Bookings:
sebastian@wilde-agency.com

Management: 
matt@slntmachine.com

One of the most consistently exciting talents in today’s underground scene, this Nottingham-born producer has come on leaps and bounds since he spent his first ravey days dancing in some of the UK’s most (in)famous music factories. The ‘here and now’ sees him touring the world under the guise of Inxec – a mysterious moniker equalled only by the curious spells he binds with his provocative, intoxicating and idiosyncratic brand of music. 

If only Robin Hood could have experienced the mesmeric drone emanating from one of Nottingham’s most legendary venues: The Bomb. In the early 90s, this proved an allure too irresistible for Inxec. This was his calling. Tyrant residents, such as Sasha and his Merry Men Craig Richards and Lee Burridge, wrote their own folklore that would go down in Nottingham’s history. It would also consume him from the very beginning. Little did he know that in only a few years, he would be writing a tale of his very own. 

Later, after flirting with production in its numerous formats, gifted with the opportunity to play ‘live’. Under his first more-progressive alter ego, Sound Alliance, he embraced this opportunity and a star was born. It was at this crossroads that he met Matt Tolfrey – an encounter that blossomed friendship and, later down the line, a hugely successful production partnership. With this, new opportunities were beckoning. Inxec was now in the reckoning. 

In 2006 Inxec began a love affair with Jay Haze’s imprint, Contexterrior, where he released five futuregasmic releases for the forward-thinking label. And Inxec remixes on labels such as Tuning Spork, Stock 5, Barraca and Esperanza were featuring in the playlists of the globe’s finest. He had now been acquainted with the world stage – he loved it. The feeling was mutual.   This provided added kudos for the Inxec/Tolfrey powerhouse. Releases on Murmur, Sven Vath’s Cocoon recordings and Radioslave’s Rekids were the inevitabilities of this success. It was plain to see that the natural DJ in Tolfrey helped Inxec develop an increasingly stripped dancefloor-destined sound. Remixes followed for the likes of CR2, Culprit, Kismet, Great Stuff and Renaissance to name but a few.
 
Since then Inxec has collaborated with Droog, Mark Chambers, Leks and most recently, Mark Jenkyns, which has culminated in releases for Crosstown Rebels, Culprit, Last Night on Earth, Leftroom and Get Physical – the list is endless. It therefore comes as no surprise that he has since been invited to play some of the world’s most famous parties ranging from Harry Klein (Munich) and the Panorama Bar (Berlin) to Eleven (Tokyo) and Fabric (London). 

With more originals and collaborations expected in 2015, it will be without a doubt another year of stellar proportions for this lofty producer.


1,000 BPM and PDD team up to make some deep waves

Hotflush is a record label launched by Paul Rose aka Scuba in 2003. Its early period was spent as a central part of London's Bass Music scene which exploded in the mid 2000s, although the label has always been difficult to pigeonhole musically and recent output has focused on Techno and House.

Im just a dude having fun. Had great times, experiences and met great people playing music.
Even though im getting older, Im still trying to bust out the jams and keep on rockin....YEAH!!!!! \m/

For booking requests please contact: durtysoxxx@gmail.com

Labels:
Simma Black
Simma Red
Domino Effect
H@ch Records
Bump Records
Funk'n Deep Records
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EDC Las Vegas Discovery Project Winner 2014

send any track stems u want me to try and remix at lbradleykelly@gmail.com
if u use logic and wanna let me remix u HOLLA @ ME

Seeking refuge in post punk electronic music and the underground music scene of Los Angeles, David Alvarado built the foundation of a career with blood, sweat, and tears. A career that now spans over 20 years, molded by gang violence, renegade parties, and personal tragedy, he was discovered by Plus 8 Records founders Richie Hawtin and John Acquaviva in the early 90’s.
David has gone on to record with some of the worlds most respected electronic music labels such as Peacefrog, Plastic City, Ovum, Ultra Music, and Strictly Rhythm.

His dark, hard hitting, driving, soulful sound created a reputation that still precedes him decades later. Always passionate and uncompromising as an artist, he continues to cut his own path still today. Relentless in his desire to explore new territory creatively, he continues pushing, provoking, and inspiring, while never forgetting his roots and his past.

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Max Cooper is an electronic composer, multi-disciplinary artist, music label founder and former scientist who has carved out a unique space in music and visual art.

He holds a PhD in computational biology at the same time as being the first contemporary electronic musician to perform at the ancient Acropolis theatre in Athens and one of the first clutch of musicians to produce in Dolby Atmos.

Cooper has enquired for over 15 years through music, collaborations, and his label Mesh, to explore the intersections between the arts and sciences with installations, performances, immersive experiences, online media, music videos and live events.  Anchored throughout is his emotive approach, connecting how ideas and forms feel, in a manner accessible to us all. 
 
As an artist synonymous with the evolution of club culture, Cooper honed his craft as a DJ with a 10 year residency at legendary Midlands techno event Firefly where he formed a foundational relationship with Architecture Social Club, with whom he still collaborates on extravagant immersive installations.

"I want to encourage the acceptance of electronic music as an art form like any other. Bringing electronic music and abstract audio-visual projects into concert halls, museums and galleries is liberating - the art world opens up doors to communicate in ways that aren’t possible elsewhere."
  
Pivoting from computational biology to electronic music might not seem like the most natural career transition, but for Cooper the commonalities are obvious:
 
"In both fields, you're in a sense, free. Free from the limits of living systems, free from the limits of corporeal sound. The only constraints are in your mind."

www.maxcooper.net 

Contacts:
Management: James Palmer-Bullock, The Wild Seeds - james@thewildseeds.com 
Label: Anthony Faulkner, Mesh – anthony@thewildseeds.com 
PR: Neil Bainbridge, Neighbourhood PR - neil@nbhd-group.com 
Radio: Matthew Maxey, Enganche - matthew@enganche.co.uk

thenightshift is following