Download & Stream / http://lnk.to/ALLEY263

ALLEY263
HOBIN RUDE Last Glimpse

001 last glimpse
002 nothing's gonna hurt you
003 until the end of time

/ written and produced by Ognjen Cerović
/ mastering by Grada

ALLEY263 HOBIN RUDE Last Glimpse

Download & Stream

HOBIN RUDE Until The End Of Time

From the early 90's till now iam involved in the House Music.  I worked for 2 record labels and was the promotor of different classic House and Progressive Parties around The Netherlands and Europe.
I repost tracks witch in my believe are special and floorfillers. Progressive is my specialty from the early days of Sasha till now.
Enjoy 

Latest VA / http://lnk.to/MA010ALLADE
Latest release / http://lnk.to/ALLEY329
Latest mix / http://lnk.to/THEAMS016

• http://themangoalley.com

Demo Submissions /
demo@themangoalley.com

Licensing & Management /
info@themangoalley.com

Mango Alley / http://linktr.ee/themangoalley
Maldesoule / http://linktr.ee/maldesoule
MA. for artists / https://linktr.ee/maforartists

Mango Alley is a digital music imprint established in 2008, showcasing the most innovative international artists in progressive house, melodic techno and organic house, featuring big names in the scene and discovering new talents. The signature sound of Mango Alley encompasses a distinct fusion of deep, chunky, and intricate grooves, bold and mesmerizing synths and captivating atmos.
Our music is good for any weather, any timezone and any season.

/ Our releases are supported by:
Hernan Cattaneo, Nick Warren, Sasha, John Digweed, Joris Voorn, Nicole Moudaber, Armin van Buuren, Paul van Dyk, Above & Beyond, Guy J, Quivver, Eelke Kleijn, Cristoph, D-Formation, Patrice Baumel, Max Graham, Paul Oakenfold, Steve Parry, Petar Dundov, Township Rebellion, Barry Jamieson, Nick Muir, Anthony Pappa, Kiasmos, Jody Wisternoff, Luke Brancaccio, D-Nox, Cid Inc, Guy Mantzur, Khen, Yotto, Sahar Z, Sébastien Léger, Mike Koglin, Lexicon Avenue, Simon Vuarambon, and more.

/ Our music is licensed by:
Global Underground, Armada, Black Hole, and more.

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

"Serbian DJane who redefined progressive house." - Cacao Beach Club Management (2010)

🌬️ N-TCHBL - Southern Storm incl. MOSHIC Remix OUT NOW Contrast Records! 🦋
https://www.beatport.com/release/ntchbl/5080391

Resident 🏠 FRISKY since 2011th
Host 🎧 SUBLIMINAL on FRISKY Radio
Premiere 🔛 3rd Mondays 3pm CET
🌍💿 Booking & Promos:
ntchbl.info@gmail.com 

👩‍🎤 Selected parties:
10.04.22 EXIT's NO SLEEP w/ Sébastien Léger
20.08.22 TURIJA22 Festival w/ DJ Ruby, East Cafe
24.09.22  Raft 25 w/ Sebastian Busto
08.09.23 UNIVACK & CELESTIAL, Madrid w/ Kamilo Sanclemente
22.12.23 Club KULT w/ Hobin Rude
20.12.24 KPTM, Belgrade w/ Petar Dundov
04.07.25 TEKSTIVAL, Belgrade
23.08.25 TBA

• BIO •

Behind N-TCHBL stands Marija Nikolić, Serbian DJane and producer raising from the south of her homeland. Shaped as much by silence as by sound, growing up in the shadows of the ‘90s in a country marked by unrest and resilience, she found refuge in music that felt moody, raw and honest. Pink Floyd, Nirvana, The Cure, Depeche Mode, Radiohead... these weren't just bands, they were lifelines. Echoes of that era still breathe through her music today, not as nostalgia, but as a pulse.

In the early 2000s, her heart shifted from post-punk to the deep, hypnotic world of progressive house. Artists like Deep Dish, Hernán Cattáneo, Sasha, John Digweed and Moshic opened a new emotional language, where subtle melodies and steady rhythms told stories words never could. She found her voice in that space between melancholy and movement, underground darkness and melodies - progressive house was something she wanted to live and love!

By 2008, her unique, carefully woven sets caught the attention of almost every major Serbian club. A new chapter began - playing across the country, then beyond the borders of her homeland. From the shores of Cacao Beach's epic Solar Summer Festival to the heartbeat of Sofia’s Top10 DJ Mag Escape Club her name grew, not with noise, but with quiet persistence when she became the first Serbian female progressive DJ to reach international ears. Although fear of long flights kept her away from accepting Canada's Stereo Montreal and Ministry of Sound event invitations, her unique sound traveled across the oceans, underground crowds named her the "queen of progressive house"!

In 2011, after a string of guest mixes and a feature as FRISKY "Artist of the Week", an invitation to host her own show came and SUBLIMINAL was born - a space to tell sonic prog stories, deep, dark, and feminine. The show became a sanctuary for thousands of monthly listeners from all around the world, all drawn to her ability to blend bold rhythms with soft emotion and traditional Balkan and oriental textures that made her sets unmistakably hers.

Then in 2011, after her farewell show in Lebanon, came silence and a decade-long pause in live appearances, but some flames never die. When she returned in 2021, it was with grace and depth! She played alongside Sébastien Léger, Sebastian Busto, Petar Dundov, DJ Ruby, headlined UNIVACK event in Madrid with Kamilo Sanclemente and continued to rock the dancefloors of Serbian clubs and festivals with the same quiet fire.

In 2024, after years of shaping her sets with other people's stories, Marija finally decided to tell her own. Her debut original track "Esther" emerged like a whispered truth, honest and unguarded. When Hernán Cattáneo opened RESIDENT 709 with it, it felt less like a milestone and more like destiny quietly unfolding. Soon after came "Southern Storm" on Contrast Records, a storm she had carried within her for years, now set free and remixed by Moshic, the very artist whose music once lit the path she walks today. A dream, once distant, now echoed back to her in harmony.

N-TCHBL doesn’t chase trends, she crafts experiences. Her music is not made to impress, but to reach. To awaken something tender, something fierce. To remind us that in a world that rushes, it’s okay to feel deeply and to dance through it. 