Harrison BDP - Eternal Space (Original Mix) Happiness Therapy
HAAi - Drumting (Original Mix) DGTL Records
Chris Simon - Toltec (Original Mix) Pfeiffer
Inkfish - Biometrics (Original Mix) Inkfish Recordings
Chris Simon - Garden Of Pearls (Original Mix) Pfeiffer
Creante - Donna (Original Mix) Temps d'Avance
Virtualmismo - Mismoplastico (Chris Cargo Remix) White Label
Matt Rowan - Heads Down (E.F.G. Remix) Particles
Budakid, Zweers - Estersveld Feat. Zweers (Original Mix) Lost & Found
Joseph Ashworth - Heavy (Extended Mix) Anjunadeep
Watkins - Black AM Feat. Natalie Arnold (King Unique Vocal Mix) Shaboom

The Prog Lab - May 2019 - Jawjee

Join our music community on Facebook            ( Progressive and Underground music community of Greece )      https://www.facebook.com/groups/190712184275015/?ref=bookmarks                             A Greek community of music in order to support only Good Progressive Underground Electronic , Pro ethnic, Deep house, Techno, Spiritual, Psychedelic Avant garde music and also progressive art. Support our community and be members. We do it only to listen and promote good worldwide music, something like your personal radio station with visuals  :) ( We are not in searching for likes ) Have a nice trip.... Thanks ;)

The Prog Lab is a club night and record label based in Bristol, UK. We invite international guests to play in intimate venues and create an atmosphere that only Progressive House can deliver.

Promoters and residents are George Pritchard aka Jawjee & Tomas Bayley, we often play as a b2b called The Prog Lab DJs. 

Previous guests at our nights over the last five years are a who’s who of progressive house: Guy J, Sébastien Léger, Tim Green, Henry Saiz, John 00 Fleming, Nick Warren, Simon Vuarambon, Jeremy Olander, Emi Galvan, Alex O’Rion, Budakid, Nicolas Rada, Quivver, Jody Wisternoff, King Unique, Dubspeeka, Paul Hazendonk, Kasper Koman, Tom Demac, Joseph Ashworth, Alfonso Muchacho, Nadia, Essco, Sonic Union, Alec Pritchard, Ben Major and a number of other Prog DJ friends.

I've been listening to electronic music since I was old enough to tune into the John Peel show on Radio 1. Peel first introduced me to Chicago House, Detroit Electro and Rap. I would listen to an entire show with my finger hovering over the record button of my 'tape-recorder' close to the radio speaker just to record whatever 3 electronic imports he would play each night. I wish I'd kept those recordings.
From the moment I first heard 'Roxanne Shante' I sought out everything I could ranging from Kraftwerk, Mike Oldfield, Kurtis Mantronik, Africa Bambata, Grandmaster Flash, Gorgio Morodor, Axel-F, Jean Michel Jarre and just about anyone who used a synth to make music! With the arrival of House in the mid-late 80's the likes of Marshall Jefferson, Frankie Knuckles, Farley Jackmaster Funk, Steve Silk Hurley, Adonis and many more American underground House producers, the music had developed into a new, seriously exciting phenomena.
Music progressed at pace with House and Acid imports driving change, the UK in particular underwent an epiphany of sorts in the 80's and 90's. From Break-Dancing to New Romanticism, the music developed, finally morphing into the early genres of Acid Trance, Techno and Progressive Trance. Heavily influenced by American and underground Dutch and German artists and with the advent of clubbing and non-speaking mixing DJ's, it opened up a Pandora's box of new music, influences, sounds and styles. What that amounted to for me (and most others like me) was an ever-growing range of electronic music that was continually breaking free from pigeon-holes and mainstream pop culture. Electronic music had become the new classical music of a generation.
I can only say that electronic or computer music has evolved beautifully in the past 40 years and I love it as much now as the day I first heard John Peel play fantastic American imports.
I'm not anything more than a bedroom DJ and electronic music enthusiast. I have the greatest admiration for those who DJ publicly and seek to build a following or career from DJing, but that’s not a path I’ve tried to follow. I do love to put together great tunes, so for me using this sort of platform for sharing music is perfect for me. I do mixes both on my decks and using Ableton, as sometimes I find it easier to create a journey through that medium. 
As for making music, I’m slowly finding my way around Ableton in order to bring life to the musical ideas rolling around my head. 
Anyway, I hope you enjoy the mixes I post, please give me some feedback and if nothing else, support the artists themselves and buy their music.

Angrish

Releases on record labels such as:  Manual Music, Movement, ICONYC, Mango Alley, Somatic, Beatfreak, Jannowitz, Prisma Techno, Stripped, Natura Viva, Area Verde, Erase, Chrom, MIR, Lowbit, Project 13, Mistique, Tropical Heat Trippy Code, Friday Lights Music, Inkfish Rec, Subwoofer, Music is the Drug.

 Swedish Producer/ DJ, Sound Designer and multi instrumentalist making Progressive House, Melodic House & Techno with various influences. 

Send promo tracks to hannes.wiehager@gmail.com - If the sound fits it might appear in future mixes.

Supported by artists like Nic Fanciulli, Joseph Capriati, Paco Osuna, Sasha, John Digweed, Joris Voorn, James Zabiela, Teenage Mutants, Wally Lopez, Citizen Kain, D-Formation, Lunar Plane, Bebetta, Betoko, Darin Epsilon, EdOne, Quivver, Marc DePulse, Rafael Cerato, Several Definitions, Matchy, Oscar L, Kaiser Souzai, Cid Inc, Dizharmonia, Danny Serrano, Matan Caspi, Tash, Stan Kolev, Supacooks and many more.

If we talk about simulating something that would first required developing of a music.

Music represents key features, behaviors and functions of the selected physical abstract system or process and coresponds the system itself, whereas the SIMULATION represents the operation of the system extension.