@ronan-music What is this big tune ID? xx

mixes

@andrewakanbi and I opening up the main stage 7-9 friday evening, it was special <3 <3 <3 <3 <3 see u all at camp next year

ronan + akanbi (live at sustain-release year 7)

https://soundcloud.com/ronan-music :: the https://soundcloud.com/eternalocean label boss steps up for PSFM with a flawless hour of psy-tinged trance and sleek tek

Pure Space :: Ronan

Rinse France Podcast

Takeover Grid : Ronan - 29 Juin 2023

Juanita's Mix 094 with Ronan @ronan-music

Q. How would you describe yourself?
A. Sonic Mage (Level 29) - Pisces Sun / Capricorn Moon / Leo Rising

Q. How long have you been a part of the NY music scene?
A. Since 2016

Q. Tell us a little bit about this mix.
A. It's a flow between downtempo and liquid breakbeat music that has enraptured me for years and this is a bit of an ode to some of my early influences alongside a fair amount of newer music from my peers and inspirations.

Juanita's Mix 094: Ronan

A mix of tunes I gathered for my set at Silk, @1111_hz's FLINTA lesbian club night at Système back in October. Volume 2 on the way, maybe.

Dregs - Swampy
Archive - All Time
Lamb - Trans Fatty Acid
Tricky - Overcome
Terranova - Midnight Melodic (Chase the Blues)
Neneh Cherry - Shot Gun Shack
Massive Attack - Black Milk
Scala - Honey Like
Crustation - Down Down
Martina Topley-Bird - Sandpaper Kisses
Waldeck - Fallen Angel
Bowery Electric - Passages
Portishead - Sheared Times / C’hantal - The Realm (Acapella)
Unkle - Bloodstain
Swandive - Demunication 
Everything but the Girl - Before Today
Aromabar - Winter Pageant
Love Spirals Downwards - Ring

Thirst Tracks Vol. 1

Juanita's Mix 097 with Ma Sha @masha-ny

Q. How would you describe yourself? 
A. Energy bunny, plant mom, ridgewood lover, b-girl, bass addict 😎

Q. How long have you been a part of the NY music scene?
A. Since 2016 when we threw our first little backyard party in Brooklyn and called it Kindergarten ◡̈ ❀ I feel very grateful and lucky to be surrounded by the most amazing, hardworking and cute people in the scene here :')

Q. Tell us a little bit about this mix.
A. Tender, vibrant bubbles of energy dancing in the air ⋆｡° recorded while drinking tea with friends on Sunday night ‧₊˚ ⋅ 𓐐𓎩 ‧₊˚ ⋅

Juanita's Mix 097: Ma Sha

IBU 600 from Imaginary Friend crew - very special guest mix and refuge debut. check out more bits here: https://soundcloud.com/user-785368649

PLO_radio // drizle.FM - Ep:003 PLO man, IBU 600 - 13.12.23

Purelink have been described more than once as an "ambient boy band." (They themselves say "jam band.") It's not meant dismissively—the American trio purposefully mean to function as a band, even if their main instruments are laptops. Ambient might not quite cut it as a descriptor, though. The group's music crosses eras and scenes, touching on the late '90s clicks & cuts boom as well as the billowy ambient techno put out by labels like 3XL, West Mineral Ltd. and NAFF. 

Their most recent LP, Signs, released on enigmatic imprint Peak Oil (and one of our favourite albums of 2023), is especially impressive, made of stuttering rhythms and glassy textures. In other words, it's ambient-not-ambient. While members Concave Reflection, kindtree and Millia have all made excellent music on their own, something special happens when they come together.

Purelink's RA Podcast is another stellar contribution to our post-New Year's tradition, where we highlight a more laid-back sound to soothe weary minds and frazzled brain cells after the heavy holiday celebrations. This is 90-plus minutes of intricately textured downtempo, dub techno and even UK garage, all cut through with a floaty, almost drowsy quality, with plenty of exclusives and unreleased cuts from the likes of Nick León, James K, Downstairs J and more. It highlights Purelink's position as a bridger of worlds, sounds and tempos.

Read more at https://ra.co/podcast/917

RA podcast

RA.917 Purelink

The latest installment of Nina Label Mix comes to us from the one and only @goodmorningtapes. Currently located in the sun-kissed coast of Australia, the hybrid label and apparel company have cultivated a sound and aesthetic that is undeniably its own, through its strong connection to surf culture and the natural world.

As Biscuit, the visionary behind GMT, emphasizes, the label's essence extends far beyond ambient music, reflecting a personal taste that spans a diverse range of musical genres.  Featuring releases from artists such as Jonine, Anthony Naples, Salamanda, and Ben Bondy, whose sonic contributions have enriched the label's vibrant catalog. Alongside these releases, GMT has showcased eclectic mixtapes from the likes of Matt Werth, Cali DeWitt, Matthew Kent, and Misha Hollenbach, further amplifying the label's commitment to inclusivity in musical expression. Breaking free from the constraints of narrow categorizations, GMT continues to evolve, embracing and sharing a broader spectrum of sound with its 'All Welcome' mantra.

You can collect the label mix for free on Nina: https://www.ninaprotocol.com/releases/good-morning-tapes-nina-label-mix-016

Good Morning Tapes - Nina Label Mix 016

Download

Nina Label Mix 016: Good Morning Tapes

40.6993943, -73.8881552

@razrbark sews together a stunner soundscape akin to the primordial soup. Mirroring a volatile atom swaying in the sky, listen as the ecstatic integrity of the cosmos is restored.

d o w n 2 e a r t h 48 - Razrbark

@kiernan-laveaux
Kiernan Laveaux comes in here, with her exciting take on what we could call ‘making full use of our mixing gear’. Keeping the spirit alive of Ron Hardy in the few interviews she did, it really makes sense in regards of the mutual playfulness in the art of DJing. 
The character of this mix bright and weird, something that gains feelings of hope and liberation. A trip that pulsates and stretches with loopy looping, that makes it breath & constrict at times. Kiernan guides us so smooth and kindly through many different cosmic passages. Wavy landscapes without losing any of warmth or euphoria.
Kiernan is from Cleveland, an affiliate of the T4T LUV NRG label & a part of Sweet Abyss - where this mix was recorded live, amidst various gay psychedelic vibes. Thanks Kiernan!
....
“This mix is 70 minutes transmitted live & direct from my brain at one of the transgender dance music focused Sweet Abyss events I helped to create in 2023, opening for my lovely friend Tabasheer. Recommended listening on a walk by yourself, in a room with strange lighting, or riding up & down life’s escalators”

Image by @malzof /Jules Malice Art

Knekelhuis # 108 - Kiernan Laveaux

PEACE PIPE (Jack Rollo, Time Is Away)

“Last year, thinking about how dance music made me feel as a teenager, I made a series of 10 mixtapes as Peace Pipe. I was nostalgic for the feelings of bliss, fear, submission and possibility that this music evoked for me. Here is two hours of weird techno to explore these feelings further.”

Special SS Tee available at perksandmini.com/peacepipe

PAMMIX030: PEACE PIPE

Available on Audio Cassette and digital download directly from the label’s Bandcamp: https://cclurl.bandcamp.com/album/a-night-in-the-skull-discotheque

Side A: Bass is Eternal
Side B: 2-step Mutual Dream

A Night in the Skull Discotheque by the beloved underground selector CCL is the latest offering in the T4T LUV NRG label’s highly limited DJ mix series of cassettes. This immersive journey through a wonderland of proto-dubstep sounds from the late 1970s through the year 2000 is a sonic sibling to CCL’s acclaimed 2018 mix Ode to Queer Steppas.

Inspired in part by Eris Drew’s use of “old records to create new styles out of fragments” on her Raving Disco Breaks Vol. 1 mixtape (T4T LUV NRG, 2019), CCL approached this recording with a parallel frame of mind. Created with 3 CDJs, one Turntable, and a Boss Digital Delay 200, the tracks included in the mix are deconstructed from their whole, and constituent parts are intertwined, sampled, and dubbed out while being further stretched beyond their physical limits. CCL mixed many tracks at the 'wrong speed', pitched beyond their original recognizable tone; others are recontextualized through imaginative layering.

With a solid nod to seminal mixtapes of the early 90s, CCL references the namesake for Side A, Bass Is Eternal, an unreleased 1992 mixtape by influential Bristolian producers Smith & Mighty, an important sonic fulcrum amongst the musical tributaries of the hardcore continuum that continues to reverberate to this day. CCL experienced the after-effects of this ‘proto’ sound genesis in 2008, while living in Bristol, by which point its emergent whispers had coalesced into what became known as dubstep. Tracing a rich history of reference through the samples, basslines, moods, and drum patterns emanating from Bass Is Eternal while looking for connections that predate it became a long-term fascination for CCL. The result is a DJ mix that connects the oft-forgotten dots between proto eras and modern developments in bass and dubstep.

For the resulting sonic ride on A Night in the Skull Discotheque, CCL leads us to a fantastical place of timeless surreality – a majestic haunted dancehall soundtracked by a giddy rush of steppers and dubbed-out delights. Subs rattle through syncopated percs, and moody synths glisten in macabre glory. Fantastical dancers wriggle in wispy eternity, liberated from their corporeal forms in all their greatest spiritual wonder. Both extravagant and dusky, A Night in the Skull Discotheque is a world of seductive in-betweens, a place caught between the moodiest depths and the highest exuberance – A love letter to one of the most impactful formative sounds of the last decades.


***************************************************************************************
A portion for the proceeds from this release will go to fundraiser "SUPPORT PALESTINIAN SOLIDARITY IN EUROPE!". You can also directly donate via:
https://www.gofundme.com/f/support-palestinian-solidarity-in-europe
***************************************************************************************

Tape design: Nina Muro
Mastering: TJ Hertz
Additional tape mastering: Eris Drew
Photography: CCL 
Linear notes: Nevan Jio

A Night in the Skull Discotheque [T4T015]

CCL - A Night in the Skull Discotheque

The primary thematic focus of this gathering lies in the realm of ambient music - 100 bpm - elements of dub & introspective sensations.

https://www.instagram.com/rendezvous.club
https://www.instagram.com/ronan_sound
https://www.instagram.com/__viiaan

Ambient 4 Babies with Ronan and Viiaan @ The Lot Radio 01-27-2024

As part of our podcast series we proudly share the recording of the first part of NM DJ's set during our anniversary celebration at OHM.

Nadia Marcus is a poet, vocalist, DJ and designer. She spins under the NM DJ moniker, holds a residency at Berlin’s Refuge Worldwide radio station, and plays regularly for another residency at the listening bar kwia. Her musical range is wide, spanning spaced-out deep house cuts to hip-hop to liquid drum & bass – whatever the genre or style, the presence of groove and spirit is paramount, and has bumped out of systems across Berlin such as OHM, Tresor, Arkaoda and Sameheads. 

Marcus is co-editor of TABLOID Press, an imprint founded in Berlin in 2014. The publishing house maintains a focus on the text as a social space – for instance, in 2022 TABLOID released Breathing Room, a longform interview with Lakuti and Tama Sumo, focusing on pre- and post-pandemic dancefloor culture. Marcus’ poetry, art criticism and lyric journalism, often circling around the history and poetics of dance music, have also appeared in Arts of the Working Class, The Ransom Note and Edit. In addition to the collections of clothing Marcus silkscreens and releases under the TABLOID imprint, she has worked as a designer for numerous record labels including Uzuri, 3XL, wood//work and West Mineral Ltd.

https://soundcloud.com/tabloidpress

NM DJ - Our Society Podcast #002

genre fluid
chief @eternalocean
love letters: robin@eternalocean.org

Ambient 4 Babies with Ronan and Viiaan @ The Lot Radio 01-27-2024

The Lot Radio

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