Bright Patterns is a show about following an internal absolute while navigating endless options.

https://soundcloud.com/vickisiolos
https://www.instagram.com/greekdiner

BRIGHT PATTERNS with Vicki Siolos @ The Lot Radio 07-24-2025


Doo in NYC: Excalibur, DJ Frog, DJ Spence and Sentena
Saturday, August 2⋅3:00 – 6:00pm
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Doo in NYC Excalibur, DJ Frog, DJ Spence and Sentena @ The Lot Radio 08-02-2025

We're none too fond of terms like 'selector' here at the figurative 12th Isle HQ. We think it was a shrewd marketing ploy concocted by natural wine bar owners - and possibly the freemasons - who repackaged the spergy single-mindedness of record nerds into something that sounded much more socially agile and cool in order to distract punters from the exorbitant price of nibbles. Thankfully, the time of white label soundtracked £40 sashimi seems to be behind us, and DJing can go back to being obsessives playing odd music made by even odder folk without much in the way of pretence. Someone who encapsulates that kind of energy has very kindly put together a nearly 4 hour long sprawl and has stated that under no circumstances should this mix be enjoyed alongside thinly sliced bits of raw beef and wine with bits in it or there will be hell to pay. Floor Length Skirts for Forecast 79, it's good gear like.

Forecast 079: Floor Length Skirts

Did the Oracle stir in her sleep? Did Apollo look up from his lyre and see this brilliant boy pass by?

Oracle was commissioned by La Becque Résidence d’artistes as part of Modern Nature 2025. It is dedicated with love and thanks to Vanessa Cimorelli, Luc Meier, all at La Becque and especially to Jane Wildgoose, our oracle. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/timeisaway/episodes/timeisaway-17th-august-2025

Time is Away: Oracle 170825

Broom & Board 7.27.25

forwards and backwards through bits of a [mostly] electronic music timeline. reverence for BCR. records i’ve played forever and new records i’ve just found. boil it down. one z in drizle. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/drizlefm-w-plo-man/episodes/drizlefm-w-plo-man-21st-august-2025

drizle.FM w/ PLO MAN & Kudzu Audio 210825

BRIGHT PATTERNS with Vicki Siolos @ The Lot Radio 08-21-2025

Hailing from East Kingston, Jamaica, Gavsborg is the founder of Equiknoxx/Equiknoxx Music. He’s been producing for over ten years, with his first success being the Billboard charting single, “Step Out” by Busy Signal.

Gavsborg’s left-field approach to production has afforded him the opportunity to work with a wide variety of artists and labels from different corners of music such as: Sam Morton, Addis Pablo, DDS, Busy Signal and more.

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Woodblocks Festival w/ Gavsborg @ Kiosk Radio 05.09.2025

Can you stay awake?

https://music.apple.com/us/album/peaceful-single/1841822508
https://touchofthewood.bandcamp.com/track/peaceful

Peaceful

The Birth of Infinity

Back in early 2019, I released a single called Distant Visions. After hearing it, a fan commented:
“Almost sounds like something from a second interstellar suite.”

They were referring to my 2006 album The Maestoso Interstellar Suite—a project I re-released with extended material in 2016 for its 10-year anniversary. That comment stuck with me. Did it feel like a sequel? Could it be?

I toyed with the idea. But having just expanded the suite into a double-disc format in 2016, I wasn’t sure a sequel was the right move—especially given how the original was structured as a continuous, uninterrupted journey. I had also briefly considered a vinyl edition, but the flow of the piece and the 22-minute-per-side vinyl limit made it a poor fit for that format. The experience would have been compromised.

Around that time, I released a “radio edit” version of the suite called Singularities to provide an accessible entry point. But if I returned to the suite with new material, I feared I’d be stuck doing the same thing again: a full continuous version and a separate edited version. Frankly, I didn’t want to go through that process again—and since then, I’ve moved away from long single-track formats entirely.

Even then, I was already thinking about vinyl-friendly runtimes, aiming to keep my future projects under 44 minutes so they could fit comfortably on a single LP. I’ve also significantly upgraded my gear and virtual instrument libraries since that time, giving me access to orchestral and hybrid textures I could only dream of back then. Now I have the tools—but what should I do with them?

I thought: Maybe I don’t need a sequel at all. Maybe it’s not about making The Maestoso Interstellar Suite Part II, or Return to Maestoso, or anything like that. Maybe I just need to reimagine the entire idea as something ongoing—something open.

Looking back, I always felt I had to make compromises when producing the 10-year edition. Some sounds weren’t what I was hearing in my head. Hardware limitations forced me to bounce tracks just to finish mixing. I wanted that big, lush, hybrid orchestral sound—and I couldn’t quite get there.

Now I can.

And I’ve got older projects—like La Famille Du Solénoïde (The Family of Sol)—waiting for a modern update. Thematically, they fit perfectly.

So I’ve made a decision:
I’m not making a sequel to The Maestoso Interstellar Suite.

Instead, I’m creating something bigger.

Introducing Infinity

Infinity is an evolving series. A collection of volumes. A universe of sound that has no end—only pauses between stars. It’s not a sequel. It’s not a remix. It’s a living archive of exploration—part ambient, part orchestral, part space music, and completely me.

And to start, I’ll revisit the music that inspired it all.

I’ll go back and refine The Maestoso Interstellar Suite one final time—polish the edges, rework the structure to be vinyl-compatible, and finally bring it closer to what I always heard in my head.

But I won’t just re-release it.

I’ll rebrand it.

The Journey Begins

The Infinity series begins with:

Infinity Volume I – The Maestoso Interstellar Suite

Infinity Volume II – Singularities

Each will stand on its own—but together, they form the beginning of something open-ended. Something I can return to any time inspiration calls.

Infinity has no final tracklist. No end. Only volumes.

And when I’m ready, I’ll add another.

Maybe it’s a crazy idea. But that’s okay—I’m doing this for me.
And I hope you’ll enjoy the journey too.

🎧 Listen on your favorite platform:
🔗 owtt.lnk.to/infinity1BC  