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SANdBLASTING from the 1997 is the solo project of Luca Torasso. The name of the project has not been casually choose: there is a link between the sandblasting treatment carried out on the metal surface covered by rust and the Luca Torasso’s project. The SANdBLASTING project is because all the human being have a brain for to think and with to act but because of the long-time of no use, this vital organ has been covered by a thick layer of rust that prevent his regular  function (oxidation). The aim of the SANdBLASTING project is to generate abrasive and violent frequencies that act on the brain of the listener as the powder quartz  works on the rusted metal surface.

AT NOW DAYS HAVE BEEN:

Released 6 official full length album with worldwide distribution
( Audioglobe, Masterpiece, Brokensilence, MVD );

Exclusive and previous unreleased tracks on various international compilations like Elektroanschlag, Schlagstrom and tribute to artists like the Rustblade 
“Tribute To PIER PAOLO PASOLINI” including COIL , In Slaughter Natives;

Remixed international artists like NO MORE, Hanin Elias (member of Atari Teenage Riot), Manufactura, Cervello Elettronico, XotoX, Acylum, :Bahntier//, Detune-X, Ethnamorte;

Performed live in various International European festival and clubs like Elektroanschlag, Schlagstrom, Slimelight, Antagony and events like Jazz Rebel Fest, Street rave parade, No Vapour, No Huma No Cry, sharing the stage with Dive, Asche, Synapscape, Geistform, Brighter Death Now, P.A.L., Monolith, Hypnoskull, This ‘morn Omina, Atrox, Ripit, ….

Sound artist, experimental musician and designer based in London, Uk.

Nocturne is out via Disorder records
Listen here https://photographsrome.bandcamp.com

Sound designer, musician, creative artist, synth guru

IDM / Ambient / Experimental / Generative Music Producer and Sound Designer based in Rome.

Nonorder Lab is a italian electronic music project based in Rome, created by Alessandro Altarocca. He works with various machines as synthesizers, samplers, stomp box effects, tactile controllers, field recorders and lately a little modular system takes place in his studio equipment. His musical research is influenced heavily by a sort of psychedelic melancholy towards something never experienced. 

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