Elapsed Is an Instrumental project created by Poltergei$t (Guitars, Vocals) & Mr. Hellnaw (Guitars, Production). Here is the newest single from them featuring guest vocals provided by underground artists Despised Masses & Iamblaize. Make sure to give these guys a follow and you can also find this song on all platforms. Enjoy!!!!

https://open.spotify.com/album/6nQ2FBZIwDajGfvNm1KYvs

ELAPSED (FEATURING DESPISED MASSES & IAMBLAIZE) ''THE URGE'' **OUT ON SPOTIFY**

Post-hardcore 90's del Montnegre, Guillem bateria i veu, Albert guitarra i veu.
Ens influencia el bosc i la música dels 90's i 00's
Ment positiva

click follow,YouTube,Instagram,Spotify thanks...

„My Dying Hatred“ is a one-man-project by Torben Kauth. Inspired by Bands like „Trivium“ or „As I Lay Dying“, the project follows the genre of metalcore to succeed in creating metal that is listenable as well as interesting in it‘s form. The project should also have the function of uploading Demos and actual songs to improve the quality of the music in general.

I hope you like the stuff I make. Please consider following if you are interested in future stuff of this project.

All songs produced and composed by Torben Kauth.

🫲☝🏼☝🏼☝🏼sharing is careing☝🏼☝🏼☝🏼🫱

  🪬🪬🍀thank all of you so much🍀🪬🪬
Aufgewachsen mit Metalbands wie Slayer,  Roses usw, kam ich in der späten 90ern zum Elektro und Psy Trance. (Der dritte Raum,Psychodelic Krembo,usw)
Intrumental bin ich begeistert von Bass, Gitarre und natürlich von Analogen Synthis, die auch oft zum Einsatz kommen. Ich liebe es, meine Vorstellungen in Musik umzusetzen und experimentiere gerne mit fremden Geräuschen und Frequenzen.
Vom Stil her bin ich offen, geht aber meist in den Dark, Full on, Power Psy Bereich. 

145bpm🙏🖖👌🤙🫶💪enjoy

Growing up with metal bands like Slayer, Roses etc, I got into electro and psy trance in the late 90's. (The Third Room,Psychodelic Krembo,etc) Instrumentally, I'm enthusiastic about bass, guitar and of course analog synths, which are also often used. I love translating my ideas into music and I like to experiment with foreign noises and frequencies. In terms of style, I'm open, but mostly go into the dark, full on, power psy area. 
145bpm🙏🖖👌🤙 💪enjoy

Artist/Musician from the Northwest. Guitarist/Co-Producer for Elapsed.

https://linktr.ee/aggressivepets

"Welcome to my placid dreams and my suffocating nightmares!"

Antonio Zapata (Aggressive Pets) is a Spanish musician and bedroom producer who began his studies at the music school of Leganés and later at the Professional Music Conservatory of Getafe.

 Later he entered the school of modern music La Factoría where he received lessons from some musicians like Luis Cruz ( guitarist of the legendary Spanish rock band Topo).

After that he enrolled in CEV (Center for Video and Image Studies) he studied music production, live sound and radio with Nacho Legorburu (Dean in Spain at Audio Engineering Society).

 Antonio has played guitar and bass in several bands (Wildlovers, Sin un Duro, Criaturas Celestiales) and has produced several demos for local rock groups. 

He is currently working on his Aggressive Pets project, eclectic mix of styles created from his home studio, as well as creating soundtracks for short films ( he composed and performed the O.S.T. for the horror film Yuggoth, directed by Dani Lardon and produced by Arkham Contents,  Which can be viewed freely on YouTube).

Rest in Peace Ozzy

2013- 
Not the best, but no AI can imitate this violence. Can you say the same about your tracks?
Dave does the singing/Lex does the playing

Microphone:Audio-Technica AT2020
Guitars:Dean ZX (Explorer)
Bass:Ibanez GSR200
Drums are samples recorded by @delaureat 

Wanna hear the best? check out these guys!:
METAL
Dreyra - https://soundcloud.com/dreyra/tracks
cort.eXe code - https://soundcloud.com/chiasma-294956272/tracks
EdgeOfDark - https://soundcloud.com/edgeofdarkness50/tracks
Under The Sword - https://soundcloud.com/todd-bulik/tracks
Eat the Trees - https://soundcloud.com/eatthetrees/tracks
Vinlandsraud - https://soundcloud.com/vinlandsraud/tracks
ⁿⁱᵘʳⁱᵒˢ - https://soundcloud.com/niurios/tracks
Ray Warlock - https://soundcloud.com/ray_warlock/tracks
Omniwhore - https://soundcloud.com/westley-rice-463871743/tracks
Teratogenic - https://soundcloud.com/teratogenic/tracks
Boblivion - https://soundcloud.com/boblivion1/tracks
BLOT OUT - https://soundcloud.com/jeremy-tweek-cawthon
Chris - https://soundcloud.com/chris-schlue/tracks
Esipthycide - https://soundcloud.com/esipthycide/tracks
Postal Inc. - https://soundcloud.com/dirty-dan-893451539/tracks
Black Radish - https://soundcloud.com/blackradishband/tracks

ALTERNATIVE (ROCK)
Olzu - https://soundcloud.com/olzu/tracks
TEZCAT REAL - https://soundcloud.com/tezcatreal/tracks
C.S.C (ChimericalSkinCell) - https://soundcloud.com/iris-rhyes/tracks
The Beautiful Dark - https://soundcloud.com/thebeautifuldark/tracks
Auto-Rock - https://soundcloud.com/auto-rock/tracks
$uper Acid $un$hine - https://soundcloud.com/drugsickhero/tracks

(more on the way!)


Also, F.U.C.K. your A.I. Sabaton-like riffs and vocalists. Use the tool, don't let the tool use you!

Get Out on youtube:
https://www.youtube.com/watch?v=mCHYPgoCedQ

Elapsed is a new project featuring musicians/artists Nocona ''Mr. Hellnaw'' Ridge & Joe ''Poltergei$t'' Chase. After collaborating quite frequently over the last year or so, they've decided to join forces and take their influences to bring you something fresh.  Also, if you like what you hear and interested in custom work writing your next song or using one of our songs to add vocals, please contact us

Musician 
Main Soundcloud Account -  https://soundcloud.com/exbamyermrxs/tracks

Darkwave is my experimental music project built on the backbone of old-school metal riffs, with an outlook to a wide variety of musical scenes. Despite its intimate connections with progressive – and even thrash – metal, the musical dynamics I try to accomplish in Darkwave often deviates from the classical concept of the genre (e.g. the catching tempo generated by tight rhythmicity), and incorporates elements with significantly different tonal and emotional characteristics, ranging from thrash, power, doom or symphonic metal themes to electronic, classical or even jazz elements.

Such a diverse mixture of different styles is seldom intentional, but rather a mixture of instinctual and intentional elements reflecting the character of the composer and the impact of influences shaping the songwriting process. Balancing on the razor-sharp edge between these domains of human consciousness, I think it’s always revealing to indentify the composer’s primary influences to understand the core philosophy behind the final product. Despite their essential innervation with thrash metal, my main influences come from somewhere far beyond, from the distant realms of hard rock, NWOBHM (New Wave of British Heavy Metal), and – in certain extent – from classical (or even gregorian) music. I see it as some kind of an evolutionary process: first it was the intensity, then the complexity of the music that grabbed my attention and put a significant emphasis on my way of looking at all things music. Regarding the metal frontrunners, the complexity of the Shermann-Denner duo’s guitarwork as well as the dark, monumental, epic atmosphere of Tony Iommi‘s musical skyscrapers clearly shaped my personal attitude to music. Still, the artistic genius of the late Jon Lord (who aimed at building bridges between “old” and “new”, traditional and modern) was that characteristical influence that put its almost deterministic mark on my musical taste and creations. I started to listen to bands that somehow unite various territories of the world of music: it felt amazing to listen to Mekong Delta’s Suite for Group and Orchestra or the jazz-metal fusions by Atheist until the point that I could finally identify a third essential element besides intensity and complexity: the gloomy, epic, emotional (sometimes sad) and monumental atmosphere: something that I could find so often not only in music, but also in my favorite books and poems. And this is that exact point, where the intentional and instinctual motifs become somewhat indistinguishable from each other, and form a distinct entity of thoughts, feelings, desires and aims that might be characterized as my personal attitude to music, art – and in general, life.

It’s not that hard to grip the essence of that attitude. I tend to agree with G. K. Chesterton‘s paradoxical jeremiad from 1905 on the loss of universals (“…we are more and more to discuss details in art, politics, literature… Everything matters — except everything.“) and accept that it’s always the core philosophy behind art (or “everything“…) that we must understand, if we ever want to grab the creator’s personality that is mirrored in the final product. The secondary details in composition, performance or production are merely consequences of this primary attitude or basic approach behind the creative process. My primary aim with Darkwave has always been (and will ever be) nothing else but to formulate, express and transmit feelings and thoughts without words, while constantly realizing that there exists nothing more suitable to facilitate this communication between human souls than music itself.

“When words fail, music speaks.”

ELAPSED (FEATURING DESPISED MASSES & IAMBLAIZE) ''THE URGE'' OUT ON SPOTIFY

THE REAL POLTERGEIST