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DJ Possum and Myles Mac return with a three hour trip full of saxy summer time slow jams, deep balearic burners, soulful UK garage and loungin' 90s house & hip hop. Mellow to its core, this one invites you to hit recline and see where the vibe might take you. One for the boom bappers and the chill steppers!   

Tracklist and full info: melbournedeepcast.net/portfolio/myles-mac-dj-possum

A little bit about the mix..

@djpossums:

Collaborating with Myles is fun because it's where we find a point of intersection with our djing styles and music tastes. I'm an unpinned DJ in terms of genre but together we find cohesiveness to tell a story that is reminiscent of our upbringings and nostalgic memories; UK Underground street soul, 90s Hip Hop, funny South African Kwaito tunes that we sing along to even though we don't know the language, soulful electronic love songs, early house classics and many more..

Some pretty banging songs that are precious to me from the message in the lyrics, the feeling they create, the fun vibes or just their awesome production are: Can't Stop (One World 12'' Mix) by After 7, U.N.I.T.Y. by Queen Latifah, Scratched by Etienne de Crecy and the Brazilian balearic classic Tudo Faz Sentido by Taciana to name a few.

@myles-mac:

One of the few upsides of extended periods at home this year thanks to all the lockdowns has been the time to trawl through old Ibiza chill CDs, youtube channel wormholes and bandcamp compilations to discover classic or relatively unknown 90s downtempo gems that have managed to last the test of time. With this mix, Maria and I put our heads together to tell a story of the past that somehow still sounds fresh to our ears today, trying to squeeze in a bunch of styles from both of our collections while making it all flow and sound somewhat cohesive over three hours and a variety of tempos.

Inspirations for the mix come from all over the map, but there's a definite focus on the link between the UK and Ibiza in the early-mid 90s, with old Dj Alfredo live recordings, José Padilla's Café del Mar compilations, psychedelic mixes from the late great Andrew Weatherall, the absolutely insane discography of UK Street Soul pioneer Toyin Agbetu (the producer behind 2 Tuff, Deluxe, Shades Of Black, Robyn, Mary Pearce and many more), the crisp jazzy productions of downtempo master Paul Hardcastle from Kiss The Sky (a ton of which he's uploaded to bandcamp) and the don of deep &amp; soulful UK Garage Mike Millrain (aka D Base, DJ South Central, Vibes Alive, Stone Cold Steppaz).

A few special mentions go to our friend Dust-e-1 in Montreal for his chillout monster of a remix for Pascale Project, the late Richard H. Kirk aka Sandoz who recently passed but left us with an infinite resource of beautiful electronic dance music, and Alaska's Kwaito classic "Accuse" that will always put a smile on our faces no matter the occasion.

www.melbournedeepcast.net

MDC.265 Myles Mac & DJ Possum

Recording from nitsa night on december 17th 2021

John Talabot dj set @Nitsa (17Dec21)

This mix is all music from 1984. It is a special live vinyl mix that I recorded on July 19, 2011 as a promotion for the A.D. (After Disco) series of parties here in Chicago.  The mix has been hosted for a few years on the Loves Podcast and I decided to upload it here to my Soundcloud for the first time.  Here’s a few words I wrote to go with the mix:  

1984 is an amazing year in music. At the time, "house" was still a colloquialism for the music played by Frankie Knuckles at the Warehouse. House was not yet a music form in its own right. "Fresh," on Vince Vince Lawrence’s fledgling label Precision, is the only house-qua-house track on the mix. The other tunes are properly considered proto-house -- the music which formed the milieu of dance music which we now describe (rather clumsily) as:

*Electro (e.g., Solo – “Girls, Girls” produced by John Robbie; JellyBean – “The Mexican”); 
*Garage (e.g., Circuit - "Release the Tension" a Timmy Regisford production; Colonel Abrams – “Music Is The Answer”); 
*Italo (e.g., Stop – “Wake Up”; Pancho Ballet – “Dancing Shoes”); 
*Synth and industrial dance (e.g., 52nd Street – “Can’t Afford” produced by New Order’s Stephen Morris; Palais Schaumburg – “The Beat Of Two” produced by Gareth Jones who also produced Depeche/Nitzer Ebb); and 
*Post-disco (e.g., Stephanie Mills – “Medicine Song”).

This music from 1984 is ‘proto’ in the sense that it was establishing the necessary elements of house – e.g., use of certain instruments (drum machines, synths, samplers) – but there are some stark differences.

Although much of the music in 1984 was released on small independents and remained quite underground, there were major successes for dance music at the time and investment in dance music by major labels. There was A&R structure at all record labels and radio play. "Trapped" (1985) by Colonel Abrams sold over 5 million copies worldwide. Earon’s “Land of Hunger” hit the top 40 on the soul singles chart. John “JellyBean” Benitez placed nine songs in the Top Ten of the U.S. Hot Dance Music/Club Play chart.

The democratizing force that would be house music had not been fully realized. It was still expensive to make dance music. For example, most of the tracks on the mix feature vocalists, session players or a full band. Although the epic ensembles of the disco era had long passed in fashion and economic viability, dance records were still recorded in professional studios and engineered by individuals like Bob Blank and Herb Powers. The E-max Sampler hit the market in 1984, but the studio standard were samplers like the Fairlight and Synclavier (which had more than $100,000 price tags), each of which were prohibitively expensive for use by most musician/producers.

By 1984 the relatively inexpensive Roland gear was just finding its way into the hands of Chicago, Detroit and New York’s new roots musicians. A year before, Larry Sherman acquired Musical Product’s pressing plant, the only one in Chicago. Ron Hardy was playing "Penthouse and Pavement" by Heaven 17 and "DumDum" at the Music Box. Dance music was about to fall off the edge, for better and for worse.

1984 Track List:

1. Citispeak Featuring Jeanne Harris – I Don't Need Your Handouts (Inst.) – Partytime Records 
2. Pancho Ballet – Dancing Shoes (Instrumental) – Best Record 
3. Jellybean – The Mexican (Funhouse Mix) – EMI America 
4. Nuance Featuring Vikki Love - Take A Chance (Dubapella) - 4th & Broadway  
4. Samson & Delilah – I Can Feel Your Love Slippin' Away (Long Mix & Inst) – Saturn Records 
5. Hugh Masekela – Don't Go Lose It, Baby (Stretch Mix) – Jive Afrika 
6. Colonel Abrams – Music Is The Answer (Dub Version) – Streetwise 
7. The Earons – Land Of Hunger (Extended Version) – Island Records 
8. Wet – That's The Game (Instrumental) – Bellaphon 
9. Circuit – Release The Tension (Dub) – 4th & Broadway 
10. Stephanie Mills – The Medicine Song (Dub Version) – Casablanca Records 
11. Anne Clark – Our Darkness (Remix) – Ink Records 
12. Solo – Girls, Girls (Ah-Ah-Hi) - Next Plateau Records Inc. 
13. 52nd Street – Can't Afford – Profile (on license from Factory) 
14. The Bridge – Love Dance (Industrial Mix) - Second Vision 
15. Stop – Wake Up – Damabi International 
16. Fresh – Dum Dum – Precision 
17. Palais Schaumburg – The Beat Of Two (Extended Version) – Mercury


1984 After Disco (A.D.)

Infinite Greyscale is delighted to present a new long-form composition by Stara Rzeka. The Polish village of Stara Rzeka and its surrounding countryside were devastated by a huge tornado on the 14th of July 2012. Stara Rzeka is where musician Kuba Ziołek, who adopted the name as one of several artistic projects, spends his summers, and the morning following the storm Ziołek was present to witness the aftermath. 
 
This self-titled piece opens to the crackle of electricity in the air and a distinct impression of menace. The distortion softens, but never truly fades, as it gives way to song; a graceful and melancholy ode to what nature has been divested of in the storm. Eventually this human presence, like the tornado, departs to leave the composition sounding like the land itself; wounded but brimming with life, buzzing and psychedelic. 

The fact that the artist, music, and location all exist under one heading suggests that these elements are interdependent and inseparable. This is music as elegiac at it is sanguine, at perpetual as it is fixed in time, and here Stara Rzeka is all of those things.



Single sided 10”, pressed on dark green vinyl with screen-printed b-side. Numbered edition of 300.  
Handmade artwork by Paul McDevitt and Cornelius Quabeck. Screenprint by Ulrich Schmidt-Novak. 
Includes numbered insert, photograph, and download code.
Mastered & cut by Rashad Becker at D&M, Berlin.


Stara Rzeka – Stara Rzeka IGR05

Purchase here: geographic-north.com/cassette/m-sage/
Catalog #: GN21
Rosso Corsa cassette, limited to 100

Born and raised in Ft. Collins, Co, Matthew Sage established himself as a formidable player in the greater experimental scene as a producer of utterly monumental works of processed ambient music using anything and everything at his disposal as M. Sage, along a bevy of other pseudonyms. From guitar, pedals, cello, field recordings, and severe but tasteful post-production, sound takes shape in a carefully focused but altogether organic way. Sage's acts of grandeur don't simply fall back on piling on just any noise or sound. Tones are sifted out of the ether naturally, separating themselves with the ease of an inherent belonging, best heard earlier this year on the sprawling A Singular Continent LP, wherein Sage created sonic worlds, fabricating entire geographies, geologies, latitudes, and histories. 

With Data in the Details, Sage turns the focus inward, pulling from a series of deeply personal scenes in his final two months in Ft. Collins doing data entry and moving high-end furniture into high-end mountain homes. The resulting two tracks process the experiences in disparate but inextricably linked ways. A-side’s “Data in the Details (heads up extended edit)” routes an amorphous and elusive trail of textured ambient modes. Glitched and muted melodies fold on top of one another in ways only Vladislav Delay previously mastered, while frigid patterns of sound ice over similar to Fennesz’s alluringly processed tones.

B-side’s “Data in the Details (mover isuzu dub edit)” repurposes the ample washes of the original track into more rhythmic and minimal acid-dub. Calling to mind Porter Ricks’ sub-aquatic dubbiness, traversing Jan Jelinek’s mutant, kraut techno, Sage revels in a sort of muted throb that flows through the entire side with both nothing and everything to lose.


02 Data In The Details (Mover Isuzu Dub Edit)

a morning warm up in a sea of mud overlooking Mt Fuji. This was my first set of the day, to be followed a few hours later with a b2b, at the very first edition of Transcendence, a cute and cosy festival in Japan. Big thank you to Takumi Inamoto and DJ Maria for everything.

Jane Fitz live at Transcendence April 2023

Track from NE15 Född Död - Studie I Närhet, Längtan Och Besvikelse LP

Order here: http://northernelectronics.bandcamp.com
https://clone.nl/item34101.html

Född Död -  I smärtan, fri

04 Psyche

Back at the lot radio bringing some lesbian house.

https://www.instagram.com/bellasalmonella 
https://www.soundcloud.com/bellasalmonella



ISAbella @ The Lot Radio 05-10-2025

The Sustain-Release co-founder steps up to the Phonica mix just ahead of the acclaimed festival’s 11th year. 
New York has an iconic history when it comes to club music, and over the years has seen many great names emerge from its underground scene. In modern times, Aurora Halal is undoubtedly one of those names. 
Aurora has become a staple at forward-thinking institutions like Berghain, De School, and her home base, Nowadays, where she holds a residency. Alongside her international touring, she’s carved out her own vital space through the long-running Mutual Dreaming parties and Sustain-Release, the DIY-rooted festival she co-founded, which continues to push boundaries as it enters its second decade.
Her Phonica mix offers a vivid snapshot of her deep, intuitive approach to DJing—captured live at Mansions, a cozy NYC wine bar turned house party haven. Known for her genre-fluid sets that blend hypnotic techno, house, acid and experimental textures this is the perfect calling card to showcase why she can hold it down with a range of greats like DJ Nobu, Vladimir Ivkovic and more.
We had a chat about the mix with Aurora as well as touching off Sustain and some of her favorite moments at the festival.

Phonica Mix Series 134: Aurora Halal

Roman Flügel - 16 August 2025

Hamburg's king of vinyl houses it up in a deliciously deep style on this week's RA podcast.

RA.161 Lawrence

RA.241 Maya Jane Coles

PUMP IT BABY...

Enjoy!

ps:
on all things music, pls follow me here:
https://twitter.com/gerd4lux
http://www.facebook.com/gerd4lux

pic by seze devres www.sdphotography.net

GERD DJ SET @ PANORAMA BAR BERLIN 02-09-2012

The tale of the mythic pentaki mountain has been engraved on a two-sided circular piece of wax.

the north face of the peak is steep, abrasive, and has been the subject of many legends in the region. it is said that whoever would manage to climb it would find a plateau, leading to a place called “the single source of truth”.

considered as the ultimate goal by both psychedelic gurus and database o
ptimization corporations, and as an ideal retirement destination for a couple of lost souls in search for coherence and objectivity, the source diffuses endless loops of haunted voices, apparently sampled from a discarded call center, running low on power, encouraging listeners to shorten cycles, deliver requests and improve user experience.

it is also said that anyone climbing from the south side would never reach the summit or find his way to the plateau, and would always end up on a lower altitude than where he started.

this topographical anomaly is probably the reason why the south face of the pentaki has always been favorited by locals, with its sunny weather and its luxurious vegetation flourishing along the soft downward slope, leading to a slow and peaceful end.

Kangding Ray . The Pentaki Slopes . 12" E.P
r-n 145 . raster-noton

A1 : North
A2 : Plateau ( a single source of truth )
B1 : South

Plateau ( a single source of truth )

Founded in the UK in 2008, The Quietus is one of the world’s leading independent websites for quality longform writing on visionary and modernist music and culture, covering all genres with an equal weighting.

The Quietus treats the emerging artists of the genre-melting present with the same reverence the mainstream reserves for the stale canon of yesteryear. We look to reappraise and revitalise those artistic pioneers abandoned in the hinterland.

We champion trailblazing and illuminating cultural journalism from around the world – numerous successful writers and broadcasters are first published on our pages.

After years held back by a creaking old website, The Quietus (tQ to our friends) has been regenerated, providing an indispensable portal to a realm of cultural discovery, devilment and debate.

“The Quietus believes in the power of cultural criticism to cut through the noise of social media and the ultimately disappointing guidance of tech platform algorithms. To write down a series of words that have never been combined before, expressing a complex series of emotions, thoughts and experiences that unites writer and reader at a level that feels telepathic and changes the joint experience of reality: That is the definition of magic.” – tQ Co-founder John Doran.

04 Psyche

The Quietus

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