Significant Other - Second Skin

Does the music has to be named? Do we need to put a gender on it? Does it has to fit in a case? Is there a proper recipe to release music? Don’t you want to unfollow the rules? Don’t you want to let the sounds express itself? 

Here is Tai.no.a, Tai.no.a doesn’t give a shit about the rules. Tai.no.a is free, Tai.no.a is genderless. Tai.no.a is electic, deconstructed, and beautiful. Tai.no.a is not a prisoner of an aesthetic. Let Tai.no.a speak, listen to them, and forget everything you thought you knew. 

The aesthetic is - No aesthetic.

Snippets • Tai.no.a ~ Various Artists {TAI.NO.A001} Out on March, 4th 2022

SLINK is back with Volume 2: four distinct club tracks, one by each resident.

Lascivious dub, percussive drill with live dhol, a coy vox flip and a peak time wormhole. One for the freaqs!

Mastered by Rupert Clervaux
Art by SG

Bandcamp

Simisea - Dámelo

Kaleidoscopic IDM meets bass-heavy intricacy as upsammy jumps on a new traumgarten compilation.

'Virgin Forest' is out June 21st on traumgarten.

Pre-order: bit.ly/3zEc9TM

@upsammy
@traumgarten

Premiere: upsammy - Agglo [traumgarten]

After a one-year and a half hiatus, the unidentified human machine @lowkhey is back on Comic Sans Records with a new killer album.

At the end of 2020, the first and acclaimed opus "Never Trust A Cyborg" introduced their fresh addition to the deviant dancehall movement through 10 electric tracks, showcasing a rich panel of four-to-the-floor dub infused downtempo cuts.

Walking in the footsteps of this early project but in a steadily offbeat way, Low Khey's new statement "Ten Effective Ways To Achieve Immortality" sounds like a major software update. It reveals exciting mutations of their sonic expressions across deadly clever integrations of trap, drill, post club and soundtrack elements. The result is richer and more complex yet very precise and readable owing to Low Khey's most destructive weapon : their lethal ability in sound design.

Once again the artificial anthropoid chooses to deliver their message through 10 murky tracks juggling between downtempo club cuts, epic choirs, cutting-edge trap and pre-apocalyptic soundscapes. This album sees them team up with humans for the first time on 3 tracks : the neck breaking post-trap cut ""Good Like It Should"" featuring Berlin-based producer and singer Catnapp, the drill inspired ambient track ""Nostalgia"" made in collaboration with Enae and finally ""Citral"", the electrifying chiaroscuro acoustic metal outro cosigned by guitarist Stencil d'A.

Those collaborations seal the deal with humanity. Perched on a faraway planet, Low Khey's artificial intelligence reached its final form and looks at Earth with benevolence. Through a puzzling cyber noir storytelling they teach us how to overtake our inevitable programmed death. The machine learning process is complete, it's now time for Human learning. 
credits
releases July 6, 2022

Written and mixed by Low Khey
Vocal by Catnapp on A2
Additional synth & FX by Enae on B3
Guitars by Stencil d’A on B5
Mastering by Lorenzo Targhetta
Original Photography by Lucy Owen Jones
Front Artwork by Camille Petit

Tome 2

Low Khey - Ten Effective Ways To Achieve Immortality (ALBUM PREVIEW)

Listen to the exclusive GROOVE-Premiere of „Studio Pressure" by Plead Slyngshot Neewt on @okspirit.

Read our introduction here: https://bit.ly/3pRhlO9

Plead Slyngshot Neewt – Studio Pressure

Pandemonium Matrix

My remix of the track 'Aurora Arrivals' taken from dj_2button's record 'Transient Communications' out now on Dummy Hand >:) 

Psy sludegcore vibes inside. Go check the original record its siiiick & other remixes are dope <3

dj_2button - Aurora Arrivals (MISH Remix) [Dummy Hand]

PRE ORDER BGSC2309 
https://bigsciencerecords.bandcamp.com/album/w-is-for-wobble

Since its inception in 2019, Big Science records welcomes Warzou's first personal release in early 2023. The LP will feature nine dub/industrial/rave tracks, in Compact Disc format. 

This colorful release, in a transparent case, is a tribute to rave compilations, sound systems and social committees. Because if many influences can transpire from this record, Warzou was built with Acid, House & Techno, Bass and Dub productions, or even Down tempo and its industrial feeling. "W is for Wobble" is a generous record that allows to introduce the meticulous work of W.
This music have been played live in 2021 at Brasserie Atlas (Brussels), META (Marseille), Blockhaus DY10 (Nantes), and Hors-Jeux (Toulouse), and was recorded, edited & designed at Big Science Studio in Lyon in 2022.
	As a producer (EPs on Nous Disques, Kump & Mystery Booms, and has made several appearances in recent years, on labels like Air Texture, Macadam Mambo, or Vastechoses), deejay (LYL, Noods, Le Sucre 2014-2016 / Ambassade Club 2017-2018), or designer (Big Science, Common Ground, Grame CNCM...), Warzou has been quietly evolving, and doesn't stop with NVST to press and spread inspiring creation.

01.VV
02.Pays Pancarte 	
03.Trunk Blasters 
04.Addictive Program 
05.Zip 
06.Eat It 
07.After Pardi! 
08.Tout doit disparaître

W is for Wobble

BGSC2309 - Warzou - W Is For Wobble LP

Release Alert ! On 17th March, multidisciplinary artist @vina_konda presents his project Yromem on TEMƎT. It’s an album, an art exhibition and a live show, all at once.


'Yromem' is a captivating new musical project that blends proto- electronic, industrial, techno, ambient, and metal influences with a modern twist. Inspired by the iconic sound of the 2000s and made specifically for the millennial generation.

As a part of a larger constellation,Vina Konda has created an immersive exhibition showcasing a recreation of a millennial bedroom complete with art pieces inspired by his own teenage years. Experience the music come to life as Vina Konda performs live with a band in this unique setting.

Step into the world of 'Yromem' and immerse yourself in a musical journey that takes you on a trip down memory lane, filled with nostalgia, energy, and raw emotions. Don't miss out on this one-of-a-kind release.
credits

Vina Konda - Already Is A Memory

I need to survive in a toxic society (x4)

Through the prism of perception
To see the erosion of reflection.
Feeling the mental spasms.
They spew out miasmas.

(Don't be) Toxic (x4)

--->Equipment: Digitone, Ableton Live 11 Intro
--->Inspiration: Autechre Incunabula
--->BPM: 85
--->Key: C
--->Repeatable: Yes
--->Source: a_#74

Rope

I need to survive in a toxic society

Tapping into the most vital

@noodsradio 3-4pm BST every 2nd Friday of the month

Premiere: upsammy - Agglo [traumgarten]

If-Only

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