The title track from our debut album. It's something of an homage to John Carpenter. There are no vocals! *shock horror*

You can download the track/whole album here, if you fancy: http://vileelectrodes.bandcamp.com/album/the-future-through-a-lens

The future through a lens

Watch the Apocalypse videoclip here
https://www.youtube.com/watch?v=n7f_2B1TPIg


Videoclip

Apocalypse

Ambient electronic music by Eigenfrequenz. Main equipment used on this track: Yamaha CS-15, Gibson Les Paul Standard, Korg Stage Echo. The track uses a drone and effects from the CS-15 along with tape-delayed guitar.

About Eigenfrequenz:
Eigenfrequenz creates electronic music based around vintage analogue synthesizers, guitars and sounds, from melodic instrumentals to abstract soundscapes, inspired by the sounds and instruments of the 70s and 80s. Influences include Tangerine Dream, Klaus Schulze, Jean Michel Jarre, Vangelis, Kraftwerk, Cluster, Neu!, Brian Eno, Orchestral Manoeuvres In The Dark (OMD), Ultravox, John Foxx, The Human League, Gary Numan, Cabaret Voltaire and Throbbing Gristle.

Eigenfrequenz is also looking at moving images as a way to connect music and visuals, in a different way to the conventional 'music video'.

Instruments
Roland Juno-60 (1982), Yamaha CS-15 (1979), Roland SH-101 (1983), Yamaha DX7 (1983), Sequential Circuits Pro-One (1981), Roland VP-330 Vocoder Plus (1979), Roland RS-202 Strings (1976), Korg M500 Micro-Preset (1977), Ace Tone Top 8 (1968), Roland CR-78 (1978), Roland TR-505 (1986), Roland TR-606 (1982), Moog Etherwave Theremin, Doepfer Dark Time, Gibson Les Paul Standard, Epiphone EB3

Effects
TL Audio C5021, Yamaha E1010 (1978), Korg SE300 Stage Echo (1979), Roland Dimension-D (1979), Roland SBF-325 (1979), Roland RV-100 (1978), Lexicon PCM70 (1987), Yamaha SPX90 (1985), Yamaha SPX90II (1987), Korg A2 (1991), Electro-Harmonix Small Stone (1976), E-H Small Clone (1979), E-H Frequency Analyzer (1976), E-H Deluxe Electric Mistress (1976), E-H Big Muff Pi (NYC) (1971), MXR Phase 100 (1977)

Recording
Revox B77 HS (1978), Mackie 1402 VLZ Pro, AKG Perception 420, Shure SM57, ART Tube MP Studio V3, Tascam US 122 MK 2, Mackie Big Knob, Tascam DR-40, AKG K702, Genelec 6010A, Laney CUB-12R, Logic Studio Pro 9 (as multi-track recorder -- no MIDI, no plugins)

Download on Bandcamp

Frequenz 12: Delayed Reaction

Eternal Storm

Crystal Fusion - Procyon

totem

"Human" part I - melodic, trance-inspired music and a celebration of everything good that humanity has the potential to bring

Human Part I in C minor

Instrumental electronic music by Eigenfrequenz. Main equipment used on this track: Roland Juno-60, Roland RS-202. This track uses synth and captured sounds with the intention of portraying a particular mood.

About Eigenfrequenz:
Eigenfrequenz creates electronic music based around vintage analogue synthesizers, guitars and sounds, from melodic instrumentals to abstract soundscapes, inspired by the sounds and instruments of the 70s and 80s. Influences include Tangerine Dream, Klaus Schulze, Jean Michel Jarre, Vangelis, Kraftwerk, Cluster, Neu!, Brian Eno, Orchestral Manoeuvres In The Dark (OMD), Ultravox, John Foxx, The Human League, Gary Numan, Cabaret Voltaire and Throbbing Gristle.

Eigenfrequenz is also looking at moving images as a way to connect music and visuals, in a different way to the conventional 'music video'.

Instruments
Roland Juno-60 (1982), Yamaha CS-15 (1979), Roland SH-101 (1983), Yamaha DX7 (1983), Sequential Circuits Pro-One (1981), Roland VP-330 Vocoder Plus (1979), Roland RS-202 Strings (1976), Korg M500 Micro-Preset (1977), Ace Tone Top 8 (1968), Roland CR-78 (1978), Roland TR-505 (1986), Roland TR-606 (1982), Moog Etherwave Theremin, Doepfer Dark Time, Gibson Les Paul Standard, Epiphone EB3

Effects
TL Audio C5021, Yamaha E1010 (1978), Korg SE300 Stage Echo (1979), Roland Dimension-D (1979), Roland SBF-325 (1979), Roland RV-100 (1978), Lexicon PCM70 (1987), Yamaha SPX90 (1985), Yamaha SPX90II (1987), Korg A2 (1991), Electro-Harmonix Small Stone (1976), E-H Small Clone (1979), E-H Frequency Analyzer (1976), E-H Deluxe Electric Mistress (1976), E-H Big Muff Pi (NYC) (1971), MXR Phase 100 (1977)

Recording
Revox B77 HS (1978), Mackie 1402 VLZ Pro, AKG Perception 420, Shure SM57, ART Tube MP Studio V3, Tascam US 122 MK 2, Mackie Big Knob, Tascam DR-40, AKG K702, Genelec 6010A, Laney CUB-12R, Logic Studio Pro 9 (as multi-track recorder -- no MIDI, no plugins)

Frequenz 17: Aqueous Memory (extended version)

Song 1

“Factory Reset“ is Synthie dB Shock’s debut EP, which was released in June 2013. 


Words & music: Joanna Huber a.k.a. Synthie dB Shock


Mixed and mastered at Stardust Media Studios (Zürich, Switzerland) by Murat Böyük Pilavci


© 2013 - Synthie dB Shock

Human Part I in C minor

TheNathanCarlsonProject