The last mix in our series with CPH:DOX is made by the one and only  Felix Kubin. 

Felix Kubin has been involved with the noise project Klangkrieg, the communist singing group Liedertafel Margot Honecker and the tetchy teenage bands Die Egozentrischen 2 and x2. Reaching from abstract Expressionism to Pop Surrealism and cassette tape punk. If isolation and social distancing is a marathon separated in different phases, there's the right music that helps to survive each one of them. Join Felix Kubin for almost 2 hours of Radio Immunity with four sections of quirky and peaceful film scores. Felix Kubin will guide you through it all.  

"I am not a collector. My records observe me. They lead their own life. The easiest records to find in my archive are the film scores. I only have a small bunch of them because a lot of film music is mediocre, pompous and unnecessary. The scores I put together for this collection are so strong in form and content that they can easily exist without the films. Their composers experimented with new techniques and means of expression. Some of the scores are abstract, some cross the border to foley sound. It seems that production companies and directors respected the artistic freedom of film composers more in the past. But film music can never be just a greasy background noise. Film music has to be an actor - or stay silent. " - Felix Kubin
Watch film artist Marie Losier charming portrait about the German synthesiser genius Felix Kubin’s musical wonder world. Analogue sound on analogue film at CPH:DOX' online programme. The film is  available until April 30 here: https://cphdox.shift72.com/film/felix-in-wonderland/
Tracklist: 
Jingle: Rupert Hine - Immunity

SCIENCE AND FICTION
Gil Mellé - The Andromeda Strain 1971 (The Andromeda Strain, Desert Trip)
Bernard Herrmann - The day the earth stood still 1951 (Klaatu, Escape)
Zdeněk Liška - Ikarie XB-1 1963 (Do Not Eat The Fruit, Ikarie XB-1, The Backwoods Of The Universe)
Li de la Russe & Nikki St. George - The Tomorrow People 1969 (Planetarium, Restless Relays)

SPOOK AND ROMANCE
Peter Principle - Pandemonium 1985
Mica Levi - Under the skin 2013 (Death)
Francis Lai - Un homme et une femme 1966 (A l'ombre de nous)
Gene Moore - Carnival of Souls 1962 (2x)
Krzysztof Komeda - When Angels Fall 1959
David Lynch, Peter Ivers - Eraserhead 1977 (In Heaven)
Krzysztof Komeda - Cul-de-Sac 1965

CHASE AND ESCAPE
Isao Tomita / Arthur Honegger - Pacific 231 1978
Cabaret Voltaire - Johnny YesNo 1981 (Taxi Music)
Herbie Hancock - The spook who sat by the door 1973 (Training Day)
Don Ellis - The French Connection 1971 (main theme)
Wirtschaftswunder - Tscherwonez 1982 (Die Flucht, The Girls in the Navy)

ARTS AND SUBSTANCE
Raymond Scott - Ripples (Montage) 1967
Slava Tsukerman, Brenda I. Hutchinson, Clive Smith - Liquid Sky 1982 (Sunset, night club I, night club II)
Yasuaki Shimizu - Music for Commercials 1987 (2x)
A.E.Bizottság - Jégkrémbalett 1984 (Milarepaverzió)
The Mothers of Invention - Uncle Meat 1969 (The Uncle Meat Variations)
Michael Nyman - A zed and two noughts 1985 (L'escargot)

IN THE MIX WITH Felix Kubin: Filmriss - supranormal film scores selected for Radio Immunity

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Ulf Kramer is an outstanding and very mysterious figure on the underground techno stage. It is very difficult to get any information on the musical roots of German musician and producer. However, if you'll explore the topic, we will see a very impressive artistic achievements. So far, it was related, inter alia, with Labels such as such Zimmer Records or Wavelike or through which he release fresh and novel material. The work, which was seen by the world, can successfully replace any tinted biographical descriptions that lose significance at a time when we begin to associate with the music of Ulf Kramer. His of EPs, albums and sets very intensively refresh and at the same time develop the genre of techno. It is not possible to pigeonhole his style, but his experimental works, which are sometimes difficult to read, retain the dance character. The core of his works, filled with luscious bass and interesting rhythm, seasoned with depression is often shuttling as well as analog noise. For many listeners, tired with commercial noise, which unfortunately mastered musical underground, sounds of Ulf have remarkable therapeutic properties.

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