Broadcast on NTS Radio 22.09.21.

https://www.nts.live/shows/john-gomez/episodes/the-spaces-in-between-22nd-september-2021

The Spaces in Between // NTS // Episode 19

Italian bros Slow Fire Disco Machine doing it right with 90 odd minutes of rnb, soul, rap and gfunk to boogie, house and beyond, a true master class in baby making burners. 

ID Requests ~ @slowfirediscomachine

1800 triiip - Slow Fire Disco Machine - Mix 041

Fredfades needs little introduction. The Norwegian DJ and Producer has been around for a while, consistently gracing the world with glimpses of his deep knowledge of music, encapsulated in a prolific output of self-produced Jazz LPs, remixes and DJ mixes. With a consistent feel for the warm and organic, Fred contributes a summer themed mix to 5918mins. with mostly 80’s and 90’s mid-tempo low-fliers to be enjoyed at the beach or on road-trip. Situated somewhere between electro, street soul, afro-house, acid-disco, boogie-rap, hip-house and techno, this mix goes down like a buttery burgundy. Cheers!

Fredfades

"2 and a bit hours of fun music from me to you ~ rnb, rap & streetsoul to reggae, dancehall, house & beyond with bulk cugine approved slow sippers for good measure." @mike-who

B.P.T. Radio 052: Mike Who

https://www.nts.live/shows/soup-to-nuts-john-gomez/episodes/soup-to-nuts-w-john-gomez-and-millos-kaiser-22nd-august-2022

Soup To Nuts w/ John Gómez & Millos Kaiser 290822

Agenda de la Méridienne de cet après-midi :

14:00 @saint-ritz (@dizonord Team) b2b @chris-martinon
16:00 @kenzzza
17:00 @hewizee
18:00 @clementine-fr

Musiques à écouter assis, accessible au public et retransmission en direct sur nos ondes.

200 Quai de Valmy, 75010 Paris
www.radio-sofa.com

Méridienne - Clémentine (11.09.22)

New mix by israeli digger https://soundcloud.com/archivedigital

A Kwaito and 90's south African housespecial !

LYO#221 / Archive Digital

Last mix of the year 2022 comes from Rotterdam based Suze Ijó (@suze_ijo) who has been making heat across dance floors world wide. Interview (excerpt) down below.

www.musicfrommemory.com

MFM: Hi Suze, welcome to the series. You used to work at Clone. Do you believe working in a record store has helped you as a DJ and the other way around?

SI: I think that the type of person that gets attracted to working in a record shop are usually music geeks(like I am). So it was wonderful being surrounded by only music geeks for three years and sharing with each other our influences, hearing all the records coming in and finding out about some cool releases on labels you would never even think of listening to if it wasn’t for it being played in the store. I did get a discount but in the end my salary was basically being spent on new records. I think as a DJ working there it did inspire me to dig deeper because you need to advice all different kinds of people about what’s in store. As for benefits for the record store, I guess having qualified music lovers is a good thing to have around.

MFM: By sticking to the more soulful sounds, such as gospel, soul, disco, broken beat and house, and also being outspoken in championing the black community, it seems like you're expressing a message through music. Could you please share your thoughts on this?

SI: Being a black Dutch-Caribbean woman is definitely a big part of my musical identity. I like to weave Afrodiasporic sounds together mostly because they have so much in common, whether it’s House music, Salsa, Boogie, Broken Beat or Techno. I can hear the connections so clearly. Each time I might have a different message but a lot of them have to do with: losing and finding love, letting go, finding community and expressing joy. 

MFM: With playing so many shows at different places on this planet, how do prepare for your gigs?

SI: Sometimes it’s hard to prepare because you won’t know where you’ll end up playing or for what kind of crowd. I usually bring a variation of new finds and old classics with me. Also I try to make a playlist per event in Rekordbox. I kind of see it like puzzling, you want to make sure the pieces fit together. It usually starts with me overpacking and then slowly taking out the records that aren’t necessary or most likely won’t be played. I used to spend a lot of time preparing but because I play so much these days, I am almost always in a state of preparation and that takes away the stress that used to come with it. It allows for more spontaneity.

MFM: Please tell us about this mix, was there a certain vibe or idea you wanted to capture?

SI: I wanted this mix to be slow paced and imaginative, to almost make it feel like a movie soundtrack when closing your eyes. I don’t want to say too much about it because I want every listener to have their own interpretation but the transmission of intergenerational trauma and memory is something that I had thought about a lot lately. Then I found a poem by Brazilian Maestro Milton Nascimento which is the guideline of this mix. The Poem “Era Rei e Sou Escravo” (translation: I was a king and I am enslaved) tells the story of an enslaved person, being taken from the African mainland and no matter how badly he is treated or wherever he is taken, he says that the memory of his country and the memory of the music of his people stays and never goes away. It keeps him hopeful, he ends the poem with: Sou Escravo Serei Rei(I am a slave, I will be a king). From that moment on we travel.

MFM Mix 046: Suze Ijó

Monthly show from vinyl record store Superior Elevation.

https://instagram.com/superiorelevation

SUPERIOR ELEVATION with TOM NOBLE and TELESEEN @ The Lot Radio 01 - 24 - 2023

Mix of the Week #468 is "Rabbit Hole"  by Stella Z
Follow and include @stella_zheng in your track ID requests

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Mix of the Week #468: Stella Z - Rabbit Hole

Inspired by their recent trip to Brazil, Balearic Banana joined Merchant Records for two hours of sun-soaked selections. Dub reggae, synth-pop, and MPB cuts for the next 120.

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SUPERIOR ELEVATION with TOM NOBLE and TELESEEN @ The Lot Radio 01 - 24 - 2023

The Lot Radio

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