More: http://www.movement.radio/artist/dj-plead

DJ Plead - 17 September 2021

All aboard as LoLo conducts dreamed-of frequencies stopping at all destinations and corners of your mind. Get lost in a slick fantasy ! ! !

d o w n 2 e a r t h 29 - LoLo

“A great advantage of computers is that they can not only be played, like instruments, but they also have memory, like paper, but infinitely more complex…. computers as a potential grassroots, almost a folk medium” - Laurie Spiegel liner notes for The Expanding Universe (1980)

“The big labels want music to equal money, but as much as anything else, music is memory, as priceless and worthless as memory” - Jace Clayton Uproot (2016)

@rydeenrydeen
Art by Kavil x Ry x StyleGAN2

Tracklist:
ryan patrick maguire - moDernisT
Disjunction Reunion - Tangible
Ubin - Su Su
Giant Claw - Mirror Guide, Pt. II (you and me) (feat. NTsKi)
Atro - Kinetic v2	
Ry - ojerime abstract chops	
Theo Carbo & Rachael Archibald - crbn ncls
Keith Fullerton Whitman - Variations For Oud & Synthesizer (1)
ABC Archives - Superb lyrebird imitates an electronic game
PROP - Low Life (Low Remix)
Tyondai Braxton - Scout1
Foodman - Tata
Raven - Headache Music
Keith Fullerton Whitman - 190906.Meakusma.2 (edit)
Lifted - 3D	
Mark Fell - Multistability 2-A
eva01 - 14 x himalaya scan data (edit)
Ladyvipb - Nartia

CXXX - rydeen

French producer Less-O broke through all guns blazing towards the end of last year with the release of 'Shenanigans' on TEMET. Quickly becoming one of our favourite releases of 2021 (we've lost count of how many times we've played 'Bumblebee'), Less-O also recently founded the collective Contre Temps alongside TufT as place for him to push and represent breaks and bass music in France. We're super excited to have the very much emerging artist contribute to our series with a boisterous mix that channels some of the influences you can find in his productions from grime, trap, to bass, breaks and more. An inspiring set which leaves you in anticipation of wanting more.

@maxime-aussel-173245352

Tracklist : 
Simo cell - My cat wakes me up at 6 every morning
???
Epoch - Rib cage pt2
Simo cell/Hodge - Medusa
Josi divl - Misnakes
Mr.K - Belly
Mr.K - One skin
Low jack - Parhelion two
Batu - I own your energy
Walton - SBWYS
Detente refix - generation assassin
Simo cell - Whispers
Sparrow - Welcome to London
Juice menace - Run it up 
Slim guerilla - Outlaw
YVNCC - Saber
Atrice - Intensified
Less-O - Meditative walk
Simo cell - a wink gone wrong
Sozorie - Doubler
Less-O - Bumblebee
Slim guerilla - set the play
Dites Safran - Kafou 
G-sudden - Duppy gun
General Levy - Incredible
BS6 - Hyroglifics

Untitled 909 Podcast 101: Less-O

your damn flower steppin' back in it. monthly on @radio-relativa, from start to finish. 

@myflower1

My Flower | Feb '22

IG:  @dj__python @jek.media 

www.thelotradio.com
www.instagram.com/thelotradio
www.facebook.com/thelotradio
www.twitter.com/thelotradio
@thelotradio

worldwide unlimited with Dj Python and Jek @ The Lot Radio 03 - 07 - 2022

Tonight Somersault Mix is brought to us by 
Eugenia 

“Eugenia is a DJ and poet grown up between the Bay Area and northern Italy, and as of recently, based out of Boston. The SF/Oakland queer underground dance music scene formed her as an artist, where she cut her teeth playing several clubs & organizing DIY events. She would loosely describe her style as bright, emotive, with a signature touch of sass --  jumping across many genres, from pure ambient to breaks to jungle -- to wrap it all up in a textured, lush atmosphere punctuated with tender moments. This mix touches on the headier, bass-driven, rhythmic side of her sound. “

We hope you enjoy! 🤸🏼‍♂️

Somersault 182 (Eugenia) “Silver Lining”

DJ Python (13/5/22)

https://ffm.to/theluck

New Zealand producer @HarryCharles follows up his sophomore album MOVEMENT with the new track 'The Luck', which marks a shift towards a more energetic and uplifting direction.

‘The Luck’ blends hook-laden melodies and bright synth layers with a driving deep house groove. It’s a clear evolution from the downtempo, organic moods of MOVEMENT, and signals a bold new chapter for Harry’s sound.

The Luck

Elemental Vol. 1 moves through earth, air, fire, and water not as metaphors but as emotional states. The songs drift like weather systems, mixing tenderness with atmosphere - acoustic guitars and field-warm vocals meeting the pulse of understated techno rhythms. The production is deliberately porous: wood and wire breathing alongside soft synths and spectral drum-machine traces. It's an "acoustic techno" album in the sense that rhythm and resonance share the same dirt. The songs carry the physical textures of wind in rafters, gravel underfoot, or rain on a roof, yet they shimmer with digital light. This meeting of folk intimacy and electronic timbres gives the album its peculiar gravity - part back-porch confession, part after-hours heartbeat.

Lyrically, Elemental Vol. 1 abandons conventional pop architecture. Instead of verse–chorus–bridge repetition, each piece unfolds as a field poem - free-form, continuous, and responsive to its own inner weather. The writing treats structure as tide rather than grid: refrains return when they need to, not when they're told to. This openness lets the language breathe in sync with the natural imagery that drives it - storms, light, stone, silence - and invites listeners to inhabit the songs as evolving spaces rather than predictable forms. Across the various mixes of its six song poems - We Learn the Sky, Don't Sightsee This Heart, Be a Storm in Me, Til the Heat Is Gone, You Happen Like Weather, and Wild Gifts - the album traces the cycles of intimacy and impermanence, finding in their motion the same quiet power that turns seasons, wheels, and hearts.