STONER LONERS X

An eclectic mix of summery sounds for the first hot weekend of summer in NYC

https://www.instagram.com/2mrecords 
https://www.instagram.com/mattticehurst
https://www.soundcloud.com/2mrecords
https://www.soundcloud.com/mattticehurst

2MR TRANSMISSION with Matt Ticehurst @ The Lot Radio 06-20-2025

passing it clockwise is good luck,
anyone can join the joy of joint, just choose a time and post !

blissed out wake 'n bakers or lullabies for insomniacs -- choose your own adventure

Passing it clockwise (07:30 - Nico Tobón)

Todmorden's finest, Kim Lana joins us in the Manchester studio once a month for 2 hours of bumping and pumping golden era house & techno. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/kim-lana/episodes/kim-lana-12th-july-2025

Kim Lana 120725

‘For home use only’ is an anti-club social, a chance to get to know someone/something. A series of transmissions purely dedicated to exploring the other side.

Alas! We’re still alive (whatever that means) and still here (wherever you are). Returning from the far edges of the cosmos-via the duty-free shop-we bring an audible delicacy to share. People of Earth, Fefe has arrived, and you should be both honoured and excited.

An introduction stitched with the very fabric of time and space, Fefe offers a love letter that strikes straight at the heart-lifting happiness by at least 50-60%. A radiant testament to the kinder side of human nature (the part we sometimes forget), and a gentle reminder of music’s true power when made with pure intent.

Switch to airplane mode, take the long way home, and enjoy this in full.

Love from us. 

His new ep >>>> https://danzanativa.bandcamp.com/album/body-weather

FHUO # 97 // Fefe

the 6th chapter as the previous 5 chapters is education 
that a lot of alleged "House" DJs and Producers are 
obviously lacking showcasing modern, vintage and 
out of print/promo labels:

trax records, underground, house records, precision,
sunstar records, dezzarotic records, l.a. club resource, 
gherkin records, chicago connection, still music chicago,
dark entries and chiwax to productions from: 

ron hardy, felix de housecat’s 1st production, sweet d,
gene hunt, larry heard, farley jackmaster funk, virgo 4, 
x2, dmarc cantu, steve summers, boyd jarvis, juju, 
leron carson, g strings, ron morelli, terence woodard, 
delroy edwards, mutant beat dance and a new production of jakbeat to come from chicago 
with a new alias project dropping later this year 
in 2025 for a label we support.
(more news on that later)


⚠️ warning ⚠️ 
this selection covers the building blocks of the 
early dance music scene with selections of today 
and yesterday incorporating musical blueprint dubs,
a couple of vocals in between but overall: 
a raw style of basement underground tracks 
of Chicago and New York’s timeless heroes & icons 
we admire, honor and inspired by their education.

we hope this will give people the chance to 
listen to music many may have never heard 
on this side of sound that provides a provocative 
and thoughtful musical workout in your mind 
with vinyl turntables, a vintage mix console 
with an effects box and cd players.

this selection is personally dedicated 
to my beloved heart ♥️ vicki, jason, nestor, 
mark grusane, naughty wood, ron morelli,
kozmik, strangeland, alex from queens, uncle tom
and the dancers and dreamers for the continuation 
of the lessons and storytelling of chicago with 
sincerity 🎶✨

runtime: 3 hours 50 minutes 

****more chapters to come in due time****

{Traxx} Presents- The Definitive Articles of House Music Chapter 6

We're none too fond of terms like 'selector' here at the figurative 12th Isle HQ. We think it was a shrewd marketing ploy concocted by natural wine bar owners - and possibly the freemasons - who repackaged the spergy single-mindedness of record nerds into something that sounded much more socially agile and cool in order to distract punters from the exorbitant price of nibbles. Thankfully, the time of white label soundtracked £40 sashimi seems to be behind us, and DJing can go back to being obsessives playing odd music made by even odder folk without much in the way of pretence. Someone who encapsulates that kind of energy has very kindly put together a nearly 4 hour long sprawl and has stated that under no circumstances should this mix be enjoyed alongside thinly sliced bits of raw beef and wine with bits in it or there will be hell to pay. Floor Length Skirts for Forecast 79, it's good gear like.

Forecast 079: Floor Length Skirts

For this episode of Honey Trap, the vibe leans on the late-90s & early-2000s era of synthy electronica, downtempo, trip hop, with touches of chillout lounge. This is a smokey nightcap soundscape. 

🌐 "Outsiders" is our daily show hosted by labels, collectives, agencies, venues, clubs, ... worldwide
📡 Connect with the Outsiders, every day, at 9 am or 9 pm CET
🔗 kioskradio.com




Outsiders: Honey Trap w/ Amelia Holt @ Kiosk Radio 28.08.2025

Amor Espectacular

Welcoming one of our personal favourite's from the big apple! A positive conductor of all things deep and dreamy, NYC's @yibingg is a longtime resident on The Lot Radio with an impeccable ear for contemplative sonics, ever thoughtfully sliced and diced with a big signature smile :)

Time to hit recline and let Yibing tranquilify your mind.

Q. What sounds or feelings did you draw upon when gathering inspiration for this mix, and what listening environments could you imagine it being best enjoyed in?

A. I’ve always been drawn to uplifting sounds, but I also love deep, percussive music and melancholic minor key melodies, which I think there’s a lot of in this mix. Hopefully a nice journey to drift into and daydream with :)

I really wanted this mix to be a sort of homage to the sound of MDC and the AU music community (as I hear it), which I connect with deeply. I find it so playful, psychedelic and beautiful. It definitely took me a while to untangle this, especially knowing it was for one of the most goated series out there… One that’s inspired me time and time again.

Personally, my favorite place to test mixes is on my bike. Maybe not the safest spot to zone out, but it’s become part of my post recording ritual. 

Q. Are there any songs in the mix that you were especially excited to share, and what is it about these tracks that resonate with you so much?

A. Atone's "Lost & Found"! I became obsessed with Tonal Ocean's Atone Special after it aired on NTS last year. Atone is, of course, an Australian project from the mind of Andrew Fitzgerald. I've listened to that mix countless times. "Atonement" is really just such a perfect record to me.  

I played "Lost & Found" last year at a festival that Doc Tom and CZ Wang curated called In The Open. It's still one of my favorite sets I've ever played and a memory I will cherish forever... I felt people really locking in during it and I was surrounded by some of my closest friends too… Music & friendship - truly nothing better than it.

Q. Tell us about the evolution of Tranquilamente Radio on The Lot Radio, you play such a wide variety of beautiful music on the show, do you approach each show with a theme of sorts or just let things flow naturally?

A. It's wild to think that I've been involved with radio in one shape or another for over a decade at this point... Through so many changes, radio in its different iterations has remained the only constant.

When I started the show on The Lot Radio almost five years ago, it was deep during the pandemic and I wanted to foster a space for more laidback, at-home listening music. The inspiration for the title of the show was the Pacific Ocean - thinking about oceans as connectors of all these beautiful ~music waves~ around the world.

I have done some themed shows over the years - I do an indie rock special every year, as a nod to my roots and to what I was playing back at KCSB, a college radio station in California where everything started. I also did a Canto-pop special a while back with some music I grew up listening to. More recently, I did a Music From Memory special that I really enjoyed, using the opportunity to really dive deep into everything that's come out from that label. I definitely want to keep doing more of that.

I find it exciting that even though the show is pretty eclectic, it’s developed a sound of its own. I definitely have a predilection for weirdo, left-field music and I love that the show can be a platform where me and my guests are encouraged to explore different sounds beyond the club. I think doing the show has also taught me and motivated me over the years to bring that sound into my sets too.