sounding like dj akademiks interviewing the migos

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Cloud Chamber

Vinyl: bordelloaparigi.com/shop/musica/altieri-edo-12/
www.juno.co.uk/products/altieri-edo/605723-01/
Digital: slowmotionrec.bandcamp.com/album/edo
More Info: www.slowmotionmusic.it

Italy via Shanghai is the route taken for the debut E.P of Neapolitan producer Altieri, aka Eugenio Altieri. A designer living in Shanghai, Eugenio started to make music back in 2004, mixing music and visuals to create his “weirdo production” sessions. After traveling east he founded the DesToys duo, a live project that channelled space disco and 80s commercial music.

Edo is a personal view over the modern Asia, Japan in this case. Inspired by the street sounds and bugged out day to day world of Tokyo his debut EP is four tracks of slippery head music. Chiseled from the deep seams of an intergalactic mine and informed by the dark heart of house and no wave disco this is club music from the oily underbelly.

Buy Now

Altieri - Onibaku

Chew some more

LXRC31 - UnknownmiX - Chew the Gun

Full Premiere: http://www.wearesoundspace.com/premiere-group-rhoda-trespass
Submit Your Repost: http://www.wearesoundspace.com/submit-your-repost

Spotify: goo.gl/phNY5q
YouTube: goo.gl/MlPo8d
Facebook: goo.gl/WGjgHO
Twitter: goo.gl/QJgbtz
SoundCloud: @wearesoundspace

Group Rhoda
https://soundcloud.com/group_rhoda
https://www.facebook.com/GroupRhoda

Dark Entries
https://soundcloud.com/darkentriesrecords
https://www.facebook.com/DarkEntriesRecords

Wilderless

Full Premiere

Premiere: Group Rhoda - Trespass

Luca Venezia, AKA Curses has spent the past year moonlighting as a DJ, Producer and a label owner for Ombra International, an imprint which focuses on left of centre analogue techno with a live edge specializing in Cold Wave with a slight hint of Goth. 
The latest offering is an EP from the Postmodernism Forms, an act based between Bogota Columbia and Berlin, Germany.
A track which channels the Cure as much as it does electronic music. The second track on the B side, 'Never Forget that You're Alive' boasts a live bass, distant sounding spoken word vocals which hypnotizes as well as creates the urge to dance. (difficult not to when closing in on 135 bpm) Dark and distant but always close enough for you to remember that you are alive.

https://soundcloud.com/ombrainternational

PREMIERE | The Postmodernism Forms -  Never Forget That You Are Alive [OMBRA International] 2018

🎁 FREE DOWNLOAD 🎁

Fist Pumping (Stockholm Syndrome Au - Machine Cut)
Hit Me #33

Stockholm Syndrome are a DJ/producer duo based in Melbourne made up of Scottish born Iain Mac (aka Pyz) and Australian Brett Wilson (aka Wil-tron).  The unlikely duo, recognising their similar tastes came together to form Stockholm Syndrome in late 2013 after DJing at the same party.

Hailing from Edinburgh, Pyz has been DJing and promoting for over a decade.  With residencies at Split, Access and We… Electric he’s supported DJ Hell, The Hacker, Ivan Smagghe, Popof, Surgeon, Agoria, Luke Slater, Derek May and Kevin Saunderson to name a few.  After moving to Melbourne he formed Stray in 2012 and has been heavily involved in Yaldi Boomtime as resident and co-promoter.

Wil-tron discovered electronic music after dropping out of a Fine Art degree and a friend introduced him to artists such as Dopplereffekt, Aux 88 and Anthony Rother. He started producing his own tracks and made his debut performing live at Melbourne institution Meccanoid.  Since then he went on to perform at various clubs such as Boney (then Pony), The Mercat and the infamous Honky Tonks supporting the likes of Legowelt, Bangkok Impact, DJ TLR and Modeselektor.

Stockholm Syndrome’s style varies widely and unapologetically, it can’t be neatly wrapped up into a single genre.  They’re drawn to dark, moody, sub 120bpm techno, the energetic, raw and powerful Mex-tech, the Slo-Mo and the Balearic, Drug Chug and the strange.  Since their debut at Section 8 in Melbourne, they’ve gone on to clock up an impressive gig list DJing at many of the city’s iconic venues including Revolver Upstairs, New Guernica, The Liberty Social, Boney and The Mercat.

2015 saw the boys play an inspired closing set at the inaugural Piknic Electronik Melbourne, a twisted, genre-bending set at Unfold/001 and their first two original productions have been well received by other artists such as Gemini Brothers, id!r and Death by Repetition.

2016 started off with a bang when they opened the Sunset Stage at Rainbow Serpent Festival, widely regarded as one of the best music, art and lifestyle festivals in the world.  This was quickly followed-up with a return to Piknic Electronik Melbourne where they performed to a sell-out crowd warming up for The Hacker.  They also rounded out a big year with an appearance at Strawberry Fields Festival along with the support for Carl Craig on New Year’s Eve.

Stockholm Syndrome continue to keep themselves busy gigging around Melbourne, curating the monthly ‘Hostage Radio’ podcast and interview series, putting on their own ‘Cognitive Dissidence’ parties and co-running the recently launched ‘Tilt Shift’ events.  On top of this the pair have been focusing more on producing and remixing with their debut EP ‘Drowning Zombies’ released on Nein Records (UK) in November 2016 a remix of Dan Solo + Le Blanc Casanova also on Nein released in May 2017 followed by another for Tronik Youth released on Roam Recordings (USA) in June.  2018 already promises to be a big year, returning to Piknic Electronik and a number of original productions and remixes already signed and scheduled for release early in the year. 

https://soundcloud.com/the-stockholm-syndrome

Hit Me #33 (MANGE_MOI)

Hit Me ➳ Stockholm Syndrome

Order Vinyl & Digital:
https://antinoterecordings.bandcamp.com/album/miniatures-de-auto-rhythm

August 2018: It’s already been three years since Domenique Dumont made its entrance in the music world with a debut EP named Comme Ca. Despite a seemingly very quiet musical activity (the opening song to Antinote’s compilation Five Years Of Loving Notes was the only song released by the band in 3 years) a few things have changed in-between these two summers: Domenique Dumont is no more the mysterious lone French producer we introduced last time but a Latvian duo, Arturs Liepins and Anete Stuce, which has been collaborating with “an enigmatic French artist whose existence cannot be confirmed nor denied” (sorry, but it sounds like there’s still some mystery in the air, and, again, we’re just as clueless as you might be), the duo have been touring live and, most importantly, they kept on broadening their musical palette experimenting in a definitely pop field. Eight of these experiments are now tied together in Miniatures de Auto Rhythm.

The record probably begins where Comme Ca ended: frantic but light drum programing backbones a solar and slightly melancholic melody on Le Début De La Fin (“the beginning of the end”). However, the scope gets enlarged as soon as one reaches the second tune, Quasi Quasi, or Quand, on the flip side, perhaps the most overtly pop-rock oriented song on the record with its Mediterranean guitar and emotional bridge.

The road towards the apex of the record, Le Soleil Dans Le Monde, is a narrow and windy one, punctuated by toy instrumentals like Ono Mambo Haiku or the Donkey Kong Country-friendly Message Of The Diving Bird; however it never departs from its original tongue-in-cheek attitude. It’s quite pleasant to imagine these eight “miniatures” as field recordings from an enchanted world of pop music designed by some Pierre & Gilles’ disciples – or are there
musical interpretations of half-mechanical, half-organic creations from a certain Otto Rhiesem (who might have inhabited the Locus Solus villa)? There might be no definitive answers to this second set of riddles by Domenique Dumont.

Bandcamp

DOMENIQUE DUMONT - LE SOLEIL DANS LE MONDE

Optimo's JD Twitch remixes post-punk from '83 into a geezin’ techno tool for The Ransom Note sub-label, Outer Reaches.

'Terminal Tokyo' is out September 21st on Outer Reaches.

Pre-order: bit.ly/2xCCQqo

@twitch
@outerreaches2018

Terminal Tokyo

Premiere: Garage Class – I Got Standards (JD Twitch’s Say It Again) [Outer Reaches]

Pre-Order Vinyl ~ http://bit.ly/ordermiddaymoon

Midday Moon is a survey of ambient and experimental music that emerged from Australia and New Zealand between 1980 and 1995. These recordings are sourced from a rich variety of micro-labels, private pressings, theatre soundtracks and artists’ personal archives.

Curated by Melbourne based DJ and archivalist, Sanpo Disco (a.k.a Rowan Mason), the collection delves deep into the world of outsider music that emerged in Australia and New Zealand in the latter half of the twentieth century, as synthesisers and early workstations began to enter the consumer marketplace.

'Midday Moon' out November 2 thru Bedroom Suck / Remote Control Records (AU/NZ), Omnian Music Group (USA/CAN) and Cargo Records (UK/EU). 

http://bedroomsuckrecords.com

Midday Moon 

Helen Ripley-Marshall - Under the Sun

French modern classical, galvanising and melancholic in equal measure.  Taken from an anthology curated by Julien Dechery, on Noise In My Head-affiliated retrospective label @efficientspace.

Read more & buy: http://www.stampthewax.com/2018/09/25/premiere-sebastian-gandera-chienne-de-vie/

Le Raccourci

Sebastian Gandera - Chienne De Vie (STW Premiere)

Title: Nonetheless LP
Artist: Nonetheless
Track: Machine Of Love And Hate
Label: Neubau https://soundcloud.com/neubauwien
Catalog: BAU010
Release Date: 05 Nov 2018
Preorder: neubau.bandcamp.com

BAU010

DT PREMIERE: Nonetheless - Machine of Love and Hate

LP/CD/Tape/Digital out now
https://sourakatakoite.bandcamp.com/album/en-hollande
~~~
Senegalese kora master Sourakata Koité began music from pretty much day one. "All the Koité are musicians!,” he says. Indeed he is a member of a family of djéli (or griot in french), the hereditary caste of musician-storyteller-historians in West Africa. After moving to Paris in the late 70s he began to play in different bands and for musicians like Manu Dibango, Touré Kounda, Mangala, Mah Damba and more. During a festival in Holland, a music producer form Plexus Records heard him and asked to make a recording. In 1984 in an old chicken coop near Delft, Koité recorded the entire album in one take, including overdubs. The rich sonics and deep sound beautifully presents Koité’s virtuosic and entrancing renditions of traditional and original tunes. With the reissue of en Hollande, Awesome Tapes From Africa continues its mission of bringing tapes posted on the ATFA website over the years, including this one, to music fans all over the world.

en Hollande

Sourakata Koite -- Ha-Madi

https://lnk.to/COMEME048

Cómeme delivers to you one of the freshest rhythms of 2018, recorded in Johannesburg, the new residency for the renegades of the beat. This is “Rain” – starring Matias Aguayo and the actress, dj and singer Ayanda Seoka aka Mujaji The Rain. She’s resident at the legendary Bar Kitchener’s all femme “Pussy Party”, a space for feminist / queer action and dancefloor joy, right in the centre of Joburg. 

Cómeme has been since some time in a serious and passionate relationship with that city. Radio Cómeme transmitted shows from there with electronica legend Felix Laband, Mpumelelo Mkatha from BLK JKS, the queer performance duo Faka, Gqom pioneers RudeBoyz and also Kwaito’s legacy keeper Spleef McZaul. Matias Aguayo ventured into a beautiful collaboration with DJ Spoko, released two years ago on this label. 

“Rain” is a deeply rhythmical track, inspired by the grooves that converged when Cómeme swing crossed the paths with the syncopations people in Joburg were dancing to. It has become quite clear in the recent years that elegantly shuffled triplets are marking a way to the future in dance music, especially in the southern hemisphere, no matter if you’re in Durban, Rio or Santiago. 

On top of this modern groove we can hear Mujaji the Rain enjoying how she gets wet under a dark and tropical sky. Laughter, joy and ecstasy is what she emanates while hypnotically involving you into this atmosphere of dense drumming and trance. (side note: Cómeme has been consequently< evading the description hypnotical in press releases but this time it was unavoidable). 

For further jacking fun we generously included a “Club Mix”, including more drum frenzy towards the second half of the track, and a “Just Drums Mix” for the skilful DJ. 

Side B features the jam “Serious”, which comes along with another killer beat, reminiscent of Michael Jackson or Cheri. A late-night track in which Mujaji The Rain turns into a sensual but slightly annoying creature that doesn’t want to leave the dancefloor. and for sure doesn’t want to go home. 

We added an instrumental version to this complexly arranged tracks, which feature pianos, strings, and heavy synth bass stabs. 
All tracks on this 12” are written in a 6/8 signature, which some normative DJs might shy away from, but be safe: both tracks are in 120 bpm and carry the seal of official Cómeme dancefloor approval by the label’s highly respected DJs.

Matias Aguayo ft. Mujaji The Rain - Rain Orginal Mix

More rusty and hypnotic sounds are brought by DJ soFa and his newest compilation, Elsewhere LVI. Released on Emotional Response, the 4th compilation of SoFa’s series is meant to move us to the gloomier part of his 12 track travelogue.
Lamusa II and his track Artificiale moves organic sound waves accompanying them with rhythmic shady synth pads, turning our listening journey to somewhat uneasy, yet fascinating trip across the jungle of sleazy and meditative notes.  Elsewhere LVI will come out on Emotional Response.

Lamusa II - Artificiale

This long awaited cd compilation marks the end of Mark Stewart's 'Warehouse Sessions', with all the tracks in the series re-mastered at Berlin's dubplates and mastering including a bonus, previously unreleased track, 'W6' available for the first time. 

Thieves

The Invincible Spirit - Oxydize So Much

Tapping into the most vital

@noodsradio 3-4pm BST every 2nd Friday of the month

Premiere: Garage Class – I Got Standards (JD Twitch’s Say It Again) [Outer Reaches]

If-Only

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