. During the hunt the chameleon’s eyes move independently to spot prey. It creeps towards its victim until it unleashes a super weapon – its tongue, which shoots out at a speed of 15 meters per second and not only hits but grasps its target…”

Sign Libra’s ‘Closer to the Equator’ EP is out on vinyl February 19th via Antinote.

Watch the video for “Mantodea vs. Furcifer Pardalis” here: https://www.youtube.com/watch?v=iPougGl8c2c

@signlibrachannel
@antinote-records
http://redbullmusicacademy.com

Sign Libra - Mantodea vs. Furcifer Pardalis

MIND MMM 003 - フェミニエリ - オソドマ (FEMMINIELLI - O SODOMA)

Paroles: B.Femminielli
Musique et production: Dominic Vanchesteing
Saxophone: Renaud Seguin



MIND MMM 003 - フェミニエリ - オソドマ (FEMMINIELLI - O SODOMA)

hello sir would you like some coffee?
what are you doing, just standing around handing out coffee at 6am?
well when i was in the service, my dad sent me this book by the guy who started this company 
and every word... i wanted to BE that guy
and the guy who wrote it started this company 
you know... i used to have a corolla

I Was That Book

The Invention of the Human

The Peach Tree Next Door Grew over Our Fence

The Red Bull Music Academy is a world-travelling series of music workshops and festivals: a platform for those who make a difference in today's musical landscape. Here, you'll find exclusive downloads and streams from Academy participants, family, and friends.

Sign Libra - Mantodea vs. Furcifer Pardalis

Red Bull Music Academy

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