Starting with nothing more than a terrible set of speakers, an 8 year old Dell computer, and a cracked copy of FL Studio; Trey Haur began producing electronic music well over a decade ago in his parents living room. Since then, his equipment has greatly improved and so have his skills. 

Never able to stick to a specific genre, Trey's music is a mash of several electronic styles that include hip-hop, dubstep, pop, and ambient. When asked about where he usually begins when making a track, he said "I begin where the track the track says I should." 

Well said, Trey

B E A T S | I N S T R U M E N T A L S

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Sorry i can't reply to ya'll  im single keep it a hunnid and smooth

I just love playing my music in my head 💯🔥😎

My Name is Tyray im a young music artist trying to accomplish something big..... working day and night learning each and every day... im slowly  accumulating a positive team to work and build up are talent together... and to show the rest of the city how to do the same... then mabey the world who knows .... listen to my music and different sounds and styles i come up with... working hard to become something great ... wish me luck !
TeoGang! (Third Eye Opened)

ct
basketball 🚨
i got weapons that will separate ya skin from ya skeletons
NBIS 📘
DADDY JAY
ADD ME ON IG @LIGHTSKIN_JAYLA1_
ADD ME ON SNAP@SPAM.JAY4

Lyrics by me
Instrumentals by many producers
Instagram: WYYYSE

I'am an inspired artist born in Fort Wayne and raised in Indianapolis Indiana. Ever since I was young I have had an ear for music, now that is the ONLY thing that I hear. 
My work explores the relationship between emerging effectuations and football chants. 
With influences as diverse as Wittgenstein and Miles Davis, new combinations are generated from both constructed and discovered textures. 
Ever since I was a teenager I have been fascinated by the theoretical limits of the mind. What starts out as vision soon becomes finessed into a tragedy of power, leaving only a sense of chaos and the possibility of a new understanding. 
As spatial phenomena become reconfigured through boundaried and critical practice, the viewer is left with an epitaph for the edges of our future.

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