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TRES is the musical project of three extraordinary men: 
Kcîrtap Ralosz (vox), Rick Lostrapa (strgs) & Professor Avalanche (drms, prc & prg)
These fragging individuals met during a fullmoon night in the year 2000 after a long journey from different countries. 
Ralosz, a Whiterussian medium with Caucasian look, long hair & weird beard, is a supposed grand-grandson of the well known Czar-Advisor Rasputin. He entered stage in the early 80s as a fake-merchandise seller on Killing Joke and Laibach-Concerts. He was sometimes arrested for a view hours – his bad designed shirts and his terrible English pronunciation gave the police no further reasons to keep him in jail. So they threw him out before he could finish a selfmade Tattoo on himself with an old ballpoint pen, a zipper and a needle that he found in an ashtray of his cell. Afterwards he tried to make his luck in futuretelling on public places but his horrible visions of frightening deaths made all his customers run away before they were able to pay – unfortunately he was not intelligent enough to ask for pre-paying…
 
Lostrapa, born in the Spanish Highlands, was found at the age of ten in a deep wood during a public hunt. His adoptive father, a butcher with one arm that he lost during a failed assassination attempt on General Franco, took care of him. One day in the Butchery Lostrapa tried to dismember a cow and cut all the fingers of his left hand with one strike. So he started all over again learning to play the guitar after finding an old photograph of Django Reinhard in a public Toilett in Madrid. He build some prosthesis – experimenting with differend kinds of german wurstel (because of their skin-like texture) – finally using simple woodsticks for his fingers. This brought him huge success by inventing the musical style of doom-swing. After a short but intensive career in the famous Las Vegas-Lounge in Bottrop (GER) he lived for several years on the street selling selfmade haikus to the passersby. His first public appearance was during a  extra casting for the Alex de la Iglesia- Production Accion Mutante – he was rejected because of his eerie look. 

Professor Jean Avalanche – the last of this round – made his first public appearance as drummer of the Black Metal Band “Les Schwartzwürstel”. Several mysterious explosions of drummers in the scene forced him to quit and work on synth or pc. Like his famous father (drummer of a British rock band) he is a fan of straight rhythms.

CHECK OUR INTERVIEW AT: https://entertheventure.wordpress.com/2015/10/31/tres-band-interview/


Majors Need to hire me as I spent decades educating myself & others on a very wide range of obscure and original Talent , Let’s change pop culture. DM me your tracks for repost 💯🔥🔥🔥 YOUTUBE CH COMING SOON 🔥🔥🔥

Outrageously expressive vocalist and dancer, regrettably trapped in the tone-deaf body of a cage fighter - hence eternally death-embracing Goth
Deeply religious, yet extremely critical of a clearly unfinished project - Lord, what were thee thinking?
According to many, blasphemous, as I do not oppose a certain fallen angel. It just seems so obvious to me that this creature ('creation, see what I did there?), is just as necessary as the dear Lord himself - and is still trying to clean up some of the mess left behind. I think...
There are times when I've been known to express political thoughts, but only ever to desperately call for revolution and/or declare violence as acceptable as long as it is directed at fascists (and only as long as the good lord does not himself deal with these dickheads by bestowing upon them erectile disfunction and reserving them special rooms in hell). 
Strictly for freedom, opportunity, love, food, shelter, education, health, empathy and dreams. For a true, science based and supported, social democracy. Absolutely not in favour of any form of dictatorship, be that fascist or socialist. However, and to be clear - I am not somewhere in the middle, nor on a fence ;)

Musically, I like to think that I am influenced by classical music, as well as death and doom metal, gospel, blues, country, 80's pop, east-german 80's punk, gothic rock, Enya and, of course, Abba, however, when I listen to the stuff I churn out when I'm experiencing just the right level of depression, I can't help but be reminded of classics like 'Da Da Da' by Trio or 'I'm too sexy for my shirt' by Right Said Fred.
I'd love to liken my voice to heroes like David Bowie, Nick Cave, Blixa Bargeld, Peter Murphy, Andrew Eldritch, Dave Gahan, Marc Almond, Peter Steele and so many other real singers out there, but have to honestly say that, by carefully resisting the need to actually hit notes befitting the underlying musical arrangements, harmonies and ambience, I've managed to create a perfectly detuned and emotionally confused, yet consistently dislikeable style of my own. I wish I could say it grows on you ...

As all my remaining friends despair of my tyrannical tendencies (proudly displayed by diva-like tantrums) when participating in collaborative attempts to achieve somewhat melodious and/or rhythmic proclamations, I tend to squeeze these out all by my lone self. Should anyone out there feel capable (and inspired) to deal with an eternally intoxicated (by his own ego) and therefore very very angry individual, that (who?) is yet confusingly happy to sensually scream along any old tune (that does not glorify fascism), then please get in touch. 

Also happy if you get in touch if none of the above makes any sense to you, but you do like one or two of my songs - there must be someone out there ...

Thank you kindly for stopping by...

'Being humble dictates that I tell you not to take my music and words too seriously - but I don't mean it!' (Rausch, Psalm 384 (or thereabouts), 2021)

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