download: https://www.dropbox.com/scl/fi/vgipuokg651yyxqkfcbse/A-Darondo-Didn-t-I-Trishes-Edit.mp3?rlkey=dmoa361dhmv2hijl64mmf2uc0&st=aidojgi6&dl=0

back on 45: https://www.discogs.com/release/28148479-Trishes-Edits

Darondo - Didn't I (Trishes Edit)

Doo-Ha!

Slice, Diced and Fried Twice (feat. Chip Wickham)

Typical Remixes

Typical (DJ Fitchie (Fat Freddy's Drop) Remix) [feat. Jordan Rakei]

Chylorama 129

The 18-piece Afro-Cuban jazz big band New Regency Orchestra set out their stall last year with an electrifying debut self-titled album. Inspired by the musical fusion that bubbled up in NYC in the 1950s, they breathe fresh life into this golden era with a host of London’s best contemporary Latin and jazz musicians.

Recording an album with such an abundance of players meant there was a wealth of multitrack stems accumulated from the recording sessions. NRO’s artistic director, Lex Blondin and Mr Bongo thought what better way to utilise this archive of music, than to offer up the parts so that anyone could try their hand at a remix. The winner would have their remix released on Mr Bongo. An incredible range of remixes were submitted from all over the world with all manner of different genres in the mix. It was a tough decision but one stood out from the rest…

More than a simple remix, The Process (aka Jonny Cuba & Ollie Teeba) alongside Washington emcee J Scienide, have totally flipped NRO’s track ‘Pregon’. In true hip-hop fashion, they’ve picked a small section, put their stamp on it, and made it their own. Chopping and sampling the horns in expert style, they’ve layered them over a brand-new beat that channels the golden age boom bap sound. It’s the perfect foundation for J Scienide to step up to the mic, with a flow that takes the track to stratospheric heights.

As Lex Blondin mentions, “Listening to all the remixes coming back was so much fun. A big thanks to all who have participated, there were some really great remixes, but we have a clear winner here. The Process with J Scienide, who remixed our intro track called Pregon, takes it away! Originally written by Chico O'Farrill as the opener of 2nd Afro Cuban Suite, this track was begging for a backbeat and the way they've flipped it gives it just the bop it needed. This remix is pure boom bap goodness...I love how they've chopped up the horn line and peppered it around the chorus. Class work!”

London-based production duo, The Process, are no strangers to the world of music. Both Jonny and Ollie have been pioneers of underground UK music for years, coming up in the mid-1990s as DJs and artists on Ninja Tune. Ollie, being a member of the iconic Ninja Tune band The Herbaliser, and working with emcees such as MF Doom, Roots Manuva, and Rodney P. Jonny, as a partner in Dynamic Syncopation working with the likes of Phi Life Cypher, Chill Rob G, and Mass Influence and going on to form the group Soundsci. On this remix, they are joined by emcee J Scienide whose pedigree has seen him collaborate with hip hop heavyweights on the mic and production, including DJ D Styles (Beat Junkies), Daringer (Griselda Records/Action Bronson), Conway the Machine, Blu, Rome Streetz, and Kev Brown.


Pregon (The Process with J Scienide - Out in the World Remix)

Presenting the third single ‘Ron Song’ taken from Melbourne/Naarm multi-instrumentalist Don Glori’s forthcoming third album, Paper Can’t Wrap Fire. An ode to Brazil’s musical heritage, it’s Don’s nod to icons and influences including João Donato and Seu George. Samba-flecked, yet with a distinctive Don Glori groove, it’s doused in buttery Rhodes, hazy vocal harmonies and acoustic guitar riffs. Combine that with a serving of long majestic horn lines and the instantly recognisable cuíca and it’s a one-way ticket to Rio’s sunshine-soaked shores. 
 
Speaking about the track, Don mentions, “The thing I love about ‘Ron Song’ is all the ear candy. The Rhodes was routed through the preamp of an original suitcase Rhodes to give it the proper stereo trem it needed. The guitar just breaking through the ribbon mic contrasts against the very digital chorus on the bass. The bass is pushed out to the sides, using every dial tone sample at once. Texturally it feels like an ear massage. 
 
Alcides Neto laid down cuíca throughout the track and fans of Azymuth/Brazilian music in general will appreciate the partido alto underneath the trumpet solo. It’s as if the cuíca and Rhodes are having a conversation in the outro.”


Don Glori - Ron Song

Soulance "Kebab Discothèque" Takeover - Souleance - 14th May 2025

Mr Bongo proudly presents the third album by Melbourne/Naarm multi-instrumentalist, Don Glori, entitled ‘Paper Can’t Wrap Fire’. A kaleidoscopic genre-surfing odyssey that brings together the worlds of jazz, soul and funk. Feeling both contemporary and classic, familiar yet novel, it’s an assured third release that sees an artist in full flight, showcasing their creative prowess and the uniqueness of their musical voice.

Steering in a new direction, Don Glori (aka Gordon Li) has delved headfirst into his songwriting with ‘Paper Can’t Wrap Fire’. Deftly showcasing his talents as a writer and bandleader, he brings with him a whole host of friends from the creative crossroads that is Naarm. It’s an album enriched with more soul, R&B, and funk-oriented songs than his previous jazz-rooted productions, yet there’s still plenty of jazz material for those familiar fans of Don's earlier works.

The album’s title is an old Chinese proverb, roughly translated as 'you can’t deny the truth'. This underlying thread is woven between the songs. “A lot of them are in some way about truth-seeking, observations and the masks you put on to deal with life (hence the cover art)”, Don mentions. Take, for instance, the sensational soul single 'Brown Eyes' featuring silky lead vocals by ML Hall. A dissection of the minority experience, and the power and comfort in building those communities. Elsewhere, 'Disaster' is a satirical take on the structures serving everyone but the artists, and 'Flicker' tackles notations of truth and clarity after introspection.

To marry that meaning with the level of musicianship on these tracks is what really stands out. Don has set out his stall here as an artist who can write songs that hit home in the heart, as much as they do in the head. It’s a journey infused with a glistening jazz finesse, layered with nourishing vocal harmonies and powered by an instantly relatable human soul. 

Recorded over two hot summer days in Rolling Stock Studios in Collingwood, Naarm, the lineup of musicians is built up of Don's friends and family. Featuring the backbone team of Tim Cox, Al Kennedy, Joel Trigg, Robyn Cummins and Lachlan Thompson, who were part of Don's touring band before he relocated to London, and a stunning selection of vocalists in the form of ML Hall, Ruby Dargaville, Isadora Lauritz, and Bianca Kyriacou. Also gracing the album is trumpeter extraordinaire Audrey Powne, saxophonist Joshua Moshe, and Alcides Neto, sprinkling some Brazilian magic into the record. 

Taking influence from artists including Azymuth, SAULT, Jordan Rakei and Lynda Dawn, as well as from London musical beacons such as NTS and Total Refreshment Centre, Don has run with this, leaned in and come out with a record truly unique to himself and his distinctive core, with no mask necessary.

Don Glori - Disaster

New Zealander Julien Dyne is a multi-instrumentalist with a long and impressive history of collaborative, live and solo musicianship. Best known for his solo work as BBE and having worked with the likes of Theo Parrish, Steve Spacek, Andreya Triana and Lord Echo - one of Soundway's most successful artists.

To be released on digital and double vinyl on 19 October 2018 on Soundway Records

Teal

Buy or Stream

Julien Dyne - Copernicus

Available to download here: https://princeklassen.bandcamp.com/album/2005-2012

Andrew Ashong & Theo Parrish - Flowers (Prince Klassen Edit) (110)

Souleance, c'est le duo composé de Fulgeance (Musique Large / MPM) et de DJ Soulist (What the Funk). Depuis la sortie de leur premier EP, Le Monde, en 2009, ils se sont forgés une solide réputation en se réappropriant de manière très personnelle rythmes soul et electro. Comptant parmi leurs fans, Gilles Peterson, Danny Breaks ou Mr Thing, leur premier album, La Belle Vie, a couronné 3 ans de beat-making et de concerts.
Alors que d'autres producteurs se seraient reposés sur leurs lauriers après un premier album, Souleance est retourné rapidement en studio produire La Beat Tape. La variété des styles de cette beat tape est la clef et Souleance ne déçoit pas.
On y retrouve des musiques turques traditionnelles ("Sauce Samurai"), un orgue Hammond funk ("L'Insouleance"), des extraits de western hallucinés ("Tout Doux"), du jazz trouble ("Kipseli Street Interlude"), des rythmes fantômes ("Strongest love"), des mélodies hip-hop cuivrées flamboyantes ("Como Estan Bitches"), des synthés 80iess ("Cocktail Time")...
BOOKING: francois@lestontonstourneurs.com www.lestontonstourneurs.com
INFO: sri@firstwordrecords.com | aly@firstwordrecords.com
____________________________________________________________________________________

Following on from the success of their debut LP 'La Belle Vie' from earlier this year, the French duo have been busy in the studio producing La Beat Tape. 20 tracks deep, the release is aimed squarely at the DJs, with a succession of guaranteed party-starters. This is rounded out with some typically quirky interludes, jazzy beat excursions and blissed out trip hop.
Souleance are producer Fulgeance (Musique Large / One Handed Music) and DJ Soulist (What The Funk Paris?). Since releasing their debut EP (Le Monde) back in 2009, they have built a solid reputation for their idiosyncratic take on modern beats. With fans including Gilles Peterson, Danny Breaks, Lefto and Mr Thing, their debut album was the culmination of 3 years of beat-making, touring, partying and drinking too much Pimms. Whilst other producers would rest on their laurels after releasing their debut, Souleance got straight back into the studio to produce La Beat Tape - their sole aim to create tracks that they would DJ with themselves. The result is 20 tracks of pure dancefloor fire peppered with a smattering of chilled, lounge tracks in classic Souleance style.
Like any classic beat tape, variety is the key, and Souleance do not disappoint. La Beat Tape takes in heavy Turkish breaks (Sauce Samourai), Hammond funk (L'insouleance), tripped out western cinematics (Tout Doux), brooding jazz (Kipseli Street Interlude), Shadow-esque breaks (Strongest Love), Just Blaze-style horn-heavy hip hop (Como Estan Bitches), 80s synth-hop (Cocktail Time) and much much more.
The release is available as a budget-priced download with a limited edition 7" containing four tracks that we feel will be most useful for the DJs. With artwork by long-term collaborator Alice Dufay, it's sure to join their previous vinyl releases as a genuine collectors item.
For more information or to interview Souleance contact:
<b>sri@firstwordrecords.com</b> or <b>aly@firstwordrecords.com</b>

Slice, Diced and Fried Twice (feat. Chip Wickham)

The Lewis Express