Name: Mulatu Astatke - Yegelle Tezeta by The Quietus in Jazz
Duration: 3 min 14 s
Description: As sampled by Nas and Damian Marley on the new single ‘As We Enter’

my favourite tune at the moment, much better than nas&damian marley's rip off

Classic! Thankfully this tune and groove never gets old!

Jazz

Kruder & Dorfmeister - High Noon

From the liner notes of our 2-disc Ebo Taylor retrospective, Life Stories:

Ebo acknowledges the influence of US jazz rockers Blood Sweat & Tears and
– less obviously, perhaps – Deep Purple on this easy going mid-tempo
piece, written a few years before it was recorded, when Osibisa and
various ‘blaxploitation’ themes were hip. “I was trying to fuse rock and jazz together with highlife,” Ebo recalls. “This kind of music was ahead of its time – not very popular when we recorded it!”

Life Stories

Peace On Earth

Ebo Taylor- Peace On Earth

https://open.spotify.com/album/4XfjbetSzQqOXXE0NVdOjl

https://music.apple.com/us/album/the-moving-finger/1663546857?i=1663546858

The Amazing Dorothy Ashby in a slight extended version for her beautiful creation "The Moving Finger".

Dedicated to my newborn Aviv "Ginger".

Dorothy Ashby - The Moving Finger (Ginger Dream Edit)

The new recording from ALIENTO.
Release Date (France) : 27.10.2014

Balkan Pursuit

As sampled by Nas and Damian Marley on the new single ‘As We Enter’

Mulatu Astatke - Yegelle Tezeta

Khun Narin - Lam Phu Thai #1

DAVID T WALKER - LAY LADY LAY

vinyl 45 release on march 4th 2016. limited edition to 300 copies. 

Buy here 
UK : 
http://www.juno.co.uk/products/magdy-el-hossainy-music-de-carnaval/604036-01/
http://honestjons.com/shop/artist/Magdy_El_Hossainy/release/Music_De_Carnaval
http://fatcity.co.uk/magdy-el-hossainy-music-de-carnival
http://www.phonicarecords.com/product/view/136002
http://www.jazzmanrecords.co.uk/catalogsearch/result/?q=magdy

GERMANY : 
http://oye-records.com/sgl.php?id=147249&aplay=0

FRANCE :
http://www.sofarecords.fr/magdy-el-hossainy-music-de-carnaval/i3048558764,2
http://www.betinos.com/disque/3084

NEDERLAND : 
http://www.rushhour.nl/store_detailed.php?item=88842

ITALIA : 
http://www.ledisquestore.com/en/ecommerce/94326_Music-De-Carnaval.htm

Magdy el Hossainy - Music De Carnaval

From his studio in central Bobo-Dioulasso, photographer Sory Sanlé documented a nation's transformation from colonial foothold to cosmopolitan oasis. Bobo Yeye: Belle Epoque in Upper Volta provides an intimate look into the landlocked nation's pop culture explosion of the 1970s. A melange of community elders and emboldened youth spill from the brightly lit confines of Sanlé's Volta Photo into the dimly lit nightclubs of Upper Volta's cultural capital. Accompanying this hardbound monograph are dozens of rare and evocative recordings spread over three discs by Bobo-Dioulasso's musical titans: Volta Jazz, Dafra Star, Echo Del Africa, and Les Imbattables Léopards. 

Bobo Yéyé: Belle Époque in Upper Volta

Volta Jazz - Wêrê Wêrê Magne

Dania

Vinyl, CD and digital: https://www.faroutrecordings.com/collections/nomadeorquestra/products/nomade-orquestra-entremundos

Nomade Orquestra return from the stratosphere via Brazil with their second offering: Entremundos (Between Worlds). Gazing outward through a kaleidoscope from the heart of Sao Paulo’s jazz scene, the collective consciousness of the ten-man orquestra has dreamt up an adventurous amalgam of earth’s most far reaching musical cultures. Recorded at Red Bull Studios, Sao Paulo, Entremundos is like a cosmic musical playground where Ethio-jazz, Indian classical and Oriental sounds dance around Afro-Brazilian roots rhythms and Northern hemisphere jazz, funk, soul, library music and hip-hop influences. The sheer vastness of the album is astounding, Nomade Orquestra have quite literally conquered the world in sound.

Entremundos

Jardins de Zaira

Dirty Money

On his debut album Travesseiro Feliz (Happy Pillow) Rio de Janeiro based dreamer and new Far Out Recordings signing Ricardo Richaid melds his tropical heritage with his love for psychedelic music, jazz and rock. He also takes inspiration from the many Brazilian greats – Caetano Veloso, Arthur Verocai, Ivan Lins, Joyce, Hermeto Pascoal, Marcos Valle and Azymuth (to name a few) – who he has worked with as an engineer, assistant and producer, in Rio’s former RCA studio, Cia dos Tecnicos.

As well as being heavily influenced by Brazil’s fabled Tropicalia movement, Richaid is the grandson of Brazilian actor, singer and Disney star Aurora Miranda (Carmen Miranda’s younger sister), so tropicalism is in his blood. Describing his sound as ‘Industrial Tropicalism’, Richaid’s music is undoubtedly a product of his environment. Just like Rio, it’s warm, hazy and beautiful. But reflecting the current mood of his homeland, there’s an ominous smog looming amongst its charm. Lamenting the political, economic and ecological crisis he sees engulfing Brazil, Richaid’s obscure, poetic lyrics touch on drugs, drones and darkness, emphasizing the importance of art to bring light in troubled times.

The unconventional time signatures and sunny jazz-folk meets post-punk aesthetic are adorned by Richaid’s studio smarts. Working day to day in Rio’s top studios, he developed a comprehensive knowledge of all aspects of the recording process. But seeking autonomy and total creative independence, Richaid went on an equipment finding mission in the USA. Upon returning, he set to work building his own studio in Rio’s Gavea district and began writing the tracks that would become Travesserio Feliz. Singlehandedly composing, producing and mixing everything himself, Richaid recalls the endless nights he spent working on the album, often sleeping on the studio floor.

Travisseiro Feliz features a host of notable names from across Rio’s music spectrum, including percussion sensation Marcos Suzano (Gilberto Gil), experimental pop artist Ana Frango Eletrico, and vocalist and multi-instrumentalist Jose Ibarra, who has been lauded for his recent performances as part of Milton Nascimento’s touring group. On interlude track ‘Formigas’ we also hear a few verses of Ricardo singing together with his 7-year-old daughter, Nina Richaid.

Living with his grandmother Aurora Miranda until the age of seventeen (who featured in Walt Disney’s Three Caballeros film, and happens to be the first human being to kiss Donald Duck… really!), young Ricardo would listen with intrigue to his father playing chromatic scales and bossa nova melodies on the saxophone; his mother’s Brazilian classical piano; or his punk rock brother slamming the drums. This eclectic musical upbringing led a teenage Ricardo to learning his trade as the bassist in a short-lived hard rock band, which disbanded when Ricardo began to dig deeper discovering the likes of Os Mutantes, King Crimson, Frank Zappa and especially the ‘Clube De Esquina’ sound pioneered by Milton Nascimento and Lo Borges. Since then, alongside engineering some of his musical heroes in Brazil, Richaid has played in bands like Mara Rúbia and nitú, from Rio’s underground experimental psych and jazz scenes.

Following lead single ‘Largado Nu’ on the 17th January, Richaid will release his debut album Travessiero Feliz on limited vinyl, CD, cassette and digitally in March 2020, via Far Out Recordings.

Vinyl / CD / Digi

Ricardo Richaid - Largado Nu

Gabo Brown & Orchestre Poly-Rythmo - It's a Vanity

Julien Behar - alto sax, flute
Christophe Chaïr - drums, percussions 
Rémi Gadret - electric bass
Philippe Rak - vibraphone

MOCKBA 80

Ne'eman

Piero Umiliani - Lady Magnolia (Kid Loco Remix)

Founded in the UK in 2008, The Quietus is one of the world’s leading independent websites for quality longform writing on visionary and modernist music and culture, covering all genres with an equal weighting.

The Quietus treats the emerging artists of the genre-melting present with the same reverence the mainstream reserves for the stale canon of yesteryear. We look to reappraise and revitalise those artistic pioneers abandoned in the hinterland.

We champion trailblazing and illuminating cultural journalism from around the world – numerous successful writers and broadcasters are first published on our pages.

After years held back by a creaking old website, The Quietus (tQ to our friends) has been regenerated, providing an indispensable portal to a realm of cultural discovery, devilment and debate.

“The Quietus believes in the power of cultural criticism to cut through the noise of social media and the ultimately disappointing guidance of tech platform algorithms. To write down a series of words that have never been combined before, expressing a complex series of emotions, thoughts and experiences that unites writer and reader at a level that feels telepathic and changes the joint experience of reality: That is the definition of magic.” – tQ Co-founder John Doran.

Mulatu Astatke - Yegelle Tezeta

The Quietus

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