6G is the child of a hollow moon, unwritten histories of permaculture deities in the levant, pagan conspiracies about haunted birthrights, texts buried in lunatic obscurity, communication with the evil smile of a goddess, bells designed to be wrung three times in the night, childish blood games, farmers with occult crops.

The duo of Oxhy and Susu Laroche have chosen the name The Fertile Crescent, evoking one of the cradles of human civilization as much as a (un)healthy devotion to the power of the lunar cycle. Musically, it reeks of post-industrial folklore ripe with solemn tones and conflicting bits, combined via the mocking dream logic of a trickster spirit. A skeletal presence of melody in a sparse, ceremonial ambiance that can even welcome thunderous rolls of breakbeat, like tapping from the energy of every ritual that has scarred the land in time. Following the record is like attempting at drawing a psychic topography of those same rituals, manifestations, tragedies and games, it’s like mistaking the broadband network for the Ley lines but still succeeding in conquering its occult power.

Written & Produced by Fertile Crescent
Mastered by Tapewave

All profits go to: www.islamic-relief.org.uk/afghanistan-emergency-appeal/


https://soundcloud.com/oxhy
https://soundcloud.com/tsvsvnami

the fertile crescent - cant let you live again

by innerinnerlife (https://soundcloud.com/innerinnerlife )

This is a premiere ! This track will be part of 'this is for U', the new album by innerinnerlife which will be out the 12th of August via Transatlantic (https://soundcloud.com/transatlanticrecords ) :)

Bandcamp https://transatlanticrecords.bandcamp.com/album/this-is-for-u

you're always with me

innerinnerlife * you're always with me  [Premiere]

Heith - Your Element (a spell of equality)
Label: PAN
Cat.No. PAN 119S
Format: DL
Release Date: 26 July 2022
Purchase: pan.lnk.to/YourElement

X, Wheel

Heith - Your Element (a spell of equality) (PAN 119S)

Taken from Ludwig Wandinger's sophomore album 'Spiritual Decay' (G&P022), out September 2022

The name of many talents - Ludwig Wandinger - has been echoing in the experimental scene for quite some time. This comes as no surprise, as the already renowned Berlin based polymath channels his full-time effort partly into playing live drums, producing his and other people’s music and creating multidisciplinary visual art. Following multifaceted solo projects on labels Average Negative/Alpha Pup Records and Orange Milk Records, Gin&Platonic are delighted to present Ludwig's exceptional sophomore full-length album 'Spiritual Decay'.

Written & produced by Ludwig Wandinger (@ludwig-wandinger)
ludwigwandinger.com

Mastered by Rashad Becker

Photo by Sophie Klock

G&P022 💀

Spiritual Decay

Bandcamp

Ludwig Wandinger - In

... a track only made with Ableton internal instruments.....17 track lines for one track.... hmmm..... get be lesser with other plugins ^^

created with:
-Ableton
-9x Ableton synths (Pads, Leads, Effects, Basslines)
-7x Ableton Sampler (2x Kicks, 2x Snares, 1x Pads, 1x Saw, 1x Bassline)
-1x 16 Pattern Drum Kit
-9x FX Lines (Reverb, Modulation, Compressor, Limiter)

(yt visual fx: https://youtu.be/BMd27S47f9Q )

Rest In Motion (2024 / Preview)

I TRIED TO TELL YA SOMETHIN' THRU THIS FUCKING PHONE (1st version demo)

Released on m_division's compilation 'Unity'
Profits from the sale go to supporting cancer patients affected by COVID-19 in Russia.

Thanks for supporting.

https://advita.ru/
https://mdivision.bandcamp.com/releases

Mastered by Aleksandr Matlakhov
Released June 25, 2020

SKY H1 ft. Soho Rezanejad - Animal

Haunter Records is proud to present Left My Brain @ Can Paixano (La Xampanyeria) OST. A project five years in the making, dotted by contributions from dear friends Asaël Robitaille, v1984 and Marie Davidson; it is Osborne-Lanthier’s most ambitious work to date and, in many ways, an elegiac record. Largely composed and produced in the shadow of his mother’s passing, it also contains an another sort of elegy: to a infamous Barcelona restaurant that functioned as a daily stop for Osborne-Lanthier during a stay in Catalunya. It was in the midst of  that trip that he started adding sardonic, deranged experiments to his then-overtly serious, academic work. After his mother’s passing in 2016, nostalgia drove him to revisit a body of old recordings where he discovered something new: the sarcasm, self-effacing humour and proficient technicality he’d found so funny originally was now just a mask for insecurity and sadness. He set out to rework those recordings, reprocessing them over and over until their structures completely changed, until they’d gained such texture and depth they were no longer recognizable.
 
The music’s journey construes a multi-layered story, one only he can tell. The record smacks with a wet nostalgia that soaks into the concrete dryness of Osborne-Lanthier’s sound design, maintains a taste for intensity as a tool for immersive engagement. There’s a widescreen romanticism to these compositions, reminiscent of a vivid dream: the tracks are tactile and elastic, morphing rapidly from uncanny-valley EDM tropes to vast, sweeping expanses of sincere choral synths. Osborne-Lanthier sees the album as something of a concept cemetery; an overgrown plot that slowly filled to the brim with dead ideas; a mycelial network of thoughts and plans that never came true. The fruiting body of a fungus born from the nutrients of dead plants: an opus born from trash. 
 
For all of its absurd alien beauty, this is as much a record about being a musician as it is a record about making fun of music: as much an expert-level exploration of technical chops as it is an assault on the stupidity of technicality. Beautiful film-like ambient passages flow directly into weapons-grade riffs, fluid whirlpools drain into chattering synths and shrieking frequency envelopes. Ugliness and immaturity are not only preserved but elevated. The result is Osborne-Lanthier’s most finely-honed record to date — a reflection of what it is to be human: divinely uncategorizable.

Composed between 2015 and 2020 in Montreal, New York, Paris, Berlin, Barcelona, Milan, Tokyo, Stockholm, Osaka and Shanghai by Jesse Osborne-Lanthier.
Produced in Montreal by Jesse Osborne-Lanthier.
Additional production and arrangement assistance by Asaël Robitaille.
Mastered by Heba Kadry.
Design, layout and additional art by Jesse Osborne-Lanthier.
Art installation and photographs by Adrian Altman, courtesy of the artist.

Cat. No. SPCTR015/PTTDIABL001 – All rights reserved.
℗ & © Haunter Records 2020

Left My Brain @ Can Paixano (La Xampanyeria) OST

Catchment Areas (Spiritual Pollution)

Jesse Osborne-Lanthier - Catchment Areas (Spiritual Pollution)

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GRRL VS 大悲咒 - Impact Mantra (Tzusing Glued)

We are proud to present you « Sacrifices & Privileges » compilation !
It’s an uncompromising compilation with french and foreign artists reflecting what our world is currently about. From deep ambient to tortured experimental, this release aims to touch your heart with sonic emotions.
⚔️📿🗡✨
credits
released February 5, 2021

Graphic design: Nicolas Guillerminet
Drawing: Lucas Levon

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Fatshaudi - Collect Yourself

ccontrary pits angular club structures against yearning woodwind on Mun Sing's Illegal Data imprint.

'Illegal Data Compilation #2' is out February 26th.

Pre-order: bit.ly/2ZpwAQR

@ccntrr
@illegaldata

Premiere: ccontrary - Gasp [Illegal Data]

Tapping into the most vital

@noodsradio 3-4pm BST every 2nd Friday of the month

Premiere: ccontrary - Gasp [Illegal Data]

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