Sounds for Community Care Sound Healing led by Lily (lil.florence) at Green Monday Studios, Carlton. 18.12.24 

Pre-recorded with live flute & Lily's cues on the night.

Embodying the intricate emotional landscapes within us all. Stir and soothe as we hold still and reflect on another year passing. A mix for meditation, staring up into the sky, putting thoughts to bed, confronting fear and reconnecting to our raw and delicate selves.

Tracklist:
Anton Friisgaard ~ Syrati
Bop ft. Anastasia Base ~ Glancing Stream (instrumental)
Peter Power ~ Earth Love
E Fishpool ~ I Don't Hate You
Jack Lever ~ Death Swims On The Water
Etang Brulant ~ Belaqua Shua
Ancestral Voices ~ Threads
Suso Sáiz ~ Sweet Instability
Anton Friisgaard ~ Syrati
Perila ~ Wet
chantssss ~ ssss
Terje Isungset ~ Another time
Nueen ~ Wait Until Then
Perila ~ everyday hope
Brian Eno ~ Top Boy Theme Series 1
Eusebeia ~ Unhindered
nthng ~ Son 
Echinacea ~ "Synfuels" but you're a tiny shell washing up on shore
Sina & Tadhg ~ flute test
Billie Eilish ~ When I was older

✻ sound healing with tadhg ✻

Recording of a closing set 22 Nov at Garage Noord w/ Shackleton, Marylou, philinamaze, Zohar

Zohar - Garage Noord 22 Nov 2024 w/ Shackleton, Marylou, phil in a maze

subcast is born, an incantation of adventurous sonic alchemy behind radiant subs. The inimitable Razrbark kicks things off. Strap in for a chemistry-altering ride.
@razrbark's interview below--->

ℚ: ℍ𝕠𝕨 𝕨𝕠𝕦𝕝𝕕 𝕪𝕠𝕦 𝕕𝕖𝕤𝕔𝕣𝕚𝕓𝕖 ℝ𝕒𝕫𝕣𝕓𝕒𝕣𝕜 𝕚𝕟 𝕒 𝕗𝕖𝕨 𝕨𝕠𝕣𝕕𝕤?

A: Live edge, live wire

Q: Describe the story behind Razrbark's Specific Heat.

A: Specific Heat measures how resistant (or not) substances are to temperature changes, specifically how much energy is needed to raise the temperature of something by one degree. This concept from chemistry has always stuck with me and is something I thought of after listening to the finished product of this mix/let's be real I just think it sounds cool.

When I first started prepping for this mix, I went in a very different direction and had a rough draft, but it felt tedious, trying to force ideas and tracks in a way that required a lot of energy with little output. Sometimes, things pour out of you and sometimes, they don't. 

One day, a very exciting booking came through (spoiler alert: it was Honcho @ Hot Mass). With the adrenaline rush of the booking, I immediately started mixing tracks from the extremes of my USB, and everything flowed really easily. I decided to hit record, and it came together in a way that felt much more organic. I also unearthed many tracks I had forgotten about that were collecting cobwebs on my stick but that I always loved.

Anyway, all this to say, just like in chemistry, sometimes you need the right conditions for a reaction to truly take off~~~

Q: What is your ideal dancefloor (fictional or real).

The Bronze.

Q: When is the last track that made subs glow for you?

A: Two specific tracks come to mind:
https://snappedankles.bandcamp.com/track/come-play-the-trees-crooked-ankles-2
To me this is the perfect track. I played it at Hot Mass in Pittsburgh sometime after 6am a bit slower than this. I love how it has so much raw power behind it. Big chug NRG. I've always loved this song from the same band. It has a very Iggy Pop/Plastic Bertrand sensibility to it, but I've never been able to play it on a dance floor, so I was happy when I found this edit that is a bit more dance floor friendly and still has the rock/dance vibe that I feel is a hallmark of my sound.

Another track:
I just played this song towards the end of my set at Afterlife in Seattle this weekend. The bass was so intense my drink literally bounced across a table and fell to the floor. I'd say the subs were glowing hard.
https://normalpleasure.bandcamp.com/track/heart-palpitations-on-the-m1

Q: What track/artist was a musical game-changer for you?

A: Föllakzoid. It's psych rock, it's techno, it's everything. Each time I've seen them play, it's world-building and expansive. 

Q: If this mix was a book or a movie what would it be? 

A: It would be in Walk Hard Part 2, when Dewey goes through his drum and bass era.

subcast #1 ✹ Razrbark's Specific Heat

Ottomani Parker (Big Hands, Abraham Parker, Hayato Takashi, Iza Parkel) Live at Bodily, with special guests Bint Mbareh and Alabaster Deplume.

very pleased to be sharing a special recording of @ottomaniparker live set at bodily just over a week ago with guests @bintmbareh & @alabaster_deplume 🍃

@bintmbareh is a palestinian musician collaborating with ottomani parker on improvised vocals and loose storylines. her work draws on research into rain summoning music as a way of challenging epistemicide in palestine, and of disrupting israel's monopoly over knowledge production — especially around water scarcity 🇵🇸

@alabasterdeplume — London-based jazz composer-poet-activist-improviser — brought his unpredictability to the set, weaving his saxophone into the group’s unfolding improvisation.

such a powerful and potent performance, and this recording captures just a fraction of the resonance felt in the room on the day. their live set had the room completely hooked — the chemistry between the group felt organic and breathing.

the moment felt intimate and sacred.

Ottomani Parker (Live) 130425

The ejekt boss is back in business, spinning tunes from the label’s archive, local gems, and a few fresh finds.

Stay tuned @ www.20ftradio.net

HANT

DJ Snork @ 20ft Radio - 04/04/2025

DJ JVS — NTS 05.05.2025

Bruce - Forgiveness In Arnos Vale (Full Mix)

Vinyl release date 30.05.2025

Dâdalus & Bikarus are Benedikt Merz (Vox, Synths, Electronics) & David Hänni (Bass, Electronics).

'Off the Shelf' is the latest work by Dâdalus & Bikarus. Seven tracks driven by the exploration into analog machines and hyperrealistic sound collages. Holding back to the roots of the project, their sound approach features krautrock repetition, trip hop rhythms and punk territories.

The album was created around moments of personal transformation into a world of mystical meaning. 

𓆱

𝑇ℎ𝑜𝑠𝑒 𝑤ℎ𝑜 𝑓𝑙𝑦 𝑡𝑜𝑜 ℎ𝑖𝑔ℎ, 𝑏𝑢𝑟𝑛 𝑏𝑟𝑖𝑔ℎ𝑡𝑙𝑦.
𝑆𝑎𝑚𝑒 𝑎𝑠 𝑖𝑛 𝑡ℎ𝑒 𝑠𝑡𝑜𝑟𝑦 𝑜𝑓 𝐷â𝑑𝑎𝑙𝑢𝑠 & 𝐼𝑘𝑎𝑟𝑢𝑠, 𝑡ℎ𝑒 𝑚𝑒𝑠𝑠𝑎𝑔𝑒 𝑠𝑒𝑒𝑚𝑒𝑑 𝑡𝑜 𝑏𝑒 𝑠𝑘𝑖𝑝𝑝𝑒𝑑 𝑡ℎ𝑟𝑜𝑢𝑔ℎ. 
𝐿𝑖𝑘𝑒 𝑓𝑜𝑙𝑙𝑜𝑤𝑖𝑛𝑔 𝑠𝑜𝑚𝑒 𝑠𝑜𝑟𝑡 𝑜𝑓 𝑐𝑜𝑛𝑛𝑒𝑐𝑡𝑖𝑜𝑛, 𝑜𝑢𝑟 𝑖𝑑𝑒𝑎𝑠 𝑓𝑜𝑢𝑛𝑑 𝑎 𝑤𝑎𝑦 𝑜𝑢𝑡 𝑏𝑒𝑐𝑎𝑢𝑠𝑒 𝑡ℎ𝑒𝑦 ℎ𝑎𝑑 𝑡ℎ𝑒 𝑠𝑝𝑎𝑐𝑒 𝑡𝑜 𝑏𝑢𝑟𝑛. 
𝐼𝑓 𝑤𝑒 ℎ𝑎𝑑 𝑡𝑒𝑚𝑝𝑒𝑟𝑒𝑑 𝑡ℎ𝑒𝑚, 𝑡ℎ𝑒𝑦 𝑤𝑜𝑢𝑙𝑑 ℎ𝑎𝑣𝑒 𝑛𝑒𝑣𝑒𝑟 𝑐𝑜𝑚𝑒 𝑜𝑢𝑡. 
𝐻𝑜𝑤𝑒𝑣𝑒𝑟, 𝑜𝑡ℎ𝑒𝑟 𝑟𝑢𝑙𝑒𝑠 𝑎𝑝𝑝𝑙𝑦 𝑡𝑜 𝑢𝑠 𝑎𝑠 ℎ𝑢𝑚𝑎𝑛𝑠: 𝑖𝑓 𝑤𝑒 𝑓𝑙𝑦 𝑡𝑜𝑜 ℎ𝑖𝑔ℎ, 𝑤𝑒 𝑎𝑙𝑤𝑎𝑦𝑠 𝑔𝑒𝑡 𝑏𝑢𝑟𝑛𝑒𝑑. 
𝑆𝑜 𝑤𝑒 𝑙𝑒𝑎𝑟𝑛 𝑡𝑜 ℎ𝑜𝑙𝑑 𝑜𝑛 𝑖𝑛 𝑜𝑟𝑑𝑒𝑟 𝑡𝑜 𝑔𝑎𝑖𝑛 𝑐𝑜𝑛𝑡𝑟𝑜𝑙. 𝐵𝑢𝑡 𝑡ℎ𝑖𝑠 𝑙𝑒𝑎𝑣𝑒𝑠 𝑜𝑢𝑡 𝑡ℎ𝑎𝑡 𝑤𝑒 𝑐𝑎𝑛 𝑙𝑒𝑎𝑟𝑛 𝑓𝑟𝑜𝑚 𝑒𝑥𝑐𝑒𝑠𝑠.
𝐵𝑒𝑐𝑎𝑢𝑠𝑒 𝑤ℎ𝑒𝑛 𝑤𝑒 𝑓𝑖𝑛𝑎𝑙𝑙𝑦 𝑑𝑎𝑟𝑒 𝑡𝑜 𝑓𝑎𝑙𝑙, 𝑙𝑖𝑓𝑒 𝑤𝑖𝑙𝑙 𝑙𝑒𝑎𝑑 𝑢𝑠 𝑡𝑜 𝑡ℎ𝑒 𝑟𝑖𝑔ℎ𝑡 𝑝𝑙𝑎𝑐𝑒𝑠. 
𝑇ℎ𝑒 𝑚𝑢𝑠𝑖𝑐 𝑤𝑎𝑠 𝑜𝑢𝑟 𝑠𝑝𝑎𝑐𝑒 𝑡𝑜 𝑏𝑢𝑟𝑛 𝑜𝑛 𝑡ℎ𝑒 𝑠𝑒𝑎𝑟𝑐ℎ 𝑓𝑜𝑟 𝑎𝑛 𝑒𝑥𝑝𝑟𝑒𝑠𝑠𝑖𝑜𝑛 𝑡𝑜 𝑙𝑒𝑡 𝑔𝑜.

✺

Tracklist 

1. KO Intro (02:26)
2. Freier Fall (06:26)
3. Erebros (11:57)

1. Kuhlio (02:08)
2. Kill your Feed (09:41)
3. Wolken über Ikarie (04:20)
4. Off The Shelf (05:25)

؄

All tracks performed by Dâdalus & Bikarus, recorded at Mediacampus Zürich.
KO Intro, Freier Fall, Off The Shelf written by Benedikt Merz. Bass on Freier Fall written by David Hänni. Erebros, Kuhlio, Wolken über Ikarie written by Benedikt Merz and Dâdalus & Bikarus. 
Kill your Feed written by Dâdalus & Bikarus. 
All tracks produced by Benedikt Merz and Dâdalus & Bikarus.
Editing on all Tracks by Benedikt Merz. Overdubs (FX & Synths) on Erebros, Kill your Feed, Wolken über Ikarie & Off The Shelf by Benedikt Merz at Letzirock Studio. Bass Overdubs on Freier Fall, Off The Shelf and Kill your Feed by David Hänni at Wollutopus Studios.
Musical contributions by Mario Hänni on Erebros (Guitar & FX, Perc), Kuhlio (Drum & Synthesizer Performance), Kill your Feed (Copicat Performance) and Off The Shelf (Additional Drums) at Mediacampus Zürich. 
Studio Engineering at Mediacampus by Mario Hänni. Studio Engineering at Wollutopus Studios by Roland Wäspe.
Tape Processing by Sirup Gagavil.
All tracks Mixed by Roland Wäspe at Wollutopus Studios.
Mastering by Mike Marsh at The Exchange.
Art direction & design by Alicia Carrera.
We want to thank Aargauer Kuratorium for the support.
LÍO Press © 2025

Dâdalus & Bikarus - Off the Shelf (LIO003)

TRACKLIST > https://inverted-audio.store/blogs/news/store-mix-9

One year since his previous edition, @antepop returns with Store Mix #9 — an all-vinyl mix navigating through some of the most sought after records that have recently graced the shelves of Inverted Audio Record Store. Recorded live at Brixton Brewery Taproom on Friday 9th May 2025, the mix seamlessly blends ambient, downtempo, experimental, dub techno, and deep house — conjuring a rich tapestry of atmospheres and emotions. Tune in, zone out.

STORE MIX #9

@salmarosa & @sleek-fata

Photo: Romain Guede

Salma Rosa & Sleek Fata at pe:rsona 2024

With Halloween looming, it seems fitting that we get to share the goosebump-inducing B2 cut from @intergalactic_gary and Pasiphae's 'Made Of Glass' EP. Set for release on Rotterdam's @biorhythmrecords, ominous doesn't even come close to describing the booming drums that bring the alternative version of 'Second Term' to life. Like the LEDs on a mixing desk built with alien technology, a symphony of discordant electronics dance overhead, swirling into one another in a vortex of dark and otherworldly sonics.

'Made Of Glass' is out October 31st on Bio Rhythm Records.

Pre-order: bit.ly/2eCZPd4

Premiere: Intergalactic Gary & Pasiphae – Second Term (Alternative) [Bio Rhythm]

Tapping into the most vital

@noodsradio 3-4pm BST every 2nd Friday of the month

Premiere: Intergalactic Gary & Pasiphae – Second Term (Alternative) [Bio Rhythm]

If-Only