please don't message us via our soundcloud account for demo submissions. while links to your songs hosted on soundcloud are fine for us, please send to krankyinfo@gmail.com as per usual.

Tripping balls with Music since Day 1, and loving every minute of it! I make music for the movies in my head.

Back in 1992 a great friend of mine convinced me to try playing the Bass so I could join a cover band he was starting. One year later I had pushed the notion to him that copying was far less rewarding than doing it yourself, and we founded Primitive Reason.

To this day I’m still going strong with Primitive Reason, although I try and ‘complete’ my need for a varied musical diet with other projects, of which most are solo experiments.

Although I started with the Bass Guitar, I quickly moved on to experiment with other rhythmic languages, particularly percussion. Although I am from Madrid, Spain and born of Spanish parents, my first few years were spent in Angola where according to what I am told I became ‘hooked’ early on percussive music. Still today this is the most important feature in musical construction for me, and so obviously all the music I write has a strong rhythmic component.

I’ve been recording albums since 1995, and there are more than 50 lbum releases to date that I can call my own, not counting studio recordings for other bands and projects.

Staying true to my nature as a musician I have dedicated most of my earnings to musical instruments and studio gear, so I am fortunate to have a massive collection of ethnic and modern instruments, and professional gear with which to mix and master it.

My interests are everywhere, which is, well…everything, but I do aim to write only unique and characteristic material.

Guillermo de Llera

Mystery & Wonder is a small label started in 2017. It is run by Elizabeth Millar and Craig Pedersen.

Many of our releases focus on sound art, improvisation and compositional works that give attention to the musical possibilities inherent in combining or superimposing closely amplified elements with acoustic elements.  We are interested in work that takes care with sound and timbre, structure and form, is close, direct and in high-definition. But most off all, we are interested in work that defies our understanding of all this and moves us in ways we don’t expect, work that stands on its own.

We are lovers of the album as physical object. We custom cut the majority of our sleeves with high-quality paper using an industrial die-cut machine.  Our latest releases include some combination of obi strips, hand printed covers, scores, photographs, and liner notes. With the exception of a few, releases are hand-assembled.

We also actively organize concerts in Montreal and elsewhere.  You can read more about our events here.  To stay actively updated about our releases, concerts and tours, please consider signing our mailing list: http://eepurl.com/cMOzLr

Performer, educator, and composer based in Edmonton, Alberta, Canada. 

DJ / PRODUCER
Booking : iori927@mac.com

                

Hailing from Okinawa, now-Tokyo-based producer IORI once cut his teeth as an assistant for David Mancuso’s revered party, The Loft, in New York City, where he learnt a meticulous sonic mentality from his audiophile mentor. This permeates his carefully-handled arrangements, which have helped make his name and define a series of spacey, atmospheric originals and remixes for proponent imprints like Phonica and Prologue to name but a few. Since his striking 2009 debut, Galaxy, which took its cue from Basic Channel and Manuel Gottsching, the Japanese producer has developed an immensely expressive dubbed-out sound in his own right. The first culmination of that is 2012’s excellent Nexus album for Bitta, a label owned by Far Eastern rising star DJ Nobu, seeing his ambient productions sit nicely with his hypnotic dance tunes.
Two year stay in Berlin in early 2010s helped IORI gain a foothold in the international stage. He has since traveled across Europe, validating his characteristic meditative techno set, which is just the tip of his huge musical iceberg that ranges from low-slung house to leftfield oddballs. Despite his return to Japan in 2015, his presence remains strongly felt through frequent European tours. 2016 saw IORI release the Cold Radiance album, where his sci-fi ambient side grew fully- fledged. For an artist that has produced immersive and spacious pieces, it was a logical continuation of his extensive career as a producer. Eschewing the club-orientated perspective, it certainly proved IORI’s expressional depth and does justice to his artistic intention, his acute ears for spellbinding details standing out in sharp relief, which raised expectations of his promising future. (by Yusaku Shigeyasu)

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