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Gi Gi - 20 Octobre 2021

pi pi pi with Oscar Huang @ The Lot Radio 08-14-2023

DEBONAIR connects the musical dots, with a particular affinity for post-punk, techno and vintage electronica.  

https://www.nts.live/shows/debonair/episodes/debonair-30th-august-2023

DEBONAIR w/ Purelink 300823

@jayeward

o•rbyss aims to help soothe the queer spectrum and focus on the well-being of the community. Queer DJs are invited to submit a mix to showcase an alternative side to their music library outside of a rave and take us on a meditative journey. ✨

Notes on the mix:

"'Finding space to be totally horizontal can be difficult, this mix is a sort of gateway to that way of feeling. Ambient but with rhythm, with peaks and troughs to keep you focussed and in the game. Lots of deep listening, lo fi textures, slow arpy funks & dense devotional synths. Log on and tune out!!'"

Back before acid house changed the world, Jaye Ward was already ploughing a unique path playing weird and wonky musics of all flavours at squat parties and industrial based do’s, she flung herself whole heartedly and without concern for her safety into the oncoming tsunami of what we would end up tagging as house, techno or the multitude of varying descriptive titles it has been given and has stayed true to ‘our thing’ ever since.

Dancing wildly at dirt box, the mutoid waste parties, the hacienda, ministry of sound, tonka, moist, sabresonic set her up for the ‘90s where, while Jaye was behind the counters of a number of soho record shops during the day and doing the ambient ‘creamy meat’ show as bish on the legendary chillin’ FM pirate radio, she was often found behind the decks at the legendary WANG parties, the back room at Golden in Stoke on Trent, her residency at London’s sadly defunct END with the ‘for your pleasure’ crew and numerous long gone all nighters and late into the night dark room parties. Getting her second wind at the start of the 00’s via the ‘softmachine’ parties she ran alongside George ‘black merlin’ and Kyle & Johnny from ‘land of light’ she’s been playing regularly across the country for numerous nights such as LOVE MUSCLE & COSMIC SLOP in Leeds, HOMO BLOC & KISS ME AGAIN in Manchester and further a field as a resident at the KALA festival as well as Field Maneuvers, Love International and dimensions in Croatia. She is also the resident at long running & fiercely loyally supported Bristol party PLU, alongside Ranks which has carved out a name for interesting left of centre guests and a distinctly gnarly music policy.

As well as a bi-monthly ambient tinged ‘starmaps’ show of MUTANT RADIO Jaye also runs the long running weekly sunday night ‘Magical Real’ show on Netil Radio, from which she broadcasts a monthly dose of all things dub, disco, psychedelic, Balearic, and more.

Jaye has just released the 2nd release from DJ BSH on her own FIBS record label here >> https://fibs.bandcamp.com/

o•rbyss - Jaye Ward

Significant Other is back in the studio with a healthy dose of Pain Management to soundtrack your Monday evening.

http://www.instagram.com/significantutha
https://www.instagram.com/pain___mgmt

Significant Other @ The Lot Radio 06-17-2024

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Jank Incorporated | 032

Heaven is in You began as an intent based project in wide ranging exploration of the world and our own being. Now defunct, ADAB once curated the Cleveland based Heaven is In You parties alongside colleague Eric Sarley (Ghost Noises) for what became locally known as a labor of love in sonic variety. The sentiment finds itself resurrected here for ADAB's monthly transmissions. 
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/adab/episodes/adab-10th-august-2024

Heaven is in You w/ ADAB 100824

Dawn moods for the early birds, courtesy of Sleepier & Impey aka Spirit Blue.  
Find the full tracklist and related episodes on NTS: https://www.nts.live/shows/early-bird-show-spirit-blue/episodes/early-bird-show-spirit-blue-14th-august-2024

The Early Bird Show w/ Spirit Blue 140824

This Is Song Number 5 On My Upcoming Jazz Album. Dropping In October 2025

PARK iT.

Ces quatre chansons inspirées des grottes de Barabar s’inscrivent dans ma recherche d’une musique qui réveille la mémoire profonde. J’explore comment la voix, l’écho et les harmoniques peuvent avoir des effets bénéfiques, presque comme un soin, en reliant le corps et l’espace. Mon travail s’ancre dans ce que j’appelle le réseau géo-fractal : une cartographie poétique et sonore des lieux de résonance du monde, où chaque site devient un instrument vivant. À travers cette démarche, je cherche à créer une musique kairophonique — à la fois scientifique et sensible — qui relie la matière, la mémoire et l’humanité dans un même souffle.

These four songs, inspired by the Barabar caves, are part of my search for a music that awakens deep memory. I explore how the voice, echo, and harmonics can have beneficial effects, almost like a form of care, linking body and space. My work is rooted in what I call the geo-fractal network: a poetic and sonic mapping of the world’s resonant sites, where each place becomes a living instrument. Through this approach, I aim to create kairophonic music — both scientific and sensitive — that connects matter, memory, and humanity in a single breath.