Great work guys!! Merry Christmas and Happy New Year to everyone🥳🥳

Amazing guitar!  Great voices and energy.  Very good production! xxx

Painting: Animal Fates (the trees showed their rings, the animals their veins) [1913] by Franz Marc. Original from the Kunstmuseum Basel Museum.

Overly Confident Thousandaire

Sonopoetry by Ilaria Boffa
Field recording taken at Teatro La Fenice Opera House, Venice, 2022 by Ilaria Boffa
pic Teatro La Fenice 2022, by IB 

'Whatever comes to pass
time will file the time
and this extraordinary wait.
The drama and the epic
the events that befall
the beginners
invoke glory and rage.
Because of necessity
they happen to live
because of belongingness
they happen to become.
There’s no difference between
starting and starting over for
what was or wasn’t done
cycles with the stringency
of a climate loop.
And the silence of hesitation
saturates the air condensing
inside the mask
accelerating the dew point.
It muffles this new normal.
Beginners challenge
the so called tragedy
of the time horizon
in which people can’t imagine
the suffering of the humans
of the future and
nothing much gets done
on their behalf.
Beginners are seamless
and they care.
Some of them give in.'

'Qualunque cosa accada
il tempo archivierà il tempo
e questa straordinaria attesa.
Il dramma e l’epopea
gli eventi che accadono
a chi comincia
suscitano gloria e rabbia.
Per necessità
succede di vivere
per appartenenza
succede di divenire.
Non c’è differenza tra
iniziare e ricominciare perché
ciò che è stato o non è stato fatto
si ripete con l’intransigenza
dei cicli climatici.
E il silenzio dell’esitazione
satura l’aria che condensa
all’interno della mascherina
accelerando il punto di rugiada.
Attutisce questa nuova normalità.
Coloro che iniziano sfidano
la cosiddetta tragedia
dell’orizzonte temporale
per cui le persone non riescono
a immaginare la sofferenza
degli esseri umani del futuro e
poco viene speso a loro favore.
Coloro che iniziano sono senza soluzione
di continuità e a loro importa.
Alcuni si arrendono.'

Ode for the Beginners

Time passes like in high school, very fast in the good moments and very slow in the ones when I don't have to remember.

BACKWARD

I just release tracks y'all. I record em and hit print and don't think twice about it. Someone out there gotta dig it, right? 

If anything, I hope my process inspires you to make better music than me. I only offer my flavors to the world soup in hopes of making it tasty.

As a result of this process, I have made it to 90 tracks on Soundcloud. Therefore, I dub this track: 

Soundcloud #90

Soundcloud #90

Deep drone with Acoustic violin

Cool down,and chill

Enjoy!

Deep Space 101 :Deep Acoustic and Electric Drone

A breakup love song or breakup song to the universe? Open for for your interpretation.
From my new EP "Short Songs For Tall Minds" 2022 on Soundcloud.
Lyrics:
Chasing hypnotic cosmic dust
Outside your force field
Your gravitational pull
You don't really like music, do you?
If you don't care
Then I don't care
You just like how the bass
Bruises the air
I just pass my time
On stupid things
Dancing in the dark
Chasing your hypnotic cosmic dust
I just spin around
Chasing your hypnotic cosmic dust

Debris Field

Original by Thin Lizzy 1975
Vocal : Lee Lucas

Rosalie W/ Lee Lucas

Happy solstice!!
May light be always on you

Belisama

Affinity (ft. MOOBA)

This is the third and final of our three Christmas covers recorded collaboratively with the musicians of The MusiCollective (TMC) as part of this year’s festive song advent calendar. To crank up the Christmas mood we’ve been releasing a new track every Sunday leading up to Christmas, with the final one out today - Christmas Eve. We got over 20 people on this track spanning all levels of singing and recording experience, brought together by the powers of BandLab, relentless nudging (sorry!) and the mixing magic of our Christmas elves. The result was well worth the effort – well done and Merry Christmaaaaaaaas, Everyone!

Singer-timestamps MAYBE to follow eventually once Doug and I have recovered from this marathon

For now, some credits:
Bass: Guy (@guy-thomas-burton and @corporatedrone)
Guitar: Michele (@ignore_the_distance)
Synth: Jenni
Drums: Doug and Michele
Production: Doug (@doru_uk and @someone_else_ahead and @doug_morris) and Jenni (@jenni-grossmann and @thegrandoldecho)
Backing track and guide tracks: Jenni again
Vehicular recording: Robert Stalder

Christmastime (Don't Let The Bells End) (The Darkness) - TMC Cover 2023

i bore to you a houndly frolic,
every rise and fall,
my backwords barkened by the rollick,
unheedy my call,

you gouged my grip, in scented slip,
for every phantom sniff,
and all that was, was lost because,
of wandering what if,


I bore to you a houndly frolic,
every fall and rise,
where winter whittled worry,
and unheedy went my cries,

your absence cast my echo,
in collide-a-scope collapse,
and all that is, was fleeting fizz,
for petulant perhaps,


so you tottered in a circle broken,
down on widdershins,
to engrave what must be left unspoken,
save by bitter grins,
upon the insides of my eyelids,
whence now even shorn and shuttered,
doth the vision of derision,
that the bitter grins have muttered,
cast it's kindling, sharp and spindling,
on the clenching of sightlesson,
so I'm sealing every feeling,
just to keep my keep from guessing,

A Houndly Frolic

The MusiCollective is a community of musicians that get behind each others' projects, for example by helping with songwriting, arrangements, recording and production. It is a continuation of TGS Records (https://soundcloud.com/tgs-records) which started as a lockdown project and has been snowballing new members in ever since. If you'd like to join us, get in touch by emailing themusicollective21@gmail.com or filling in this short form: https://forms.gle/yhyjNKzWGidVCZgN9

Christmastime (Don't Let The Bells End) (The Darkness) - TMC Cover 2023

The MusiCollective

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