A calm song, pleasant to listen to, although the bass could be a bit more complex.

The picture is like a sad cowboy robot drowning his sorrows. This song isn't quite that dark.

Nice call back to the main melody with some variation.

This really shows skill on multiple fronts - composition, sound design, production. Very nicely done.

A nicely constructed sad song.  I wonder if would have matched the image if the drumbeat was less unbeat.  Maybe half tempo?

BoozeBot seems to be doing rather well :D  Cool track !  Really good sounds and very nicely mixed. And, not unimportantly, enjoyable and entertaining music too. Very nicely varied, no dull moments here :)

Cool song, an image of my usual state before the weekend. The type of bass you used may benefit from sidechaining...

I like this a lot in general (love the eastern, mystical vibe) and the aesthetics are great. If I were you I wouldn’t choose to go 4/4 for the kickdrum at end because either your drum bus compressor or your master compressor pushes the snare way too much down when both hit at the same time. When the snare isn’t antagonizing the kick for valuable frequency space and dynamic range it sounds way more defined and the whole track fuller.

One Synth Challenge #180: Regency by nakst

In The Thin Air Tonight

Entry for KVR OSC #180

13 Instance of Regency - All from scratch (except kick & hat)
DAW: Reaper
Dead Duck: Filter, Compressor, Delay, Autopan
OrilRiver Reverb
JS Channel Time Delay.
ReaEQ, ReaXComp
KHS Gain
Limiter No6
SPAN, YouLean Loudness Meter

I Am Kenough

Robottled

Brassed On

An entry for One Synth Challenge 180 - Nakst Regency 


Made in REAPER 7, using:   Nakst Regency  (25, 18 patches ) ; TDR Nova (9) HOFA gain (4) ; HOFA pan  (7) ; Flux Bittersweet ; HY-Delay 4 ; Oril River ; Blue ARP  ; JS Channel Time Delayer  — on tracks. 

Oril River (12) ; Solaris (4) ; TDR Nova  (4) ; HOFA Pan (16) ; JS Mixer (4) ; A1 Stereo Control (4)  — on reverb buses (4) 

TDR Nova (4) ; U-he Protoverb ; JS mixer ; A1 Stereo Control ; JS MS encoder & decoder (3) ; JS Bandsplitter & joiner (2 ) ; Flux Bittersweet (4) ; Limiter No6 (4) — on master bus

Fool's Errand

All sounds made using Regency by Nakst for KVR Audios One Synth Challenge #180

Bikini Wax

Martin The Herring Gull
Martin The Herring Gull
The fastest seagull 
Like a web-foot eagle 

Martin The Herring Gull
Martin The Herring Gull
The fastest seagull
Like a web-foot eagle
 
Hey 
Martin The Herring Gull
Martin The Herring Gull
Wake!

Yes?

Stop eating dog food 
We have a quest for you

I like dog food 
Why do a quest for you?

If you don't get this job filled
We’ll kick you out the gull guild

Well if you put it that way
I hope this job has good pay

And fly over the Eastwood highland 

It won't take you very long 
You're so very very strong 

And down to Denny island

We would love to come help too
But we have a lot to do

There you'll find a nasty bird
Who’s taken our Future Queen
Deep inside his wretched lair
Is the Princess Joleen

—-

Denny island!
   There's no coconuts 
Denny island!
   Nothing good for you
Denny island!
   No golden sand
Denny island!
   Just tons of puffin poo

Denny island
   I’m not so sure
Denny island 
   Is it worth the cost
Denny island 
   I’ll say I got lost

Martin! 
You WILL come back with Joleen!

And kill the Cormorant King!

<The Flight>

Martin The Herring Gull - Part 1

After finding out my boyfriend cheated on me, I take my silver Testarossa Spider for a late afternoon ride on Pacific Coast Hwy to clear my mind. Time to move on.

[My entry for the KVR One-Synth-Challenge Oct. 2024 / SixTraq plugin]

Santa Monica Sunset Drive '87

Made for KVR One-Synth-Challenge 188 using single instance of Six-Traq synth
https://sites.google.com/site/kvrosc/2024/osc-188-six-traq

bzz - Tracking to the End of the Tunnel

My contribution to the OSC188
A bit 70's Pink Floyd

Johnkhf Time

One Synth Challenge 188 entry by Seap, October 2024
Synth: SixTraq by Full Bucket Music

The year is 1981, and the disco is alive with the vibrant energy of Halloween night. The dance floor is a sea of costumes, from classic vampires and witches to the latest pop culture icons. The DJ, dressed as a futuristic robot, proudly showcases his brand new Roland TB-303, a synthesizer that promises to revolutionize the sound of the night. As he tweaks the knobs, the room fills with hypnotic, pulsating beats that make the crowd move in unison.

In the corner of the disco, an arcade machine stands as silent sentinel, its screen glowing with the sight of a yellow, cheese-like character being chased by ghosts. The game, a recent hit, draws a small crowd of enthusiasts eager to beat the high score. The clinking of quarters and the excited shouts of players blend seamlessly with the music, creating a symphony of sound that defines the era.

A group of friends take turns at the arcade machine, laughing and cheering each other on. Among them, a few are dressed as ghosts, their white sheets fluttering as they move. One person stands out in a bright yellow cheese costume, drawing amused glances and playful comments from the crowd. The DJ, noticing their enthusiasm, decides to mix in some of the game’s iconic sounds into his set, causing a ripple of nostalgia and excitement to spread through the crowd. 

As the night progresses, a girl dressed as a pink ghost finds herself dancing closer to the yellow cheese. Their laughter is infectious, and their eyes meet frequently, each glance lingering a little longer than the last. The chemistry between them is undeniable, as they move closer, their hands brushing and smiles widening. The music swells, and they lose themselves in the rhythm, feeling as if they are the only two people in the room. As the final song plays, they share a knowing smile, realizing that this magical Halloween night has brought them together in a way they never expected. With a promise to meet again, they part ways, each carrying the memory of this unforgettable night in their hearts.


Organic Synthesized Chaos

Ghost And Cheese [OSC188]

...but this synthesizer still found a little place in my heart, even for one short but bright moment!

One instance of Six-Traq in Cakewalk. FX: DReverb Light, Proximity.

IV - That's All... *sad sigh

Here's my OSC challenge using Six Traq

featuring 48x Six Traq Clap instances:

Free:
Dragonfly Room
FreeClip 2
Frontier
KHs Trancegate
Limiter No6
LoudMax
Orilriver
OTT
TDR Kotelnikov
TDR Molotok
TDR Nova
Supercharger
Supermassive


Bitwig:
Arpeggiator
Chain
Compressor
Compressor+
Convolution
Delay-1
Delay-2
Dynamics
EQ-2
EQ-5
EQ +
Filter+
FreqSplit
Instrument Layer
Ladder
Peak Limiter
Mid/Side Split
Multiband Fx-2
Multiband Fx-3
Note Fx Selector
Note Repeats
Note Transpose
Sculpt
Spectrum
Tool

No Undo Synth Saga

Space opera track inspired by Vangelis and JM Jarre. Created for the KVR One Synth Contest (OSC). Photo by me. Please do not use without permission.

Spridgeon - Van Jam Jar in Space

My entry for OSC 188 - Full Bucket Six Traq.

Made in Reaper 6, using 21 instances of Full Bucket's Six Traq.

Pushed and prodded lightly at track level by TDR Nova, HOFA Gain, Kazrog KClip Zero, and Flux Bittersweet. 

Delayed to a fair extent by Hy-Delay 4.

Reverberated by Oril River, Protoverb, and ADverb. Assisted by TDR Nova, HOFA Pan,  A1 Stereo Control, and Flux Bittersweet.

Some more light prodding at the master level by TDR NOVA, Flux Bittersweet and A1 Stereo Control. Louderized using Limiter No 6.

Oh No !  Not Again !

Join the challenge by going here: https://shorturl.at/bhBFQ

Robottled

MATCHER

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