Bookings Worldwide
www.cloud7-music.com/booking

Representing the newest generation of producers, Cloud7 makes Progressive Trance sound as progressive as it can be. Bursting with a youthful energy and euphoria, the banging Progressive grooves of the young German reflect a remarkably high level of musical and technical talent and quality. A true wild card of the international scene!

UK record label founded in 1998 by @john00fleming. 

A&R/Team:
@daniellesden
@enlusion

Latest releases and demo submissions: 
https://linktr.ee/joofrecordings

For Rune Reilly Kölsch, Kompakt has become a great label to call home. In 2013 the German imprint celebrated 20 years of record releases at the cutting edge of electronic music, championed in June by one of the most genre re-defining albums and personal music projects for an era: Kölsch’s landmark long player, ‘1977’.

A melodic autobiography on black wax, the Kölsch project has seen 36/37-year-old Rune take stock of a diverse and successful production career and draw upon his own personal beginnings: a nostalgia for childhood, family, friends and the confusion of applying his split-cultural heritage to what it means to think of ‘home’. As Rune freely admits, “being half Irish, half German and living in Denmark – it was all one big messy period of my life.” 

Born to hippie parents in the freetown of Christiania (a commune-like autonomous borough of the Danish capital Copenhagen) his childhood was spent surrounded by creativity. His mother was an artist whose family had roots in German politics and his father a singer songwriter who travelled through Asia playing music in the early 70's. Kölsch, however, did miss out on building friendships and found solace in making up “this imaginary world that I would spend days in,” before the family moved to Germany – a period of memories, relations and characters from which ‘1977’ derives its titles.

For Rune, the tracks he began building from 2010 took in this personal reflection, his being “completely locked in to reminiscing about what shaped me as a kid and into the individual that I am now” – contemplating his unique past to form the brickwork of ‘1977’, one of the most future-facing techno albums of recent years.

Influenced by hip hop, pop and the incredible legacy of Jeff Mills and Derrick May, Rune started producing in 1995, embarking on a string of success stories. In 2003 he released the multi-million selling, saxophone-infused ‘Calabria’, that saw collaboration requests pouring in from artists as diverse as Nicki Minaj, Shakira and Flo Rida. He then set up Tattoorecs – releasing pioneering underground tracks with no titles, just tattoos for artwork, that garnered critical acclaim and support from minimal and techno trailblazers such as Sven Väth, Richie Hawtin, Magda, Tiefschwarz and Ricardo Villalobos.

This appreciation of the complete musical spectrum has gifted Rune with a devotion to groove and melodics and with it the dexterity to input real creative change to the genres he reveres, not least his beloved techno. “2010 was the year of the ketamine house wave, where the music was 118 bpm and everything was extremely boring”, reflects Rune. “I wanted some melodic techno, some energy back in this scene. People needed the energy to express themselves and go crazy for a bit.”

This notion faced opposition, even from within Rune’s close circles. But it was Kompakt founder Michael Mayer who had the insight to see what Kölsch was trying to achieve. Rune’s conviction that vibrations and melodics are the key to human response had tipped the balance, underlined by his experience as a hip hop DJ where he “needed something to catch me and drag me in. And that’s what techno should do!” Here too he drew on his love of Jeff Mills and Derrick May, recalling how “they used to make mistakes all the time. It would be a big mash of all kinds of stuff, but at least something was happening. That’s what I was missing and that’s what I’m trying to change with the Kölsch project.”

The result is ‘1977’, a personal collection of dancefloor destroyers that are continuing to send clubs and festivals across the globe into melodic supernova. Take this video of Kölsch’s set at Belgium’s I Love Techno festival, one of Rune’s 2013 highlights, where “people were doing sit downs, singing along to all the tracks”. Watch it. It puts the hairs up on the back of your neck. “The response was overwhelming,” said Rune in a recent interview with Mixmag (who named Kölsch as one of their ‘Stars Of 2013’), as “when you think about it, it was just a bunch of childhood memories with a kickdrum underneath.” 

Elsewhere he’s ripped up the airways with an acclaimed Essential Mix for Pete Tong on BBC Radio 1, delivered his incendiary soundscape to Singapore’s world-renowned ZoukOut Festival, boomed his live show through the heaving basement of London’s XOYO and played the hallowed Space Terrace – in his words “a boyhood dream since I started going to Ibiza in 1999. That was what I wanted from life!” So opening Amnesia in 2014 with Joris Voorn will be a bonus then...

While these are reasons enough to keep the beaming smile beneath Kölsch’s trademark black fedora, his humility remains just as striking. While tracks like ‘Goldfisch’ have taken pivotal positions in the set lists of world class DJs from across the dance music spectrum – traversing the underground with Seth Troxler, while simultaneously providing credible new euphoric highs for the likes of Axwell – Rune remains joyously down to earth. All despite producing, with ‘1977’, an album that has crossed as many cultural and musical boundaries as his own childhood past.

From the face-twisting melodic drive of ‘Opa’ and ‘Bappedekkel’, to the chord-surfing piano groove of ‘Der Alte’ and the euphoric crescendos of ‘Lorely’, ‘Oma’ and ‘All That Matters’ (all hits in different countries), the fact remains that whether in your living room, on the dancefloors of the world’s greatest parties, or simply in your headphones on your way home, Kölsch’s ‘1977’ has re-defined techno and become an achievement that speaks for itself. 

Words: Phil Dudman – Clubs & Live Music Editor, Mixmag


Hello and welcome to my SoundCloud space.
Here you will find all sorts of tracks, from released to unreleased, production library works to the earliest tracks or preliminary sketches.


John 00 Fleming is an electronic DJ and producer who has achieved international success in a career spanning over three decades, all without ever compromising his musical essence or the trust of his fans. Known for his deep knowledge of music, he is a proven pioneer and a leader recognised for his hypnotic style and unwavering integrity. Respected equally by peers and audiences worldwide, John has carved a unique path by staying true to his vision rather than chasing trends.

His legendary extended DJ sets — sometimes stretching eight hours or more — have become benchmarks of immersive storytelling on the dance floor. These marathon journeys have built a devoted cult following at clubs and festivals, establishing annual gatherings around the world where audiences return for the experience only he can deliver.

John’s career began at the age of 15, playing a role in the exploding UK rave scene, which led to multiple residencies in the country’s formative club circuit and eventually to performances on some of the world’s most respected stages, including BOOM Festival, EDC, Tomorrowland, Ozora Festival, Creamfields, Own Spirit Festival, and countless underground institutions across the globe. With multiple Gold disc mix compilation accolades and millions of streams to his name, he has also delivered acclaimed Essential Mixes for BBC Radio 1 and earned the rare distinction of bridging the commercial and underground worlds without compromise.

As a producer, John’s esteem within the industry has drawn respect from electronic luminaries such as Jean-Michel Jarre and Muse. While he accepts peer endorsements humbly, he continues to let his production skills speak for themselves. With five electronic artist albums and an extensive discography of singles, John also finds time to compose for major film and television networks, including projects with The Royal Philharmonic Orchestra at the famed Abbey Road Studios in London.
As head of JOOF Recordings, he has built the label into a trusted home for forward-thinking artists, nurturing a global community united by quality-driven electronic music.

Whether behind the decks, in the studio, or guiding others, John’s reputation rests on consistency, honesty, and artistry. In an industry often driven by hype, he has remained grounded, letting the music speak — and that is why audiences and fellow artists alike continue to hold him in such high regard.

The man behind the Pure Trance movement. 

My new album 'innermost' is now available.
https://solarstone.lnk.to/innermost

Please email demo links to demos@solarstone.co.uk

therealhem is following