https://www.google.com/maps/place/Deep+Creek+Hot+Springs/@34.3412305,-117.1806361,15.98z/data=!4m5!3m4!1s0x0:0x1571a219a3b41465!8m2!3d34.3396053!4d-117.1768754

Twisted morning wake up with pipipi's deep creep for the next two hours. 

@deep_creep

https://soundcloud.com/deepcreep88

www.thelotradio.com
www.instagram.com/thelotradio
www.facebook.com/thelotradio
www.twitter.com/thelotradio
@thelotradio

pi pi pi with deep creep @ The Lot Radio 03 - 09 - 2021

FR : Moopie, boss du label A Colourful storm, nous présente chaque mois 2 heures de musique, créant des ponts entre club cuts, bizarreries expérimentales, sensibilités indie et plus encore.

Rinse France POdcast

Download

A Colourful Storm with Moopie & DJ Hops - 24 Mars 2021

Name: Carly Barton (@carl-420)
Pronouns: they/she/
Location: Portland, OR
 
Influences: Chick Corea, Chopin, Ryuichi Sakamoto (+ YMO and co), Suzanne Ciani, a long list of minimal composers, polyrhythm, everything Ninja Tune, anime soundtracks (add me on MAL), brain-melting geniuses Moritz von Oswald + Pole + Atom™ + Jan Jelinek, John K  + Andrew B , Tony Remple  [Musique Plastique] + Cyrus  (my music pen pals), Jock Club , the insane amount of talent and programming in Portland (S1, LE, Spoiler Room, to name a few), Limited Edition>DJ Marcelle, Traxx—most mind-blowing/inspiring DJs I’ve ever seen *I’m not sure how long I should make this…this question makes my brain hurt!
 
Affiliations/Residencies/Projects:
Compilations via:  Manic! / Blankstairs / `hdmr / The Periphery
Side projects:  Vidya World, Anime Resource Center (ARC)
 
Recent projects:
❁ Label:  Disposable Commodities (2021)
Album:  Forage
Format:  Cassette / Digital
https://disposablecommodities.bandcamp.com/album/forage
 
❁ Label:  Co-released by Carly Barton and Variform Gallery (2020)
Title:  OST
Format:  Digital / Sheet music book for solo piano + USB drive (audio album and MIDI)
https://carlybarton.bandcamp.com/album/ost
 
Favorite Quote:
“Put your goals in concrete and your plans in sand...because your plans are going to change”
-Raymond Cosgrove (Grandfather)
 
Advice for the DJs, producers and artists of our community:
✧ honest art sounds best ✧ break rules (even though there are none) ✧ community really is key ✧ invisible gestures and kindness are always worth the extra effort ✧ jealousy is an unnecessary poison ✧ try not to apologize for being yourself

With this mix Carly asks to please learn more about and consider donating to: 
Don’t Shoot PDX (A Community Action Plan)
Website: www.dontshootpdx.org/
Instagram: @dontshootpdx
 
Don’t Shoot PDX (Portland, OR) is an absolutely essential black-led nonprofit (activists + mutual aid + advocates + organizers + volunteers). Resources (and money!) ensure that people are fed, informed, and looked after—they work really hard to create actual change for and within our local community; they get shit done and do it right.

Tracklist - http://bit.ly/CarlyBartonTrax

Daisychain

Daisychain 167 - Carly Barton

sayro https://soundcloud.com/saramanojlovic
Naarm
Steeplejack 4.03

sayro

Ever feel like you're about to crash? You’re not alone.
Ceaseless cycles of the crash and its many forms map our history:

● economic: the sudden collapse of stock markets.
● demographic: the sudden decline of populations.
● hardware: the sudden malfunctioning of family computers after using Limewire.
● emotional: the sudden realization that you have been mooching baccy from crusties at a clatty afters for 3 days.

Despite its endless semblances, the og crash is the car crash. Trailing streamers of electric emotion can be found in the ritual collision of the automobile. Sites of our collective imagination, their rhythms of destruction are understood as terminal symptoms of the technological age; as a metallic rite of passages - vehicles of liminal liberation & sexual rebirth; or for the laymen amongst us - a tasty insurance claim $$. Whatever ur two cents, the car crash seems to be our unequivocal condition.

The cult of the car crash is well and truly alive - in eerie lay-bys, empty-car parks and busy intersections - they bring us together at high velocity. Together with the original B, Vani-T, this is a collection of tracks 2 brace for the high-impact - sexy, sincere and seminal.

This one goes out to the whiplash kru. We'll be taking you through for the first hour followed by Vani-T in the second xo

Pace Yourself w/ Vani-T : Songs to crash your car to (SKYLAB E6)

Thanks For Sharing w/ IV Drip - 06.05.21

141 Schneeschieber (MEGA SLOWED & REVERB)

Arriving at the lake under ominous cloud-cover, the tent was pitched and I scouted a bit and found a sizable barge, beached, which I surmised might used as a floating stage. The long metal flotation cylinders produced deep steel-drum tones. With the threatening weather conditions, I chose to record them all as best I could (only two segments used here) even while a sailor, who had just loaded his boat onto his trailer, tried to negotiate the narrow paths with his truck in order to turn the rig around. Rather than take the chance of being soaked  or unable to record in the downpour that did arrive with ferocious elan one hour later, I decided to jam with the motor vehicle in medias res. I am joined later by various genrous accompanists: a nearby village horse-cart, a helicopter, some pyrotechnicians, other docking boats. VLF and some radio rounding out the sonoscene.

Lacul Bicaz op 153

This album unfolds as a sonic journey that blends electronic landscapes with experimental and atmospheric nuances, offering an immersive experience that moves between contemplation and rhythmic energy. Each track functions as an independent chapter, yet together they build a coherent narrative that reflects an emotional passage: from dawn to night, from stillness to expansion, from the intimate to the expansive.

The opening piece, **“Solitary Sequence,”** opens the door to an introspective world. Its minimalist and repetitive structure conveys the sensation of a pattern unfolding slowly, like a thought repeating in the mind until it becomes a landscape. It is a track that invites solitary reflection, where time seems to stretch and the sonic texture becomes almost tangible.

In contrast, **“Twilight Mosaic”** proposes a tapestry of richer and more colorful sounds, evoking the hues of twilight. The melodic layers overlap like pieces of a mosaic that shimmer differently depending on perspective. There is a play of light and shadow that adds dynamism while maintaining a meditative air.

With **“Winding Harmony,”** the album flows toward a more organic exploration. Its progressions recall winding paths that are never linear, generating a sense of continuous, shifting movement. The harmony twists and unfolds in new directions, reinforcing the idea of a journey in constant evolution.

**“Resonant Dawn”** offers a luminous respite, as if the listener awakens to a newly lit horizon. The resonance of the title is reflected in the spaciousness of the sound, which seems to vibrate in an open, hopeful space. It is a piece that balances delicacy with expansion, transmitting renewal and clarity.

Finally, **“Rising Syncopation”** introduces a stronger and more rhythmic pulse, closing the album with energy and vitality. The syncopation creates a constant tension that pushes forward, like a heart beating powerfully after an emotional journey. This piece elevates the ending, offering a vibrant and dynamic conclusion.

Taken as a whole, the album is an exploration of moods and soundscapes that shift between the intimate and the expansive. It flows seamlessly between meditative calm and rhythmic drive, constructing a narrative arc that reflects both introspection and vital impulse. Its richness lies in the ability of each track to stand on its own while simultaneously contributing to a greater story. In essence, it is a work that invites both attentive listening and full sensory immersion.



Shadowsphere

Beyond / Below 41 by @djkiddo. Received December 2020.
Photo by Andrew Schook, from the Chicago Botanic Garden, 2021

"This session was recorded on the eve of the 2020 winter solstice. It is a collection of sounds and excerpts from pieces of music that have been personally healing for me when I've needed reflection and stillness during times of chaos and uncertainty. I can only hope that the experience of listening to this recording will do the same for others."

Nadia Khan - "Port Ana" [Scissor and Thread] 
Kiisu - "Mother of Dirt" [Disposable Commodities] 
Implex Grace - "Shadows & Wraiths II" [Lead/Gold Recordings] 
Vazz - "Embers" [Stroom] 
Kareem Lofty - "Fr3sh" [PAN]
Ephemeral Bliss - "Oil Paintings" 
oliviaway - "All Night Long"
Nubbles - "Memories of a Life with Juno"
Thom Brennan - "Elysian Fields pt. 8" [TMB Soundworks]
Max Corbacho - "Transept Sapphire Glass" [ad21music]
Russell E.L. Butler - "A Talisman to Ward Off Dysphoria"
The House in the Woods - "Severton Pathway" [Exotic Pylon Records] 
Antenes - "Take Me to the Birds (For A)" [Silent Season]
HTRK - "Anti-Twilight II" [Boomkat Editions]

41. Kiddo

@kohwi
@executive_lunch

For the 2nd edition of pi2pi-- we are joined by kohwi and his internet elusive partner executive lunch in the good ole spirit of the b2b experience. 
For the Q&A they will go back in forth in the pipipi style...
Thank you for listening & enjoy the journey <3


K: Who exactly is executive lunch?

EL: Executive lunch is an afternoon special at Cafe Brasil in Culver City, a gentleman’s short-lived escape from atomization, a creature birthed in São Paulo and raised in the desert.

EL: This is your second pipipi mix. What has changed since your first?

K: Well first of all I guess I live in California now. Very grateful to you for luring me out to the crazy weirdness of Los Angeles. It’s been a strange year to move to a new city, but I feel at home having you as my rock and the handful of friends that have woven in and around our lives these past 12 months. Musically this one feels so different than my last pipipi - every song has some story or place associated with it that we shared together. Also, there’s a certain playfulness that you brought out in me which doesn’t come out as much solo.

K: If you could live inside of a fruit, which would it be and why?

EL: I would live inside of a pomegranate, for the texture

EL: What was your best interaction with a more-than-human life form this year?

K: When a black & white cat appeared at my back porch in LA and left a dead mouse on the door. We tried to leave water or food but he didn’t really stick around for it. Still not sure if he wanted anything in return or if he was just feeling particularly generous that night.

K: Take your favorite song from our mix, and describe the feeling you had when you first heard it

EL: I don’t know if it was the very first time I heard it, but the track with the most potent memory is no vale Na by Chico Blanco. Early in the lockdown, vibing down PCH with dear friends Sam & Chase en route to Topanga, where we all snuck into a park to watch the meteor shower from the wet grass

EL: The song you imagine you were conceived to?

K: https://youtu.be/l3_kndxPVrY

Check out the extended interview & some fun lockdown pics on the website

http://pipipi.life/mix/375-2/

pi pi pi with deep creep @ The Lot Radio 03 - 09 - 2021

The Lot Radio

Recent comments

<!TOMATO!>

dreemseed

DJ Quesadilla

non-james

Related tracks